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STRUKTUR INTRINSIK NOVEL LEMBATA KARYA F. RAHARDI
Full text linkKarya sastra merupakan karya universal interpretatif. Karya yang tidak membahasakan dan menyajikan sesuatu realitas secara matematis, tetapi justru memberikan ruang dan peluang yang bebas bagi para pembacanya untuk memahami dan menafsirkan apa yang tersurat pada karya sastra tersebut. Artikel ini membahas tentang potret lokalitas unsur intrinsik dalam novel Lembata, Sebuah Novel karya F. Rahardi. Pendekatan penelitian yang digunakan adalah pendekatan deskriptif kualitatif. Pengumpulan data diperoleh dengan teknik baca dan catat. Berdasarkan hasil analisis dapat disimpulkan bahwa novel Lembata, Sebuah Novel (a) bertemakan kemiskinan; (b) memiliki plot kausalis dan naratologi; (c) diperani oleh tokoh-tokoh cerita antara lain, Romo Pedro, Ola, Uskup, Romo Deken, Romo Alex, dan Ayah Ola; (d) memiliki setting semua daerah di Flores, pada area Keuskupan Larantuka, terutama Dekenat Lembata. Juga Jakarta dan beberapa tempat di Eropa dan Amerika; (e) memiliki amanat atau pesan kepada Gereja, LSM, dan pemerintah untuk berpihak kepada rakyat secara maksimal: merencanakan dan memulai pada apa yang sudah dipunyai rakyat; (f) sudut pandang menggunakan persona ketiga, yakni Dia dan Aku; dan (g) memiliki gaya bahasa hiperbola, retorik retisense, dan paradoks.Kata kunci: novel, Lembata, lokalitas, struktur, karya sastra Literary works are interpretive universal works. Works that do not discuss and present a mathematical reality, but instead provide free space and opportunities for the readers to understand and interpret what is written in the literary work. This article discusses the portrait of the locality of the intrinsic elements in the novel Lembata, A Novel by F. Rahardi. The research approach used is a qualitative descriptive approach. Data collection was obtained by reading and note-taking techniques. Based on the results of the analysis, it can be concluded that the novel Lembata, A Novel (a) has the theme of poverty; (b) has a causal and narratological plot; (c) the characters of the story, among others, Father Pedro, Ola, Bishop, Father Deken, Father Alex, and Ayah Ola; (d) has the setting of all areas in Flores, in the area of the Diocese of Larantuka, especially the Dean of Lembata. Also Jakarta and some places in Europe and America; (e) has a mandate or message to the Church, NGOs, and the government to side with the people to the fullest: planning and starting on what the people already have; (f) point of view using the third person, namely He and I; and (g) have hyperbole, retaliatory rhetoric, and paradoxes.Keywords: novel, Lembata, locality, structure, literary works.Â
NGALAP BERKAH DALAM NOVEL RITUAL GUNUNG KEMUKUS KARYA F. RAHARDI (KAJIAN MAKNA SIMBOL RITUAL VICTOR TURNER)
Full text linkPenelitian ini bertujuan untuk mendeskripsikan tahapan ritual peralihan dan makna simbol dalam novel Ritual Gunung Kemukus karya F. Rahardi dengan menggunakan teori simbol Victor Turner. Penelitian ini dilakukan dengan menggunakan metode penelitian deskriptif kualitatif. Data pada penelitian ini berupa kalimat yang ada pada novel. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah teknik baca dan catat. Hasil penelitian 1) tahap ritus peralihan dalam novel Ritual Gunung Kemukus karya F. Rahardi terdiri dari tahap reparasi, tahap liminal dan tahap reaggregation. Tahap reparasi ditandai dengan sebelum melakukan ritual ngalap berkah, maka pelaku ritual harus berziarah terlebih dahulu di makam Pangeran Samudro dan Nyai Ontrowulan yang bertujuan untuk meyakinkan dan mengarahkan hati untuk meminta berkah dari Pangeran Samudro dan Nyai Ontrowulan. Tahap liminal ditandai dengan pelaku ritual yang mandi di Sendang Ontrowulan. Mandi dilakukan karena sebagai bentuk pembersihan jasmani dan rohani pelaku ritual dari segala kotoran dan prasangka buruk. Setelah mandi, pelaku ritual harus menaruh bunga dan membakar kemenyan yang telah dibawa di area sendang. Tahap reaggregation ditandai dengan pelaku ritual yang telah berhasil akan kembali ke Kemukus untuk berziarah sebagai bentuk rasa syukur dan terima kasih karena telah berhasil dalam melakukan ritual sehingga usahanya mengalami peningkatan. Selain itu, ada juga pelaku ritual yang tidak akan datang kembali ke Kemukus karena ritual yang dijalani tidak berhasil. 2) simbol-simbol yang terdapat pada ritual ngalap berkah dalam novel Ritual Gunung Kemukus karya F. Rahardi diantaranya, kemenyan, tuguran, bunga tujuh macam, daun pandan, telur ayam kampung, uang dan mandi.
Kata Kunci: Ritual, Makna Simbol, Reparasi, Liminal, Reaggregatio
Representasi Nilai-nilai Kehidupan dalam Novel Ine Pare Karya F. Rahardi
Full text linkThe purpose of the study was to discover and describe the values in F. Rahardi's novel Ine Pare. The approach used in this study is a qualitative approach with the techniques used is non-statistical in the sense of analyzing not using numbers. The theory used is value theory. The results of this study show that the values contained in the novel Ine Pare by F. Rahardi are as follows: 1) moral values include two values: positive moral values and negative moral values. Positive moral values include: the values of honesty, the value of courage, patience, and hard work, while negative moral values include: dishonest values, prejudice, anger, and revenge, 2) Religious values include: believing in God, gratitude, 3) social values include: mutual help, willingness to sacrifice, 4) aesthetic values, 5) cultural values, 6) practical values, and 7) hedonic values
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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