7,453 research outputs found
Carmen G. Prieto leyendo la mano a Emma Castro Yahuada en el patio de una casa.
I.O. ""Emma Castro Tahuada"
I brachipodi delle calcareniti di Castro Marina (Lecce).
Vengono studiate due successioni affioranti a Castro Marina (Lecce). I risultati di questa ricerca indicano, per tutte e due, un’età pleistocenica inferiore ed un ambiente Neritico Circalittorale, ma precisano anche notevoli differenze. - SEZIONE A – Gli organismi appartengono probabilmente ad una paleobiocenosi del Detritico Costiero infangato di profondità tra i -90 e i -150 m, che non ha subito trasporto. La successione si è deposta nell’Emiliano sui Calcari di Castro, in un clima temperato caldo. - SEZIONE B – E’ più recente (Siciliano) e costituisce una successione clinostratificata con evidenti segni di rimaneggiamento, connessa ad ambienti di profondità minore (da –50 a -90 m), in cui proliferavano associazioni di tipo foramol. Questi risultati confermano l’ipotesi di Tropeano et alii (2004) che li ritengono depositi di scarpata e di base di scarpata sottomarina
Sobre a recepción e fortuna crítica do chamado “Conto gallego” de Rosalía de Castro
[Resumo]:
O denominado “Conto Gallego”, único exemplo de prosa
narrativa galega de Rosalía de Castro, foi considerado durante
anos un texto de dubidosa autoría, en parte polos problemas
ligados á súa problemática difusión, o que provocou un certo
silencio bibliográfi co e que fose un texto escasamente estudado.
No artigo ofrécese unha completa revisión das valoracións
e lecturas que sobre el se teñen feito, como exemplo da
reavaliación crítica a que foi submetida a obra rosaliana nos
últimos trinta anos.[Abstract]: For years, scholars have argued over the authorship of Rosalía de Castro’s only narrative prose text in Galician, her so-called Conto Gallego (‘A Galician Tale’). The confusion with regard to the identity of its author, due in part to problems in relation to how the text was originally transmitted, has led to its frequent omission from de Castro’s bibliography and a tendency to be overlooked by scholars of her work. This article proposes a complete reassessment and revision of the tale, as part of the critical reappraisal of de Castro’s writing over the past thirty years
Rosalía de Castro e as escritoras angloamericanas do seu tempo en La hija del mar
[Resumo] O presente traballo analiza a recepción por parte de Rosalía de Castro
de escritoras europeas e americanas dos séculos XVIII e XIX coas que
compartiu preocupacións de autoría, de xénero, temáticas e literarias.
Prestarase especial atención ás referencias intertextuais de escritoras mencionadas pola propia Rosalía nos seus escritos, en particular
á inglesa Charlotte Turner Smith e á norteamericana Maria Susanna
Cummins e á identificación de Rosalía con elas e coas súas carreiras
literarias. A análise permite afirmar que nas súas obras propuxeron
cuestións relativas ás mulleres, á súa orfandade e ás súas capacidades,
ben como ao feito de que as habelencias femininas son truncadas pola
sociedade circundante, en particular, se teñen vocación de as desenvolveren en igualdade cos varóns.[Abstract] This article deals with the reception by Rosalía de Castro of eighteenth- and nineteenth-century European and American female
writers with whom she shared preocupations about authorship and
gender, as well as thematic and literary concerns. Special attention
will be paid to the intertextual references of the writers mentioned
by the Galician author, particularly Charlotte Turner Smith and
Maria Susanna Cummins, and to de Castro’s identification with
these writers and their literary careers. This analysis will show that
they presented issues pertaining to female foundlings, their capacities and how their abilities were not accepted in their respected
societies, particularly if they wanted to behave as males would do.Ministerio de Comercio, Economía y Empresa; FEM2015-66937-PXunta de Galicia; ED431D 2017/1
Evocação de Castro Soromenho
A obra de Castro Soromenho é apresentada como um trabalho de denuncia do sistema colonial. O autor coloca em evidência o fato de que o escritor Castro Soromenho foi um pioneiro dessa literatura de denuncia, a par da visão trágica de um processo.The word of Castro Soromenho, is presented like a critical work against the colonial system. The author shows the evidence in de fact that the writer Castro Soromenho was a pioneer of this critical literature, with of a tragical vision of a process
Clarion:by Eve De Castro Robinson
Commissioned with an award from the APRA AMCOS Art Music Fund. Premiered on 19 February 2020 with the St Andrews New Music Ensemble conducted John Wallace.New Zealand Premiere on 16 March 2020 with Auckland Chamber Orchestra conducted Peter Scholes and recorded for Radio New Zealand and SOUNZ. Research included archive visits to the Marischal Museum and The National Museum of Scotland to view collections of Taonga pūoro, as well as the creation of three pūtātara for the performances. This research was connected to 'Recovering Samoan Instrumental Music to Promote Cultural Heritage and Enterprise' (PI Emma Sutton).The performances of Clarion were also part of 'Music Planet' (PI Richard Bates): 'Research shows that an understanding of our warming climate can be seen in the carbon being layered in the growth of the conch shell. Like the shell, de Castro-Robinson builds up instrumental layers in Clarion building gradually to its cataclysmic climax with the trumpeter utilising a range of calls and cries, keening, moaning, alerting, and sounding a warning to us of our need to act in the current climate emergency.
Carta, Rubén Darío a Francisco Castro, 1882 Julio 3
abstract: Handwritten letter from Rubén Darío to Francisco Castro, Darío's friend from León (Nicaragua). Francisco Castro was director of the literary magazine "El Ensayo" (1880-1881). Rubén Darío collaborated with Castro on "El Ensayo". Rubén Darío was in Chinandega (Nicaragua) when the letter was written.The original Rubén Darío Papers 1882-1945 (MSS-339) are located at ASU Libraries Archives & Special Collections. For more information about visiting the collection see http://hdl.handle.net/2286/L.A.0.Other names cited in this letter are: Moncada, Ibarra, Ayón, Duarte and Selva.The top edge is slightly torn
Paleoecologia e biostratigrafia delle Calcareniti a Brachiopodi di Castro (Lecce).
11 tavv., 7 tabb., 10 figg
Funaxopsis Heyer & Castro, 2009, gen. nov.
Funaxopsis gen. nov. Type species: Cunaxoides passerinae Den Heyer, 1981b. Diagnosis. This genus can be distinguished from other genera by the following set of characteristics: tibia IV with 2 sts and 1 long sts; setae c2 and h2 smooth and depression for pe organ on tarsus I lacking. Etymology. The senior author just added a few more letters to the stem-“..unaxo..” and ending it on a taxonomically recognized suffixPublished as part of Heyer, Jacob Den & Castro, Tatiane M. M. G., 2009, SiGe-Space-Synthesizer-Entwicklung eines SiGe-Synthesizerdemonstrators: SISSI; Schlussbericht, pp. 1-15 in Zootaxa 2140 on page 13, DOI: 10.2314/gbv:620362286, http://zenodo.org/record/531966
Paleoecologia e biostratigrafia delle Calcareniti a Brachiopodi di Castro (Lecce).
11 tavv., 7 tabb., 10 figg
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