3,848 research outputs found
Marie-Joseph Chénier, Théâtre (Charles IX, Henri VIII, Fénelon, Timoléon), introduction, notes, chronologie et bibliographie par Gauthier Ambrus et François Jacob, Paris, Flammarion, 2002, coll. GF, n° 1128
No full textPascal Jean-Noël. Marie-Joseph Chénier, Théâtre (Charles IX, Henri VIII, Fénelon, Timoléon), introduction, notes, chronologie et bibliographie par Gauthier Ambrus et François Jacob, Paris, Flammarion, 2002, coll. GF, n° 1128. In: Littératures 47, automne 2002. Fictions du savoir à la Renaissance. pp. 188-189
Samuel Beckett and the Writers of Port-Royal
No full textIt has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Christophe Gauthier - A l'école de la mémoire
No full textMémoire pour l'obtention du diplôme de conservateur de bibliothèque, rédigé par Christophe Gauthier, sous la direction de Pascal Ory, et intitulé : A L'ÉCOLE DE LA MÉMOIRE La constitution d'un réseau de cinémathèques en milieu scolaire (1899-1928) C'est dans le contexte plus général d'une étude sur 1'eclosion du patrimoine et de l'histoire du cinéma que s'inscrit ce mémoire. Après un bref aperçu de 1'evolution du cinéma scolaire avant la Première guerre mondiale, il apparaît que le souci de ..
L’ambitieux projet de l’abbé Joseph-Arthur Gauthier
No full textCet article retrace l’histoire des travaux d’envergure et des corvées populaires qui ont donné naissance à un cimetière paroissial et à un parc thématique dédié aux Saints Martyrs canadiens uniques en leur genre dans notre province. Situé dans le secteur de Giffard dans l’arrondissement de Beauport à Québec, l’ensemble est l’oeuvre d’un homme de foi qui souhaitait offrir une sépulture monastique pour les défunts et un parc des Martyrs pour les pèlerins. Tel était l’ambitieux projet de l’abbé Joseph- Arthur Gauthier qui a dirigé la destinée de sa paroisse durant 37 années. Que reste-t-il du projet initial aujourd’hui ?This article traces the history of the large-scale public works and voluntary efforts that gave birth to a parochial cemetery and a unique theme park dedicated to the Canadian Holy Martyrs in Québec. Situated in the Giffard sector of the district of Beauport in Québec City, the site is the work of a man of faith who wished to create a monastic gravesite for the deceased martyrs and a commemorative park for pilgrims. Such was the ambitious project of Father Joseph-Arthur Gauthier, who was in charge of the local parish for 37 years. We now ask : What is left of the initial project today
Les cuirassiers de Reichshoffen : chant patriotique créé par Mr Gauthier aux Ambassadeurs [illustration non signée ou signée illisible sur l'exemplaire] [1871]
No full textLes cuirassiers de Reichshoffen : chant patriotique, créé par Mr Gauthier aux Ambassadeurs ; paroles de Mrs H. Nazet [Hippolyte Nazet (1839-1878)] et Villemer [Gaston Villemer (1842-1892)] ; musique de F. Chassaigne [Francis Chassaigne (1847-1922)] ; [illustration non signée ou illisible]. 10e édition. Paris, Tralin éditeur [Pascal Tralin (1835-1893)] ; [intérieur : chanté par Mme Bordas au Concert Parisien, créé par Mr Gauthier au Concert des Ambassadeurs ; cotage PT1511]. Catalogue verso Tralin. Incipit : "Ils reculaient, nos soldats invincibles". datation du titre, 1871 ; datation de l'exemplaire 1887 (hypothèse à confirmer)
Les cuirassiers de Reichshoffen : chant patriotique créé par Mr Gauthier aux Ambassadeurs [illustration non signée ou signée illisible sur l'exemplaire] [1871]
No full textLes cuirassiers de Reichshoffen : chant patriotique, créé par Mr Gauthier aux Ambassadeurs ; paroles de Mrs H. Nazet [Hippolyte Nazet (1839-1878)] et Villemer [Gaston Villemer (1842-1892)] ; musique de F. Chassaigne [Francis Chassaigne (1847-1922)] ; [illustration non signée ou illisible]. 10e édition. Paris, Tralin éditeur [Pascal Tralin (1835-1893)] ; [intérieur : chanté par Mme Bordas au Concert Parisien, créé par Mr Gauthier au Concert des Ambassadeurs ; cotage PT1511]. Catalogue verso Tralin. Incipit : "Ils reculaient, nos soldats invincibles". datation du titre, 1871 ; datation de l'exemplaire 1887 (hypothèse à confirmer)
Sabil and Wikala of Dhul Fiqar Oda Bashi
No full textinterior, courtyard, "Vue de l'Okel Zoulfiqar," color plate XLIV of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
First person - Aude Pascal
No full textInternational audienceFirst Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Aude Pascal is first author on `Annexin A2 and Ahnak control cortical NuMA-dynein localization and mitotic spindle orientation', published in JCS. Aude is a research assistant in the lab of Re ' gis Giet at University of Rennes, France, who is particularly interested in developmental biology. She has always been struck by the fact that a whole organism displaying multiple functions arises from a single cell. For this reason, she has oriented her research on mitosis and meiosis to study the different steps, components and structures involved in these processes
Pascal Tutorial, 1987
No full textThere exists a limited number of tutorials for the Pascal programming language using the Apple Computer. The demand for these tutorials exceeds the supply. In this thesis an attempt was made to rectify this shortage by designing a Pascal tutorial for the Apple computer. This Pascal tutorial is designed to assist with instructing an introductory computer programming course in Pascal, incorporating Apple Superpilot as the authoring language. Emphasis is placed on making the program "user friendly." A person with no previous programming experience should be able to easily execute this tutorial. The information presented as the subject matter of the tutorial will follow the guidelines recommended by the Association for Computing Machinery
Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826
No full textgeneral view, "Vue des Tombeaux au Nord-Est de la Ville," color plate LXIII of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
- …
