664 research outputs found

    Ernest Thompson Seton: an unforgettable personality, by Edgar M. Robinson

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    This piece, titled “Ernest Thomas Seton: an unforgettable personality”, gives a first hand interpretation of who Ernest Thompson Seton (it is believed that whoever put the cover on this document spelled his name wrong) was through the eyes of Edgar Robinson. Robinson explains what a strong relationship the two of them had and what a strong mentor Seton was to Robinson. Ernest Thompson Seton was an author and illustrator of more than 50 works, and was largely responsible for the American Indian influence in the Boy Scouts of America that offered young people knowledge of an outdoor life based on Native American Indian customs, legends and beliefs. Seton was Chief Scout of the Boy Scouts of America from 1910 to 1915. Edgar M. Robinson was a 1901 graduate from the YMCA Training School, now Springfield college, where he later returned to serve on the faculty as the Honorary Director of Boys Work Courses and the Adviser in Methods and Principles in Work with Boys from 1927-1937.For biographical information on Edgar M. Robinson, see: https://springfield.as.atlas-sys.com/agents/people/554 For more information on Ernest Thompson Seton, see: https://springfield.as.atlas-sys.com/agents/people/553On the bottom of page number 1 there is a rip, which prevents part of the bottom two lines from being read. On that back of page number one appear the numbers "46757" written in pencil

    Ernest Thomas Seton: an unforgettable personality. (Draft with hand-written revisions)

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    This piece, titled “Ernest Thompson Seton: an unforgettable personality”, gives a first hand interpretation of who Ernest Thompson Seton was through the eyes of Edgar Robinson. Robinson explains what a strong relationship the two of them had and what a strong mentor Seton was to Robinson. This copy contains a letter written by Hanford M. Burr, faculty member at Springfield College, outlining changes he suggested for the manuscript. The document also contains handwritten notations, assumed to be by Burr, of suggested changes to the manuscript. Ernest Thompson Seton was an author and illustrator of more than 50 works, and was largely responsible for the American Indian influence in the Boy Scouts of America that offered young people knowledge of an outdoor life based on Native American Indian customs, legends and beliefs. Seton was Chief Scout of the Boy Scouts of America from 1910 to 1915. Edgar M. Robinson was a 1901 graduate from the YMCA Training School, now Springfield college, where he later returned to serve on the faculty as the Honorary Director of Boys Work Courses and the Adviser in Methods and Principles in Work with Boys from 1927-1937.For biographical information on Edgar M. Robinson, see: https://springfield.as.atlas-sys.com/agents/people/554 For more information on Ernest Thompson Seton, see: https://springfield.as.atlas-sys.com/agents/people/553This is a draft sent to H. M. Burr for revisions. The first sheet is a cover sheet that is written by H. M. Burr after he had completed his revisions and sent it back to Edgar Robinson

    Os paratextos das antologias brasileiras de contos de Edgar Allan Poe no século XXI

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014.Esta tese analisa elementos paratextuais em antologias brasileiras de contos de Edgar Allan Poe lançados ou reeditados nos doze primeiros anos do século XXI, verificando de que forma o autor e sua obra são apresentados ao leitor através desses paratextos. Para tanto, analiso quartas capas, orelhas, prefácios, posfácios e notas. O nível de participação do tradutor na utilização desses elementos é também examinado, para que se possa averiguar até que ponto esse intermediador de culturas teve visibilidade nas publicações. A referida análise é norteada, principalmente, pelos fundamentos teóricos de Gérard Genette, sobretudo em seu livro intitulado Paratextos Editoriais (2009), do original Seuils (1987).Abstract : This thesis analyzes paratextual elements in Edgar Allan Poe's Brazilian anthologies of short stories published or reprinted in the first twelve years of the 21st century, observing how the author and his fictional writings are presented to the reader through those paratexts. Thus, I analyze back pages, flaps, forewords, afterwords, and notes. The use the translator made of those elements is examined in order to assess the translator's visibility in the published editions. The referred analysis is grounded mainly on Gérard Genette's theory, especially in his book entitled Editorial Paratexts (2009) from the original Seuils (1987)

    To what extent may the unfavorable viewpoints of critics on E. A. Poe's use of horror and social satire in his stories be refuted by examples from and analysis of the author's eight short stories?

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    With numerous short stories and poems, Edgar Allan Poe is considered to be the piquant and astounding milestone of the American Literature. Yet, his style and achievements have always been interpreted antagonistically by large numbers of critics. This study analyzes the features unique to Edgar Allan Poe in his short stories “Murders In The Rue Morgue”, “The Fall of The House of Usher”, “A Tale of Jerusalem”, “The Pit and The Pendulum”, “The System of Doctor Tarr and Professor Fether”, “A Cask Of Amonillado”, “The Masque of Red Death” and “The Man That Was Used Up” while refuting to chosen examples of negative reviews about Edgar Allan Poe. Due to the fact that Edgar Allan Poe is well-known for his usage horror, satire, humor and fiction in his short stories, these qualities have been criticized mostly by many writers and philosophers as well. In this sense, the scope of the study will be sharpened on how these techniques are used in his short stories to make them nonpareil and what was Edgar Allan Poe’s authorial intention while utilizing these attributes in his works. At this point the analysis of the characters, themes and plot will be prioritized compared to the language and style that Edgar Allan Poe uses in his texts. Since the criticism against Poe focus on the usefulness of such features in his short stories and how they intimidate the reader from the text, the study proves that the gap between Poe and the reader is a simple issue of reciprocal misunderstanding which is proven to be artificial and bogus with examples and facts from his short stories

    Edgar Allan Poe's place in literature

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    The more a person is subjected to criticism, the greater he usually is, for critics will not ordinarily criticize unless the subject is worthy of study and comment. Few writers have been as severely criticized as Edgar Allan Poe, and even fewer have had to endure as much injustice. Certainly, no other American writer has been subjected to similar attacks. It is paradoxical that such a harshly criticized and detested author at home should scale the heights of glory and admiration to which he climbed in foreign opinion

    Edgar and Brigitte Bodenheimer Collection 1897-1992, 2011 1920-1983

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    The Edgar and Brigitte Bodenheimer Collection documents the professional and personal life of law professor Edgar Bodenheimer as well as that of his wife, Brigitte Bodenheimer (née Levy). The collection contains documentation on their early legal work during the 1940s, Edgar's participation in the Nuremberg Trials, and postwar work as professors, as well as material on their daily lives and other family members. The collection includes a copious amount of correspondence, lecture texts, certificates and diplomas, diaries and notebooks, newspaper clippings, teaching material, poetry, a friendship album, and other papers.Original order in 5 boxes: Box 1: Edgar and Brigitte Bodenheimer: journals, poems, documents. Box 2: Edgar Bodenheimer: speeches & talks, CV, bibligraphies, teaching materials, reviews of E.B.'s books. Box 3: Edgar Bodenheimer professional correspondence. Box 4a: Edgar Bodenheimer personal correspondence. Box 4b: Edgar Bodenheimer personal correspondence.A book about Edgar and Brigitte Bodenheimer by their daughter Rosemarie Bodenheimer is available in the LBI Library: "Edgar and Brigitte: a German Jewish passage to America". This book was written using the documents in this collection.Two books by Edgar Bodenheimer with his extensive handwritten notes were removed to the LBI Library. Photocopies of these notes were retained in the collection and will be found in Series III.Edgar Bodenheimer was born in Berlin on March 14, 1908, the son of the bank director Siegmund Bodenheimer and his wife Rosa (called Rosi, née Maass). He studied law and political science at various German and Swiss universities, acquiring his Doctor of Laws from the University of Heidelberg in 1933. In 1934 Edgar Bodenheimer immigrated to the United States, where he found a position in a New York City law office.Brigitte M. Levy was the daughter of Ernst Levy, a professor and scholar of Roman Law at the University of Heidelberg, and Marie Levy (née Wolff). After studies at various German universities, she received her doctoral degree in jurisprudence from the University of Heidelberg in 1934 after have immigrating to New York, where she continued her studies at Columbia University. In 1935 Edgar Bodenheimer and Brigitte M. Levy married. (They eventually had three children: Peter became a professor of astrophysics at the University of California; Thomas became a physician; and Rosemarie became an author and professor of English literature at Boston College.In 1935 the couple moved to Seattle, Washington, where they both studied law at the University of Washington. Edgar Bodenheimer joined the Washington Bar Association in 1939 once he had become a citizen. The following year Edgar Bodenheimer received a Bachelor of Arts Degree in Law Librarianship. His book ‘Jurisprudence’ was published in 1940; many other books followed until 1962. In 1942 the Bodenheimers moved to Washington, D.C., working in various official positions. In 1945 Edgar joined the prosecuting team at the Nuremberg Trials.In 1946 Edgar Bodenheimer took a position at the University of Utah in Salt Lake City; in 1951 he was made full professor and held the position until his departure in 1966. Brigitte Bodenheimer worked primarily in the fields of divorce, marriage, and juvenile court legislation. In 1964 she also became a full-time professor at the University of Utah.In 1966 Edgar Bodenheimer became professor of law at the University of California at Davis. In 1975 he became Professor Emeritus. Brigitte Bodenheimer became a full professor at Davis in 1972; in 1979 she became Professor Emeritus. She died in 1981 at the age of 69.Edgar Bodenheimer held visiting professorships at several universities in Germany and in the U.S. In 1975 he was named an Outstanding Educator of America. He died in 1991 in Davis, California, survived by his second wife, Brigitte née Schoenberg.Finding aid available onlineProcesseddigitize

    Posts for Crane House or Crane Lodge by Ernest Thompson Seton

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    The drawing entitled “Posts for Crane House or Crane Lodge” was sketched by Canadian-American writer, artist and naturalist, Ernest Thompson Seton. As an author and illustrator of more than 50 works, he was largely responsible for the American Indian influence in the Boy Scouts of America that offered young people knowledge of an outdoor life based on Native American Indian customs, legends and beliefs. Seton was Chief Scout of the Boy Scouts of America from 1910 to 1915. The sketch is from a group of sketches done for Edgar Munroe Robinson, his friend and colleague, for use in the construction and design of the “Pueblo of the Seven Fires”, a permanent camp structure completed in 1933 on the Springfield College East Campus. The East Campus is a sixty acre wooded grove on the shores of Lake Massasoit in Springfield, Massachusetts.For biographical information on Edgar M. Robinson, see: https://springfield.as.atlas-sys.com/agents/people/554

    Edgar Allan Poe

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    Stamp honors Edgar Allan Poe, American author. First day covers are envelopes or postcards with a stamp canceled on the first day the stamp is available for purchase and use. Often the postmark is a special pictorial cancellation indicating the city and date of issue. First day covers often include a cachet or illustration on the envelope that explains or compliments the stamp.https://digitalcommons.fairfield.edu/firstdaycover/1090/thumbnail.jp

    Author-as-franchise-product: Edgar Rice Burroughs Inc. and Tarzan™ as historical branded entertainment

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    This chapter explores the historical relationship between the branded media entertainment of Tarzan and the rise of consumer culture in the 1920s and 1930s. It argues that the successful licensing of this property across pulp magazines, comics, cinema, and radio reflected the embrace of brand-franchise logics throughout the business landscape of America at that time. I will document the industrial structures in place and those which evolved accordingly to enable Tarzan to be manufactured corporately and sold as narratively transmedial components of an historical branded media franchise. The chapter also analyses the function of Tarzan creator Edgar Rice Burroughs and his company, suggesting that his visibility as franchise-author played a crucial role in constructing these brand linkages between media products

    The Erosion of State Capacity and the European Innovation Policy Dilemma: A Comparison of German and EU Information Technology Policies. IHS Political Science Series: 2000, No. 70

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    The article analyzes the impact of the globalization of markets, technologies and companies and of the Europeanization of public policies on state capacities in technology policy. Based on empirical examples from the field of information technology, the article argues that technology policy has been characterized by two contradictory developments in the last two decades. On the one hand, the concepts and strategies guiding public policies have become more and more complex, resulting in comprehensive programs for national and European "innovation policies". On the other hand, as a result of the economic globalization; as well as of changes in the internal structure of the state, the state capacities to implement these ambitious strategies successfully have been eroding. As a consequence, technology policy both on the national and on the supranational level has been confronted with an intensifying strategic dilemma. Finally, the article discusses policy options to cope with this strategic dilemma in innovation policy
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