114 research outputs found
PERAN RADEN ONO LESMANA KARTADIKUSUMAH DALAM PERKEMBANGAN TARI WAYANG DI KABUPATEN SUMEDANG (1926-1987)
No full textSkripsi ini berjudul “Peran Raden Ono Lesmana Kartadikusumah dalam Perkembangan Tari Wayang di Kabupaten Sumedang (1926-1987)” berisi mengenai peranan salah seorang tokoh seni tari yang berupaya mengembangkan tari wayang Sumedang. sehingga masalah utama yang diangkat dalam skripsi ini adalah “Bagaimana peran Raden Ono Lesmana Kartadikusumah dalam perkembangan tari wayang di Kabupaten Sumedang (1926-1987)?”. Dari masalah utama tersebut kemudian dibagi menjadi beberapa pertanyaan penelitian yaitu: (1) Bagaimana latar belakang pendidikan Raden Ono Lesmana Kartadikusumah yang berkontribusi terhadap seni tari? (2) Bagaimana upaya Raden Ono Lesmana Kartadikusumah dalam mengembangkan tari wayang di Kabupaten Sumedang? (3) Bagaimana upaya pemerintah serta seniman dalam mengembangkan tari wayang di Kabupaten Sumedang?. Metode yang digunakan ialah metode historis dengan melakukan tiga langkah penelitian yaitu heuristik, kritik dan historiografi. Sedangkan untuk pengumpulan data penulis melakukan teknik studi literatur yaitu mengkaji sumber-sumber yang relevan dengan kajian penulis serta wawancara. Sebagai seorang ménak, merupakan suatu keharusan untuk dapat terampil menari. Mau tidak mau Rd. Ono sebagai seorang ménak harus mempelajarinya. Lewat belajar dengan berbagai guru, ia menjadi penari yang terampil dan berprestasi. Hal tersebut yang kemudian memotivasinya untuk menciptakan tari termasuk tari wayang. Melalui Sanggar Sekar Pusaka, ia mengembangkan tari wayang kepada masyarakat Sumedang. Pekerjaannya sebagai seorang camat yang menuntutnya untuk berpindah-pindah tempat memudahkan Rd. Ono dalam mengembangkan tari wayang di mana pun ia berada. Keberhasilannya dalam mengembangkan tari terlihat dari banyaknya antusiasme masyarakat untuk mempelajari tari wayang. Ketekunannya dalam mencipta, menari dan mengembangkan tari wayang menjadikan Rd. Ono dikenal sebagai Maestro Tari Wayang. ---------- This thesis is titled “The Role of Raden Ono Lesmana on the Spread of Wayang Dance in Sumedang regency (1926-1987)”, which tells role of one of dance art figures who strived to spread wayang dance of Sumedang, so that the main issue that discussed in this thesis is “What is role of Raden Ono Lesmana on the spread of wayang dance in Sumedang regency (1926-1987)?”. There are a few research questions that arise from that main issue, as follows: (1) What was educational background of Raden Ono Lesmana Kartadikusumah that contributed towards art of dance? (2) What did Raden Ono Lesmana Kartadikusumah do on spreading wayang dance in Sumedang regency? (3) What did the government with artist do on spreading wayang dance in Sumedang regency? Method used in this research was historical method by performing three research steps: heuristics, criticism and historiography. As for the data collection, author did literature study techniques that examine many sources relevant to author’s study, and also interview. As a ménak (noble), it was a must for him to be able to skillfully dance. Like it or not Rd. Ono as a ménak must learn about it. Through learning from various teachers, later he became a skilled and oustanding dancer. Those things motivated him to create dances including wayang dance. Through Sanggar Sekar Pusaka, he spread wayang dance to people of Sumedang. His profession as a camat (head of sub-district) that led him to move around made Rd. Ono easier to spread wayang dance wherever he was. His success on spreading the dance can be seen from the enthusiasm of the community to learn wayang dance. His persistence to create, dance and spread wayang dance made Rd. Ono is known as the Maestro of Wayang Dance
KERINDUAN YANG MENDALAM PADA PUISI PERAYAAN KESENDIRIAN KARYA TONI LESMANA: KAJIAN SEMIOTIKA RIFFATERRE
No full textSemiotics is a science in the field of literature discusses the signs and meanings contained in literary works. One of them is Michael Riffaterre's semiotics. In Riffaterre's theory of semiotics, the meaning of signs in a literary work is the task of its reader. This study focuses on explaining the impatience of expression, heuristic and hermenetic readings, matrices, and also hypograms in a poem entitled Perayaan Kesendirian written by Toni Lesmana. This article aims to understand and interpret Toni Lesmana ‘s poem, Perayaan Kesendirian, which was published on Basabasi.co on June 8, 2021, based on Riffaterre's semiotic theory. Research with the object of the poem entitled Perayaan Kesendirian was carried out because the meaning contained behind the string of arrays and diction in the poem seemed to be conveyed well to the author, in order that the research carried out could give an idea of meaning to the reader. This article is a qualitative research using descriptive methods, with literature review. The result obtained is the meaning of poetry obtained based on the unsustainability of expression with the discovery of several majas, and also ambiguous words, heuristic and hermeneutic readings that describe an array of poems, matrices, and hypograms that contain the overall meaning of longing in poetry. With the results obtained through Riffaterre's Semiotic theory, the meaning in the poem Perayaan Kesendirian can be better understood, namely about the longing experienced by the author or the character of Aku in the poem. The benefits obtained from this research are a good understanding and meaning of poetry for readers, readers are also expected to be able to interpret poetry with Riffaterre's semiotic theory, and of course this research is expected to be a good reference source in literary teaching
ETIKA JURNALISTIK DALAM PROSES PELIPUTAN BERITA
No full textOne of the activities carried out by journalists in their profession is covering the story. In the process of news reporting is done through personal initiative, assignment editors and invitations in the form of press conferences and press releases, journalists extremely vulnerable from the state to not abide by the code of professional conduct bears. Adherence to the Kode Etik Jurnalistik is a thing that should be done by journalists in Indonesia. However, educational or professional background, attitudes or beliefs held and meterialistik factors, as well as the speed issue makes a journalist is not easy to adhere to the Code of Ethics of Journalism although it is strongly associated with the moral responsibility of the journalist and the credibility of the media where journalists take shelter. Therefore, the company needs a firmness of the press in the pattern of recruiting journalists, conducting the training, and put the ideals on themselves journalists when they carry out the Kode Etik Jurnalistik, in particular in the process of news coverage
REPRESENTATION OF SINGLE FATHER IN THE MOVIE FATHERHOOD
No full textFilm is one of the media that is still often used by many
people to convey a message and have an
impact on a wide audience who enjoy it. One of them is the depiction of a person in a film that gives a message of its impression to the audience. Since the Covid-19 pandemic that entered Indonesia in March 2021, many people have died due to exposure to the virus. Not infrequently, some people have
also lost their parents during this pandemic, such as losing
their mothers and leaving fathers with their children. The
phenomenon of single fathers and their stories of defending
their families and raising their children eventually became
the main attraction for the audience. At the same time, a film
called Fatherhood was released which tells the story of a
single father and his daughter. The author conducted this
research because it was deemed to describe how a
single father faces the problems that surround him. The purpose of this study was to find out the message of the single father
representation conveyed in the media of this film. The
method used is Roland Barthes semiotics. Semiotics Roland
Barthes will discuss from 3 points of view, namely denotation,
connotation, and also myth. In this study, the theory used is
about single parent problems, Roland Barthes semiotics, and also films. The findings in this study are that every single father will face severalproblems such as work, child care, economy, and also social pressure
Saatnya Berlutut Bukan Menuntut
No full textBuku Mendadak Daring ini merekam pengalaman pribadi 43 (empat puluh tiga) orang dosen UK Petra dalam menjalankan Pembelajaran Jarak Jauh (PJJ) selama masa pandemi COVID-19 yang dimulai bersamaan dengan diberlakukannya Pembatasan Sosial Berskala Besar (PSBB) di kota Surabaya pada pertengahan Maret 2020 lalu.
Suka duka dan perjuangan para dosen UK Petra ini tertuang secara personal di dalam kisah-kisah unik dan menarik yang direkam dalam buku ini. Selain berperan sebagai memori kolektif atau memori institusi UK Petra, berbagai kisah yang disajikan di buku ini diharapkan dapat berperan sebagai sharing best practices bagi rekan-rekan sesama pendidik di Indonesia
Cangkrukan: Dari Masa Kuno ke Masa Kini
No full textArtikel ini mengisahkan perihal cangkruk dalam esensi dan konteksny
ETIKA JURNALISTIK DALAM PROSES PELIPUTAN BERITA
No full textOne of the activities carried out by journalists in their profession is covering the story. In the process of news reporting is done through personal initiative, assignment editors and invitations in the form of press conferences and press releases, journalists extremely vulnerable from the state to not abide by the code of professional conduct bears. Adherence to the Kode Etik Jurnalistik is a thing that should be done by journalists in Indonesia. However, educational or professional background, attitudes or beliefs held and meterialistik factors, as well as the speed issue makes a journalist is not easy to adhere to the Code of Ethics of Journalism although it is strongly associated with the moral responsibility of the journalist and the credibility of the media where journalists take shelter. Therefore, the company needs a firmness of the press in the pattern of recruiting journalists, conducting the training, and put the ideals on themselves journalists when they carry out the Kode Etik Jurnalistik, in particular in the process of news coverage
Feature Tulisan Jurnalistik yang kreatif
No full textTerdiri dari definisi tulisan feature, tipe tulisan feature serta teknik penulisan featur
KHALAYAK RADIO dan RUANG PUBLIK PADA ERA KONVERGENSI MEDIA Studi Kasus terhadap Khalayak Radio Suara Surabaya
No full textRadio siaran sebagai media massa konvensional mendapat anggapan
bahwa jumlah audiens (pendengar) mengalami penurunan. Perkembangan
teknologi komunikasi adalah salah satu cara bagi radio siaran untuk mencoba
mempertahankan pendengarnya dengan melibatkan audiens dalam proses
penyiaran.
Radio Suara Surabaya, yang merupakan radio siaran berkonsep jurnalistik,
melibatkan khalayaknya dalam proses penyiaran. Hal itu menyebabkan khalayak
radio siaran yang terhubung dengan penggunaan beberapa platform media
mengubah karakteristik atau tipologi. Penelitian ini melihat partisipasi audiensi
Radio Suara Surabaya di ruang publik pada era konvergensi media. Penelitian
dilakukan dengan pendekatan kualitatif dengan metode studi kasus.
Hasil penelitian ini menunjukkan bahwa di ruang publik, pemirsa Radio
Suara Surabaya berfokus pada tiga isu, yaitu masalah lalu lintas, masalah sosial
dan masalah politik. Sehubungan dengan konsep ruang publik yang ditawarkan
oleh Habermas, ditemukan bahwa ada batasan pada partisipasi publik dalam ruang
siaran. Namun, ini tidak dibenarkan oleh manajemen karena dianggap tidak sesuai
dengan visi yang diemban oleh Radio Suara Surabaya yang memprioritaskan
partisipasi publik dalam menjalankan proses demokrasi
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