148,106 research outputs found
Ferreira, Ferrari: ficções do exílio
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2015.Esta é uma leitura dos exílios de Ferreira Gullar e León Ferrari, durante as últimas ditaduras militares que tomaram conta do Cone Sul, incluindo Brasil e Argentina. Entre 1971 e 1977, Gullar passou por Moscou, Santiago, Lima e Buenos Aires, além de outras cidades, enquanto Ferrari, por sua vez, estabeleceu-se com sua família em São Paulo do final de 1976 até 1984, sendo que após esse período ainda dividiria por alguns anos a sua permanência entre a capital paulista e Buenos Aires. Alguns de seus mais notáveis trabalhos foram realizados no exílio, de modo que a configuração de uma paisagem ou cena exílica torna-se indissociável das experiências conduzidas com a linguagem. Em poucas palavras: embora marcado pela tanatopolítica castrense e pelo nomos gestor do capital global, é possível afirmar que o exílio não está dado de antemão e nem permanece sempre o mesmo, quer seja como dano ou como dádiva; é somente com a linguagem  a imagem, o sensível  que uma experiência exílica, sempre singular e radicalmente contemporânea, pode encontrar a sua superfície de exposição, quer dizer, a sua diferença. Conquanto sejam profundamente dessemelhantes, os exílios de Ferreira Gullar e León Ferrari não deixam de mostrar afinidades, sobretudo nos momentos em que suas experiências tocam um ponto comum: o espaço  um topos  a-tópico da impropriedade, da potência, da in-operatividade que, com a linguagem, resiste indomesticável às tentativas de cristalização da língua, do povo, do poder, da nação. Foucault, Saer, Coccia e outros autores franqueiam um pensamento da ficção enquanto construção contingencial capaz de desnaturalizar os usos do discurso e a teleologia que assedia constantemente a literatura, as artes, a história. De certo modo, a ficção ¬repete, expõe e portanto difere as fábulas, ao mesmo tempo em que expõe e difere a si mesma. É essa operação in-operante, esse trabalho afirmativo da negatividade que suspende a maquinaria imunitária, autonomista, da civilização ocidental e cristã.Abstract : This is a reading of both Ferreira Gullar and León Ferrari s exiles, during the last military dictatorships that took account of the Southern Cone, including Brazil and Argentina. Between 1971 and 1977, Gullar went through Moscow, Santiago, Lima and Buenos Aires, and other cities, while Ferrari settled with his family in São Paulo from late 1976 until 1984, and thereafter still divided for a few years his stay between São Paulo and Buenos Aires. Some of his most notable works were carried out in exile, so that the configuration of an exilic landscape or scene becomes inseparable from experiments conducted with language. In short, although marked by military thanatopolitics and the nomos of global capital manager, it is possible to say that exile is not given in advance and not always remains the same, whether as damage or as a gift; it is only with the language  the image, the sensible  that an exilic experience, always singular and radically contemporary, can find its exposure surface, that is, its difference. While they are profoundly dissimilar, Ferreira Gullar and León Ferrari s exiles show their affinities, particularly at times when their experiences play a common point: the space  a topos  a-topic of the impropriety, potency, of in-operativity that, together with language, resists untamable against all crystallization attempts on the idiom, people, power, and nation. Foucault, Saer, Coccia and other authors frank a thought of fiction as a contingency construction able to denature the uses of speech and the teleology that constantly haunts literature, arts, and history. In a way, fiction repeats, exposes and therefore differs fables, while exposes and differs itself. It is this in-operative operation, this affirmative work of negativity that suspends the immunitary machinery of Christian Western civilization
A new tool to fight coronary artery disease: The European Cook Book
No full textIt is widely believed that if only people ate more healthily, the
current pandemic of coronary artery disease would be much
reduced. But how can this relatively simple message be got
across? If proof were needed that there is still much to do, just
take half-a-dozen cardiologists out to lunch and see what they
choose from the menu! Someone who thinks he knows part of
the answer is Prof. Roberto Ferrari, from Ferrara, in northern
Italy, Past-President of the European Society of Cardiology
(ESC). He believes that much dietary advice is far too solemn
and the cardiovascular community needs to loosen up and make
the business of healthy eating much more fun. He comments:
‘Dieting is generally linked with unhappiness, and that is what we
should avoid. If we can achieve the “happy diet” people will be
much more willing to keep to it’
Motor racing, tobacco company sponsorship, barcodes and alibi marketing
No full textBackground Sponsorship of Formula One (F1) motor racing, which has been used as an indirect medium of tobacco advertising for several decades, was prohibited by the 2005 European Union Tobacco Advertising Directive. Most F1 tobacco sponsorship of motor racing in the EU has since ceased, with the exception of the Scuderia Ferrari team, which continues to be funded by Philip Morris. In 2007, the Marlboro logo on Ferrari cars and other race regalia was replaced by an evolving ‘barcode’ design, which Ferrari later claimed was part of the livery of the car, and not a Marlboro advertisement.
Objective: To determine whether the ‘barcode’ graphics used by Ferrari represent ‘alibi’ Marlboro advertising.
Methods Academic and grey literature, and online tobacco industry document archives, were searched using terms relevant to tobacco marketing and motorsport.
Results Tobacco sponsorship of F1 motor racing began in 1968, and Philip Morris has sponsored F1 teams since 1972. Phillip Morris first used a ‘barcode’ design, comprising red vertical parallel lines below the word Marlboro on the British Racing Motors F1 car in 1972. Vertical or horizontal ‘barcode’ designs have been used in this way, latterly without the word Marlboro, ever since. The modern ‘barcode’ logos occupied the same position on cars and drivers' clothing as conventional Marlboro logos in the past. The shared use of red colour by Marlboro and Ferrari is also recognised by Philip Morris as a means of promoting brand association between Marlboro and Ferrari.
Conclusion The Ferrari ‘barcode’ designs are alibi Marlboro logos and hence constitute advertising prohibited by the 2005 EU Tobacco Advertising Directive
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Réécritures en prose de poèmes hagiographiques français : premier recensement
No full textThis article presents a first inventory of hagiographic « mises en prose » ; these texts were written in the 13th-16th century, either to compensate
for the lack of Latin versions, or in order to provide more information on the saints’ lives and therefore
generate interest for the readers.Cet article présente un premier recensement des mises en proses hagiographiques réalisées entre le XIIIe et le XVIe s., soit à défaut d’un
modèle latin, soit dans le but de privilégier la diffusion d’un
texte plus riche en informations
sur la vie du saint, ou plus apte à susciter l’intérêt des lecteurs
«Amazonas de las letras», de Marta B. Ferrari
No full textReseña del libro Amazonas de las letras (Rosario, Mar Serena Ediciones, 2021), de Marta B. Ferrari
Come fare cose di parole
No full textPrefazione al discorso di Galdós pronunciato davanti alla Real Academia Espanol
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