1,721,399 research outputs found
Nascere, rinascere, ricominciare. Atti del convegno internazionale di studi L'Aquila, 18 e 18 giugno 2015.
No full textCambiando pelle
No full textIntroduzione a un volume dedicato all'analisi della rinascita come tema letterario nella tradizione italiana dalle origini al Novecento
L’èkphrasis come finestra tra due mondi. Su Nell’occhio di chi guarda, a cura di C. Bertoni, M. Fusillo, G. Simonetti (Roma, Donzelli, 2014, 199 pp., ISBN 978-88-6843-069-6) (pp. 449-452)
No full textL’èkphrasis come finestra tra due mondi. Su Nell’occhio di chi guarda, a cura di C. Bertoni, M. Fusillo, G. Simonetti (Roma, Donzelli, 2014, 199 pp., ISBN 978-88-6843-069-6) (pp. 449-452
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Baudelaire tradotto dai poeti: ‘A une passante’ nel Novecento italiano
No full textIl saggio ripercorre le traduzioni italiane del sonetto A una passante, dalle Fleurs du mal di Baudelaire, a partire dalla versione di Sonzogno (1893) alle traduzioni d'autore pubblicate nel corso del Novecento (da Paolo Buzzi, che traduce Baudelaire nel 1917, all'edizione dei Fiori del male di Attilio Bertolucci del 1975, sino alle traduzioni di Giovanni Raboni e Gesualdo Bufalino)
- …
