1,721,008 research outputs found
PER UNA CAMPANIA DIALETTALE
No full textIl lavoro partendo dalla raccolta dati sul campo ha il fine di indicare i parametri linguistici che definiscono la "campanicità" di un dialetto. Questo permette di definire i confini geografici che indican
Tra etimologia romanza e dialettologia. Studi in onore di Franco Fanciullo
No full textIl volume raccoglie quaranta saggi di studiosi italiani e stranieri introdotti da una Premessa dei Curatori, scritti in occasione del settantesimo compleanno di Franco Fanciullo
Le parlate lucane e la dialettologia italiana
No full textNel volume sono raccolti saggi dialettologici scritti in memoria di Gerhard Rohlf
Il genere ʕayṭa come repertorio linguistico. La ʕayṭa di Xarbūša e la varietà rurale di ʕAbda (Marocco)
No full textQuesto contributo, dedicato al professor Franco Fanciullo, si propone di offrire un’analisi linguistica del genere musicale della ʕayṭa, in particolare, attraverso l’analisi di una canzone, la ʕayṭa di Xarbūša, che costituisce un unicum perché rappresenta l’unica testimonianza che dà una visione, sia pur limitata ad alcuni tratti linguistici, di quella che era la situazione dialettale della regione di ʕAbda (Marocco) alla fine del XIX secolo
Sull’abuso dell’opacità in fonologia: prove dai dialetti italiani
Full text link'Il volume raccoglie quaranta saggi offerti a Franco Fanciullo da colleghi e amici in occasione del suo settantesimo compleanno. Contributi di: Maria Giovanna Arcamone, Francesco Avolio, Marina Benedetti, Maria Patrizia Bologna, Rosario Coluccia, Carlo Consani, Franco Crevatin, Pierluigi Cuzzolin, Alessandro De Angelis, Nicola De Blasi, Paolo Di Giovine, Pietro Umberto Dini, Lorenzo Filipponio, Renato Gendre, Mariafrancesca Giuliani, Cristina Guardiano, Giuseppe Longobardi, Melita Stavrou, Paola Crisma, Romano Lazzeroni, Adam Ledgeway, Norma Schifano, Michele Loporcaro, Giovanni Lupinu, Martin Maiden, Io Manolessou, Angela Ralli, Carla Marcato, Issam Marjani, Giovanna Marotta, Filippo Motta, Maria Napoli, Alberto Nocentini, Andrea Nuti, Giulio Paulis, Paolo Poccetti, Stella Retali-Medori, Domenica Romagno, Francesco Rovai, Giovanni Ruffino, Andrea Scala, Domenico Silvestri, Giuseppina Silvestri, Rosanna Sornicola, Fiorenzo Toso. (...)'
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
