1,722,268 research outputs found
Introduzione a "La visita pastorale di Federico Maria Molin nella diocesi di Adria (1806-1816)"
No full textViene analizzato il ruolo del vescovo Federico Maria Molin in una diocesi difficile come quella di Adria-Rovigo all'inizio dell'Ottocento, nella fase di passaggio dall' antico regime e dalla caduta della Serenissima all'età napoleonica ed asburgica. L'attenzione viene posta in particolare sui numerosi e ripetuti cambiamenti circoscrizionali, sulla presenza pletorica di parroci, cappellani e mansionari, sulle condizioni di vita della popolazione alle prese con eserciti in transito, alluvioni distruttive, malattie diffuse e povertà diffusa. L'analisi è estesa alle singole parrocchie
Federico Maria Pacces
No full textVoce bio-bibliografica dell'economista Federico Maria Pacces, dal 1933 docente di Tecnica aziendale presso la Scuola di perfezionamento in Scienze corporative dell'Università di Pisa e, dal 1938, presso l'Università di Torino
DIRITTO DEL LAVORO ANNO ZERO ? La contrattazione collettiva dopo l'accordo interconfederale del 28 giugno e le novità della Manovra Finanziaria
No full textMUCCIOLI, Federico Maria. «La Storia attraverso gli esempi. Protagonisti e interpretazioni del mondo greco in Plutarco». Milano, 2012.
Get PDF[ES] Reseña del libro Muccioli, Federico Maria: La Storia
attraverso gli esempi. Protagonisti e
interpretazioni del mondo greco in
Plutarco
Annuario per l'anno accademico 1960-61
No full textPaginazione dell'edizione cartacea: 625 p ; 25 cm. - Riproduzione digitale dell'edizione: Torino : Tipografia Arigianelli, [1961] . - Annuario dell'Università degli Studi di Torino (1960-61). - (Contiene: il discorso inaugurale "La formazione universitaria dei quadri dirigenti per l'industria" del prof. Federico Maria Pacces. - Cenni biografici su Pasquale Jannaccone, Giorgio Canuto, Walter Maturi, Anna Maria Di Giorgio, Romolo Quazza
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
What ECB speeches tell us about the battle of ideas during the Eurozone crisis
No full textA battle of ideas dominated the academic debate on the Eurozone crisis. One view stressed the importance of fiscal discipline, while the other highlighted the systemic roots of financial turmoil. Drawing on a new study based on a quantitative text analysis of ECB Executive Board members’ speeches, Federico Maria Ferrara shows how the ECB progressively moved from a fiscal to systemic narrative of the Eurozone crisis. The findings indicate that this shift anticipated and accompanied ECB President Mario Draghi’s “whatever it takes” pledge in summer 2012, and that the ECB’s ideational turn was incremental and driven by policy learning dynamics
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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