1,720,961 research outputs found
Macabra Dolorosa. Varietà Dada in 14 canzoni.
No full text"Macabra Dolorosa. Varietà Dada in 14 canzoni" è la traduzione di un testo teatrale di Katarzyna Chlebny, portato in scena per la prima volta al Teatr Nowy di Cracovia nel 2012. Tramite l'alternanza di monologhi ripresi da tragedie greche, frammenti di lettere di Magda Goebbels, canzoni, pezzi di varietà e testi originali, si affronta il tema dell'infanticidio e della spettacolarizzazione del male
Costanti e varianti nella poetica tarda di Tadeusz Różewicz
Full text linkThe research aims to analyze and explain the last poetic phase of Tadeusz Różewicz, starting from a philological study of the preparatory material of Płaskorzeźba [Bas-relief, 1991]. The work is divided into three sections: the first part has a philological structure, manuscript variants will be identified and interpreted using both the approach of the French critique génétique and the more traditional one of Gianfranco Contini; in the second part some thematic cores of the late poetics will be exposed in connection with the results obtained during the philological study carried out in the first part. Ample space will be dedicated in particular to the poetics of reticence and its unfolding within Różewicz’s work from both a philological and a critical-interpretative point of view.
The research work will be followed by an anthology of translations which, while covering the entire span of the author’s poetic activity, will focus on works published from the beginning of the nineties
<i>Wcielenie słowa</i>: O brulionach wiersza <i>Do Piotra</i> Tadeusza Różewicza
Full text linkIn the frame of the poetic works of Tadeusz Różewicz has been observed and widely studied his inclination to avoid the closed form of his poems, changing and proposing them in different volumes in order to renew their meanings. What is still to be studied in depth, however, is the creative process regarding his unpublished works, such as the preparatory drafts kept in his archive.
Genetic studies are a precious key to discover Różewicz’s creative process as well as some aspects of his poetics, which in the published works remain rather clouded.
In this paper I would like to analyse the manuscripts of one poem from Płaskorzeźba [Bas-Relief, 1991], that is Do Piotra [To Piotr]. Among the most important features of this drafts take placed numerous biblical citations which disclose a religious way of reading the poem, that completely disappears in the published form of To Piotr.
From the analysis of these drafts some interesting interconnections with other poems of Bas-Relief are also to be found, exposing a much deeper level of interpretation of the entire volume.W ramach poetyckiej twórczości Tadeusza Różewicza, jego skłonność do unikania zamkniętej formy wierszy, zmieniając i proponując ich w różnych tomach w celu odnowienia ich znaczeń, zauważono i szeroko badano. To, co jednak wymaga jeszcze dogłębnego przestudiowania, to proces twórczy dotyczący jego niepublikowanych prac, takich jak szkice przygotowawcze przechowywane w jego archiwum.
Krytyka genetyczna jest cennym kluczem do odkrycia procesu twórczego Różewicza, a także niektórych aspektów jego poetyki, które w publikowanych utworach pozostają dość zamglone.
W niniejszym artykule chciałabym przeanalizować rękopisy jednego wiersza z Płaskorzeźby, czyli Do Piotra. Wśród najważniejszych cech tych szkiców znajdują się liczne cytaty biblijne, które ujawniają religijny sposób odczytywania poematu, który całkowicie zanika w wydanej formie Do Piotra.
Z analizy tych szkiców można dostrzec także interesujące powiązania z innymi wierszami Płaskorzeźby, odsłaniające znacznie głębszy poziom interpretacji całego tomu
Polonistica e teatro
No full textThe aim of this paper is to offer an overview of the state of the research in Italy in the field of Polish theatre. Both the dramaturgical aspect, which concerns the circulation of literary texts written by Polish playwrights, and the knowledge of the most important Polish theatre directors, in the past century and in the present, are analysed. The lack of a systematic study of the subject among Polish studies in Italy has resulted in a partial and arbitrary diffusion of Polish theatre. Except for a few names, it still remains quite unknown to the Italian public. However, a slow improvement is to be observed in recent years, thanks to the commitment of the young generation of researchers, who seems to be rediscovering a new interest in this field
Tadeusz Różewicz tra l’immondezzaio e il silenzio
Full text linkIn this article some characteristics of the late poetic work of Tadeusz Różewicz (1921-2014) are examined,highlighting the poet’s evolution from the 1991 masterpiece,Bas-relief, to one of the last volumes pub-lished by the poet,Buy a Pig in a Poke(2008). In particular, a fundamental aspect of Różewicz’s entirepoetics will be taken into consideration, the role of silence. The poetics of reticence, particularly visible in Bas-relief, transforms radically in the poet’s last works, undergoing an almost complete inversion; silence is replaced with a seemingly meaningless logorrhoea that actually hides a great wealth of meaning.Tadeusz Różewicz engages in linguistic and stylistic experimentation to face, and often to criticise with great irony, contemporary society. In this way Różewicz confirms himself, up to the last phase of hisartistic creation, as an avant-gardist par excellence
La religione nel teatro polacco contemporaneo fra tradizione e rivolta
Full text linkThe Church still plays a leading role in Poland with regard to political and social issues, while
Polish society seems less and less willing to accept its leadership role, seen as an
anachronistic imposition. In this article I observe how the clash with religious authority
frequently occurs on the stages of Polish theatres, which have always been a privileged place
to reflect on the identity of the country. In the face of a conflictual relationship with religious
authority, however, I also intend to focus on the persistence of a profound sense of the
sacred. This testifies a still vivid dialogue with the romantic tradition, which is expressed in
the forms of a ritual theatre that in Poland proved to be still fruitful
La religione nel teatro polacco contemporaneo fra tradizione e rivolta
Full text linkThe Church still plays a leading role in Poland with regard to political and social issues, while Polish society seems less and less willing to accept its leadership role, seen as an anachronistic imposition. In this article I observe how the clash with religious authority frequently occurs on the stages of Polish theatres, which have always been a privileged place to reflect on the identity of the country. In the face of a conflictual relationship with religious authority, however, I also intend to focus on the persistence of a profound sense of the sacred. This testifies a still vivid dialogue with the romantic tradition, which is expressed in the forms of a ritual theatre that in Poland proved to be still fruitful.La Chiesa ricopre ancora un ruolo di primo piano in Polonia per quanto riguarda questioni politico-sociali, mentre la società polacca sembra sempre meno disposta ad accettarne il ruolo di guida, vissuto come un’imposizione anacronistica. In questo articolo si osserva come lo scontro con l’autorità religiosa avvenga di frequente sui palchi dei teatri polacchi, che sono da sempre un luogo privilegiato per riflettere sull’identità del Paese. A fronte di un rapporto conflittuale con l’autorità religiosa, si vuole tuttavia approfondire anche il perdurare di un profondo senso del sacro che è testimonianza di un dialogo ancora vivo con la tradizione romantica e che si esprime nelle forme di un teatro rituale che in Polonia ha dimostrato di essere ancora fecondo
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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