1,361 research outputs found
Who Is and Who Should Be a European? Cosmopolitan? Monika Wolting Talks with Artur Becker
Artur Becker is a Polish-German author living in Germany. He has lived in Germany since 1985. and has written novels, short stories, poems and essays and also works as a translator. Becker was awarded the Adelbert von Chamisso Prize by the Robert Bosch Foundation in 2009, and the DIALOG Prize of the German-Polish Association in 2012.Artur Becker ist ein seit 1985 in Deutschland lebender polnisch-deutscher Autor. Becker schreibt Romane, Erzählungen, Gedichte und Aufsätze und ist als Übersetzer tätig. Becker wurde 2009 mit dem Adelbert-von-Chamisso-Preis der Robert Bosch Stiftung ausgezeichnet, 2012 erhielt er den DIALOG-Preis der Deutsch-Polnischen Gesellschaft Bundesverband.Artur Becker, polsko-niemiecki pisarz, prozaik, eseista i tłumacz, zajmuje stanowisko w kluczowych kwestiach trwale obecnych w jego twórczości prozatorskiej i eseistycznej: kraj pochodzenia (Warmia i Mazury), wielokulturowość (transkultura), Kosmopolak, emigracja, literatura polityczna, polskość, niemieckość
Around Processes of Accumulation and Diversification of Power. Transcript of a de bate on "Jedność i podział władzy" of Artur Ławniczak with participation of Mieszko Ciesielski and Arkadiusz Lewandowski
Prowadzenie: Krzysztof Brzeszczyn.The discussion on Artur Ławniczak's "Jedność i podział władzy" [Unity and Division of Power], was focused on three issues: religious sources of state author ities (power), the advantages and disadvantages of Montesquieu’s tripartition of powers, and the nature and threats of totalitarianism
O teatro : Artur Azevedo e as cronicas da Capital Federal (1894-1908)
Orientador : Orna Messer LevinDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da LinguagemResumo: Esta tese contém uma antologia anotada das crônicas intituladas "O Teatro", escritas por Artur Azevedo e publicadas no jornal A Notícia entre setembro de 1894 e setembro de 1908. Um ensaio introdutório apresenta as crônicas. Este procura definir o perfil intelectual de Artur Azevedo e os critérios utilizados por ele na crítica teatral. O ensaio analisa os assuntos abordados pelo autor e as características formais dos textosAbstract: This thesis contains an anthology of Artur Azevedo's chronicles, entitled "O Teatro" (The theater) and published in the newspaper A Notícia (The News) between September 1894 and September 1908. An introductory essay presents the chronicles. It intends to define Artur Azevedo's intellectual contour and the standards used by him in the theatrical critics. The essay analyses the subjects pondered by the author and the formal distinctions of the textsMestradoTeoria LiterariaMestre em Letra
Artur Dzierzbicki — żołnierz i obywatel
On 21 August 1921, Józef Piłsudski, the marshal of the Polish army and the main politician in Poland those days, pinned the Virtuti Militari cross on the veterans of the January Uprising. The ceremony took place on the slopes of the Warsaw Citadel, which is a symbol of the suffering of the Polish nation. Few soldiers of the Uprising received this most significant Polish military decoration. Artur Dzierzbicki was one of them. The author of this article presents Dzierzbicki’s combat trail as well as tries to show – based on the 19th-century press and vital records – the life of this outstanding Pole from the Kalisz region.Marszałek Józef Piłsudski 21 sierpnia 1921 r. na stokach warszawskiej Cytadeli przypiął order wojenny ‒ krzyż Virtuti Militari ‒ weteranom powstania styczniowego. Niewielu żołnierzy powstania otrzymało najwyższe polskie odznaczenie wojenne. Jednym z nich był Artur Dzierzbicki. Autor artykułu przedstawia szlak bojowy Dzierzbickiego, a także próbuje pokazać życie tego wybitnego dla ziemi kaliskiej Polaka na podstawie XIX-wiecznej prasy i dokumentów metrykalnych
‘Charming the the audience’. Artur Rubinstein’s music and literary strategies
The article discusses the autobiographical work of Artur Rubinstein entitled My Many
Years. The author of the article is interested in how the virtuoso pianist writes about
music and his inspiring performances. On the one hand, Rubinstein defends the right to
a certain freedom in realizing the score, the other hand, he is ashamed to admit ignoring
the role of practising the piano. The author of the article treats the pianist’s declarations
as a kind of autocreation literary game.Publikacja dofinansowana przez Wydział Filologiczny U
Four Poems
ARTUR LUNDKVIST OF Solna, Sweden is the author of many books, including Agadir (translated into English by William Jay Smith and Leif Sjoberg, 1979). He has had a major influence on contemporary Swedish literature through both his own writings and his translations
Shame, guilt and psychopathology - transdiagnostic approach
Adamczyk Artur. Shame, guilt and psychopathology - transdiagnostic approach. Journal of Education, Health and Sport. 2017;7(4):420-434. eISSN 2391-8306. DOI http://dx.doi.org/10.5281/zenodo.495759
http://ojs.ukw.edu.pl/index.php/johs/article/view/4389
https://pbn.nauka.gov.pl/sedno-webapp/works/814489
The journal has had 7 points in Ministry of Science and Higher Education parametric evaluation. Part B item 1223 (26.01.2017).
1223 Journal of Education, Health and Sport eISSN 2391-8306 7
© The Author (s) 2017;
This article is published with open access at Licensee Open Journal Systems of Kazimierz Wielki University in Bydgoszcz, Poland
Open Access. This article is distributed under the terms of the Creative Commons Attribution Noncommercial License which permits any noncommercial use, distribution, and reproduction in any medium,
provided the original author(s) and source are credited. This is an open access article licensed under the terms of the Creative Commons Attribution Non Commercial License
(http://creativecommons.org/licenses/by-nc/4.0/) which permits unrestricted, non commercial use, distribution and reproduction in any medium, provided the work is properly cited.
This is an open access article licensed under the terms of the Creative Commons Attribution Non Commercial License (http://creativecommons.org/licenses/by-nc/4.0/) which permits unrestricted, non commercial
use, distribution and reproduction in any medium, provided the work is properly cited.
The authors declare that there is no conflict of interests regarding the publication of this paper.
Received: 25.03.2017. Revised 27.03.2017. Accepted: 07.04.2017.
Wstyd, poczucie winy i psychopatologia — podejście transdiagnostyczne
Shame, guilt and psychopathology - transdiagnostic approach
mgr Artur Adamczyk
Artur Adamczyk, Psychology MSc
mgr Artur Adamczyk
Artur Adamczyk, Psychology MSc
Słowa kluczowe: wstyd, poczucie winy, psychopatologia, podejście transdiagnostyczne
Key words: Shame, guilt, psychopathology, transdiagnostic approach
Streszczenie w języku polsku:
Wstyd i poczucie winy należą wspólnie do kategorii emocji samoświadomościowych, posiadają one jednak różny wpływ na dobrostan psychiczny człowieka. Praca ma na celu przeprowadzenie systematycznego przeglądu literatury przedmiotu i przestawienie wniosków wskazujących na potencjalne transdiagnostyczne właściwości wstydu w odniesieniu do różnych zaburzeń psychicznych występujących w podręcznikach diagnostycznych.
Streszczenie w języku angielskim:
Shame and guilt belong together to the self-conscious emotions, but they have different effects on human psychological well-being. The work aims to present a systematic review of knowleadge on the subject and to present conclusions suggesting the potential transdiagnostic properties of shame in relation to various psychiatric disorders present in diagnostic manuals
Artur Azevedo's comedies : in search for the history
Orientador: Orna Messer LevinTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da LinguagemResumo: Nesta tese analisamos nove comédias de Artur Azevedo, escritas entre 1897 e 1908: ACapital Federal, O Badejo, O Retrato a Óleo, A Fonte Castália, O Mambembe, O Dote, O Oráculo, O Cordão e Vida e Morte. Estudamos as peças a partir da análise da recepção de crítica e de público obtida por elas em suas primeiras representações, somada às concepções teóricas do autor, a fim de sublinhar sua relevância para o período em que foram escritas e de iluminar o conhecimento sobre a personalidade intelectual de Artur Azevedo. Em especial, nosso trabalho voltou-se para a relação do comediógrafo com os espectadores para os quais elaborou cada comédia, porque constatamos que a compreensão de sua dramaturgia centra-se nesse relacionamento. Refletimos sobre os elementos literários e teatrais (aspectos formais, construção das personagens, linguagem, enredos), a fim de comprovar o valor estético e a perenidade de alguns textos, assim como os problemas estruturais de outros. Verificamos que os elementos textuais também receberam interferência do gosto do público, o que enfatiza o caráter de Artur Azevedo como homem de teatro, não apenas como dramaturgoAbstract: In this thesis we study nine of Artur Azevedo¿s comedies, written between 1897 and 1908: A Capital Federal, O Badejo, O Retrato a Óleo, A Fonte Castália, O Mambembe, O Dote, O Oráculo, O Cordão and Vida e Morte. We examined the reception of the plays¿ first presentations and Artur Azevedo¿s ideas to base our research, in order to emphasize it¿s importance in the historical period and to enlighten the knowledge about the author¿s intellectual personality. In especial, our work was directed to the relation between the writer and the spectators towards whom he created each comedie, because we ascertained that the comprehension of his dramaturgy is centered in this relationship. We studied the literary and theatrical elements (composition, language, characters, plot) of the plays with the purpose of assuring the esthetical value of some texts, as well as the structural problems of others. We verified that the text elements received interference from the audience¿s taste, which emphasizes the aspect of Artur Azevedo¿s character as a man of theater, not only a playwrightDoutoradoLiteratura BrasileiraDoutor em Teoria e História Literári
Young Poland
Title: Młoda Polska (Young Poland) Originally published: Cracow, Życie 1898, No. 15, 16, 18, 19, 24 and 25 Language: Polish The excerpts used are from Maria Podraza-Kwiatkowska ed., Programy i dyskusje literackie okresu Młodej Polski (Wrocław: Ossolineum, 1973), pp. 96–125. About the author Artur Górski [1870, Cracow – 1959, Warsaw]: literary critic, writer and translator. As a graduate of law from Cracow University, Górski joined the Polish Socialist Party in 1892, but soon reverted to Catho..
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