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La Città e la casa: spazi urbani e domestici in Maria Aurèlia Capmany, Natalia Ginzburg, Elsa Morante e Mercè Rodoreda
Full text linkThis research collects texts from Maria Aurèlia Capmany, Natalia Ginzburg, Elsa Morante and Mercè Rodoreda, four great female authors of the twentieth century, with the aim of reconstructing the physical spaces they described in their books. These texts offer several cues to reflect on the representation of space in female literature. The study starts from the canonical contrast between the internal space, linked to the primary perception, and the external space, regulated by social dynamics. More specifically, the effects of the caused by the prevarication of the former on the latter. The goal is not to draft an exhaustive history of theories of space in literature but, once the distinctive features are highlighted, to investigate through the novel the depths of individual feeling that, in the case of female subjectivity, shows several critical issues
Josep Yxart crític, un memoràndum de lectura
No full textCrític, historiador, periodista, traductor, poeta i narrador, Yxart va ser un dels intel·lectuals que, entre 1852 i 1895, visqué els canvis ideològics, estètics i polítics que trobarem a la base del segle XX. La seva obra, fruit d’una mediació entre romanticisme i positivisme, va ser essencialment original, moderna i, alhora, arrelada en la tradició literària catalana. A través de l'anàlisi de textos crítics escollits, s’emmarcarà, encara que de manera sintètica, l’obra i l'esperit crític d'un autor al qual, entre altres coses, se li va reconèixer el mèrit d'haver estat un dels primers que van introduir el naturalisme a Catalunya.Critic, historian, journalist, translator, poet and narrator, Yxart was one of the intellectuals who, between 1852 and 1895, experienced the ideological, aesthetic and political changes that we will find at the base of the 20th century. His work, the result of a mediation between romanticism and positivism, was essentially original, modern and, in turn, rooted in the Catalan literary tradition. Through the analysis of selected critical texts, it will be framed, albeit in a synthetic way, the work and critical spirit of an author who, among other things, was recognized for having been one of the first to introduce naturalism to Catalonia
Prefazione. Esperienze interiori della cita
Full text linkPresentation of the volume La città e la casa
Spazi urbani e domestici in Maria Aurèlia Capmany, Natalia Ginzburg, Elsa Morante e Mercè Rodoreda, by Emanuela Forgett
Yxart i Capuana, la difficoltà di essere il primo
No full textEn el present article es tractarà la relació entre l’obra i el pensament de dos intel·lectuals, el català Josep Yxart i l’italià Luigi Capuana. Mirar cap a les noves teories franceses —ambdós van reflexionar sobre les teories estètiques de Taine i sobre les propostes metodològiques de Zola— constituïa per a ells la possibilitat d’eliminar el provincialisme de l’art, i alhora la novel·la, en contraposició a la poesia retòrica, representava un exemple de “modernitat”. D’un món romàntic-idealista estant, amb totes les implicacions morals i estètiques, els dos intel·lectuals convergiran cap al nou procediment naturalista i esdevindran dos dels primers precursors en els seus respectius països.This article refers to the work and correlation of two intellectuals, the Catalan Josep Yxart and the Italian Luigi Capuana. Observing the new French theories —both intellectuals have reflected on Taine’s aesthetic theories and Zola’s methodological proposals— allowed them to eliminate the provincialism of art. The novel, meanwhile, as opposed to rhetoric poetry, represented an example of "modernity". Beginning with a romantic-idealistic world, with all its moral and aesthetic implications, both intellectuals will converge on the new naturalist procedure, becoming the first pioneers in their countries.Nel presente contributo si affronterà il rapporto tra l’opera e il pensiero di due intellettuali, il catalano Josep Yxart e l’italiano Luigi Capuana. Volgere lo sguardo alle nuove teorie francesi —ambedue svolsero delle riflessioni sulle teorie estetiche di Taine e sulle proposte metodologiche di Zola— costituiva per loro la possibilità di eliminare il provincialismo dall’arte, mentre al tempo stesso il romanzo, in contrapposizione alla poesia retorica, rappresentava un esempio di “modernità”. Operando inizialmente in un mondo romantico-idealista, con tutte le sue implicazioni morali ed estetiche, i due intellettuali convergeranno verso il nuovo procedimento naturalista e ne diventeranno due dei primi precursori nei propri rispettivi paesi.
Ressenya a: Vicent Josep Escartí, I giorni dell’ira. Le vicende prodigiose di un nobile valenzano del secolo XVI. Traducció a l’italià a càrrec d’Anna Maria Compagna i Núria Puigdevall Bafaluy. Nàpols, Guida Editori (col·lecció Iberica Neapolitana), 2023.
No full textGoing Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Folguera-Riba, textos crítics
No full textCom emmirallant-se l'un en l'altre, Folguera i Riba emmarquen la seva visió crítica de la literatura a través d'alguns dels seus textos clau. En la seva perspectiva, el concepte d'arbitrarisme esdevé fonamental, adoptant sovint els matisos d'equilibri, classicisme i ordre. Per ambdós la qualitat de l’obra artística és fonamental i és abastable mitjançant la justa proporció entre el confort interior, l’ordre i el bon gust de la forma. I la lírica, des del seu punt de vista, lluny de ser un mer ornament, acaba sent l’element poètic essencial.As they reflect each other, Folguera and Riba frame their critical vision of literature through some of their key texts. In their perspective, the concept of arbitrariness becomes fundamental, often embracing nuances of balance, classicism, and order. For both, the quality of the artistic work is essential and can be achieved through the proper proportion of inner comfort, order, and good taste in form. And from their point of view, poetry, far from being a mere ornament, ultimately becomes the essential poetic element
Ramon Llull : l'allegorismo 'cortese' nell'Arbre de filosofia d'amor
No full textQuest'articolo verte principalmente sulla presenza di figure allegoriche nell'Arbre de filosofia d'amor di Ramon Llull. Poiché ebbe la possibilità di conoscere le mode letterarie parigine, ne sfrutta le risorse metaforiche per compensare la tecnicità del metodo combinatorio e utilizza belle immagini come supporto alla costante astrazione metafisica. Se in modo meticoloso elabora il suo sistema filosofico, in modo altrettanto meticoloso programma le figure che avrebbero dovuto rendere allettanti i suoi scritti. L'allegoria e il simbolismo arboreo, infatti, hanno nella sua opera sistemazione rigorosa che incrementa il suo valore estetico e gli permettono, una volta individuato il fondamento teologico o filosofico al quale far riferimento, di abbandonarsi al più alto lirismo.This article focuses mainly on the presence of allegorical figures in Ramon Llull's Arbre de filosofia d'amor (Tree of philosophy of love). Being acquainted with Parisian literary trends, he exploits their metaphorical resources to compensate for the technical nature of the combinatorial method and uses beautiful images to support the constant metaphysical abstraction. If he is meticulous in developing his philosophical system, then he is just as meticulous in setting out the figures that should make his writing attractive. In fact, the allegory and arboreal symbolism in his work have a rigorous arrangement that increases their aesthetic value and permits him, once the theological or philosophical structure of reference is identified, to indulge in the highest lyricism
Resencione del libro: Patricio Mulero, Maria (2023). Escriure la ciutat. La construcció literària de Barcelona a l’època contemporània (1970-2015)
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