2,201 research outputs found
Postal de Claudio Vivas a Maruja Vieira, junio 23 de 1955
No full textPostal de Claudio Vivas a Maruja Vieira, felicitándola por el reconocimiento que le fue otorgado a la autora de poemasPostcard from Claudio Vivas to Maruja Vieira, congratulating her for the recognition given to the author of poems.Publicación, fondo Maruja Vieira, carpeta 1, folio
“Dialogue between Translators and Authors. The Example of Claudio Magris”
No full textThe paper focuses on the forms of cooperation between authors and their translator(s) in all cases in which the two operate simultaneously. This issue is explored on the example of the Trieste-born author Claudio Magris, who cultivates a very close relationship with most of his translators.
Writing and translation have been coexisting in this author throughout his career and have resulted in the heightened sensitivity of Magris the author with regards to translation, as the first part of the analysis shows. The second part describes the dialogue between Magris and the translators of his works, and ends with the more general question of the significance and role of such a form of exchange
Consideraciones sobre la poética de Claudio Rodríguez
Full text linkThe purpose of this paper is to study the poetics of Claudio Rodríguez, delimiting its components and trying to clarify them and to present them as a whole. The author left some pages written on his conception of poetry that encourage reflection and, in some cases, interpretation. So with his conception of poetry as a gift and inebriation, as an alliance and condemnation or celebration (giving title to his collections of poems), or with notions such as «participation», «living contemplation», «living expression » or «personal rhythm» that make up his way of understanding the poetic process.El propósito de este artículo es estudiar la poética de Claudio Rodríguez, deslindando sus componentes y tratando de clarificarlos y presentarlos en su conjunto. El autor dejó escritas algunas páginas sobre su concepción de la poesía que animan a la reflexión y, en algunos casos, a la interpretación. Así sucede con su concepción de la poesía como un don y una ebriedad, como alianza y condena o como celebración (que dan título a sus poemarios), o con nociones como las de «participación», «contemplación viva», «expresión viva» o «ritmo personal», que configuran su forma de entender el proceso poético
ELEMENTOS ESTRUTURAIS NA SINFONIA Nº 10 – AMAZONAS, DE CLAUDIO SANTORO
No full textEste artigo apresenta uma análise da Sinfonia no 10 – Amazonas, de Claudio Santoro, composta em 1982, apontando seus elementos estruturais, tendo como base a Versão para dois pianos e barítono da referida sinfonia, elaborada por esta autora.
Abstract
This article shows an analysis of the Claudio Santoro’s Symphony no 10, composed in 1982, appointing the structures elements as based on Version for two pianos and baritone by the author
El Tlacuache Núm. 683 (2015). 683 Año 13 (2015) julio. El Tlacuache
No full textPueblos Indígenas y Minas de Hielo en la Nueva España por Ricardo Claudio Pacheco Bribiesca
The Author In Front of the Mirror, by Claudio de la Torre. Study and Critical Edition
No full textEl presente trabajo da a conocer el texto completo titulado El autor ante el espejo, del escritor español Claudio de la Torre (Las Palmas de Gran Canaria, 1895 – Madrid, 1973), nunca publicado en su integridad antes y destinado para una conferencia que, al parecer, se suspendió en 1970. El lector encontrará en él un recorrido en primera persona por algunos acontecimientos tanto familiares como históricos que marcaron la vida del autor y por lo más importante de su producción dramática, así como una buena oportunidad para conocer algunos de sus procesos de trabajo, conflictos, contextos y aspiraciones personales.This paper reveals the complete text titled The Author In Front of the Mirror by the Spanish writer Claudio de la Torre (1895, Las Palmas de Gran Canaria – 1973, Madrid), never before published in its entirety and destined for an apparently cancelled conference in 1970. The reader will encounter within a first-person journey through family related as well as historic events that marked the author's life and through the most important of his dramatic works equally a good opportunity to get to know some of his creative processes, conflicts, contexts and personal aspirations.226187ESCI0,016Q4D9ERIH PLU
El Tlacuache Núm. 480 (2011). 480 Año 11 (2011) agosto. El Tlacuache
No full textLos glaciares del Popocatepetl y la nieve de limón en Hueyapan, Morelos. Dos víctimas del cambio climático por Ricardo Claudio Pacheco Bribiesca. -Geometría de la imaginación, Morelos,Diseño e Iconografía
The Novelist and the Archivist. Fiction and History in Alessandro Manzoni's The Betrothed
No full textThe book opens with an introduction by John Jeffries Martin on Alessandro Manzoni and his great novel I promessi sposi (The Betrothed). Martin stresses Manzoni’s brilliance as a novelist and a historian – both his sophisticated use of sources and his subtle blending of history and fiction in what is one of Europe’s most powerful works of historical writing.
Claudio Povolo’s book then examines the surprising coincidences between Manzoni’s great novel and a trial held between 1605-07 by order of an important Venetian magistracy for a series of violent acts and rapes committed against the population of a small village in the Veneto. As Povolo shows, the protagonists and the events found in the records of the trial follow the same narrative structure as the novel. These coincidences lead to the hypothesis that Manzoni must have been able to consult the records of this criminal trial, which along with many other documents had been transferred to the great archive of the Venetian Frari after the fall of the Serenissima. The comparison of the novel with the trial is illuminating, as it allows us to grasp the complex interrelations between history and narrative, and among reality, verisimilitude, and imagination. In the afterward the author takes into consideration other possible interpretations, but ultimately the initial thesis and the arguments brought forward to support it are, beyond any reasonable doubt, more convincing than the other hypotheses and explanations formulated up to now by literary critics
Claudio Magris: dialektyka harmonii i rozpadu
No full textArtykuł jest poświęcony twórczości eseistycznej Claudio Magrisa, wybitnego włoskiego eseisty i badacza kultur z obszaru Europy Środkowej oraz Bałkanów. Podstawa rozważań są znane prace Magrisa, zwłaszcza „Mikrokosmosy”, „Dunaj”, „Podróż bez końca”. Autor artykułu wydobywa ważne wątki twórczości Magrisa: wątek nostalgii i melancholii, harmonii i rozpadu. Dokonuje analizy myśli Magrisa, odnosząc wskazane wątki do świata, w którym autor „Dunaju” zakorzenia, najważniejsze według niego, wartości Europy Środkowej. Jest to świat nieistniejącej austro-węgierskiej monarchii sprzed roku 1918, pokazany w kontekście współczesnego rozpadu humanizmu, norm moralnych i totalnego relatywizmu.The article is dedicated to the essayistic work of Claudio Magris, a great Italian essayist and researcher of culture in Eastern Europe and the Balkans. Magris’ well-known works such as “Microspaces”, “The Danube” and “Endless travels” constitute the foundation for the discussion. The author of the article extracts important plots in Magris’ works such as nostalgia and melancholy, harmony and disintegration. He carries out an analysis of Magris’ writings bymeans of referring the above mentioned plots to the world in which the author of “The Danube” sees the roots of the most important in his opinion values of Central Europe. It is a world of the non-existent Austro-Hungarian monarchy from before 1918 shown in the context of the fall of humanism, moral norms and absolute relativism.
La spiritualità nell’arte contemporanea: Claudio Parmiggiani
No full textThe text takes up almost literally, except for some inevitable formal changes, the content of the Lectio magistralis held by the author on June 2019 in Reggio Emilia at the church of San Filippo Neri in Reggio Emilia. The article examines the relationship between Claudio Parmiggiani’s work and the dimension of spirituality: “That which is spiritual of Parmiggiani - the author writes - is a spiritual rooted in the immanence of life, in the mystery of life.” In the article several works by the artist are taken into consideration: starting from the High Altar of the Cathedral of Reggio Emilia in 2011 going back to the Delocations of 1970.Il testo riprende quasi letteralmente, salvo qualche inevitabile modifica di carattere formale, il contenuto della Lectio magistralis tenuta dall’autore nel giugno 2019 presso la chiesa di San Filippo Neri a Reggio Emilia. L’autore prende in esame il rapporto tra l’opera di Claudio Parmiggiani e la dimensione della spiritualità: “Lo spirituale di Parmiggiani è uno spirituale che si radica nell’immanenza della vita, nel mistero della vita”. Nell’articolo vengono prese in considerazione diverse opere dell’artista: a partire dall’Altare maggiore del Duomo di Reggio Emilia del 2011 risalendo fino alle Delocazioni del 1970
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