4,194 research outputs found
Traducción del conocimiento científico en miembros del Sistema Mesoamericano de Salud Pública
No full textTrabajo de Grado(Maestría en Salud Pública, área de concentración en Administración en Salud)Emily María Vargas Riañ
Vargas Girl
No full textVargas Girl - 19 by 25 - Printmakinghttps://trace.tennessee.edu/utk_libsarts12/1010/thumbnail.jp
Euclides segundo Vargas Llosa
No full textStudying Vargas Llosa’s oeuvre, The war of the end of the world, the author of the present paper states that the Peruvian writer went beyond the reverence to Euclides da Cunha classical work, Os sertões, and transformed the Canudos drama in a metonymy of South American history. Moreover, Llosa’s fiction revealsautobiographic traces.Estudando a obra de Vargas Llosa, A guerra do fim do mundo, a autora sustenta que o escritor peruano ultrapassou a reverência a Os sertões, obra clássica de Euclides da Cunha, e transformou o drama de Canudos numa metonímia da história do continente sul-americano. Além disso, a ficção de Vargas Llosa revela traços autobiográficos
Intertextualidad con la narrativa clásica: Odiseo y Penélope en la última etapa del teatro de Vargas Llosa
No full textEl artículo propone una segmentación de la producción teatral
de Mario Vargas Llosa a partir de tres etapas. De ellas,
destaca la tercera y última, en la que se han publicado las
obras Odiseo y Penélope (2007), Las mil noches y una noche
(2010) y Los cuentos de la peste (2015). Es evidente que el
autor trabaja estas tres obras dramáticas de manera intertextual
con narraciones clásicas. De tal forma que la propuesta
fundamental de Vargas Llosa en esta etapa es relacionar
aspectos dramáticos con narrativos. El presente artículo
revisa este punto a partir del análisis de la pieza Odiseo y
Penélope con referencias a las otras dos como parte de una
exploración del terreno donde convergen las técnicas narrativas
de Vargas Llosa y su afición por el teatro.This paper proposes a three-stage-segmentation of Mario
Vargas Llosa’s theater. The third — and last — stage contains
his remarkable published works Odysseus and Penelope
(2007), The thousand nights and one night (2010) and Tales
of the plague (2015). Evidently, the author has worked these
dramatic plays intertextually with classical narratives. Thus, the
fundamental proposal of Vargas Llosa in this stage consists on
linking drama to narrative. This paper studies this factor based
on the analysis of Odysseus and Penelope making reference to
the other two works as part of an exploration in a land where
the narrative techniques of Vargas Llosa and his fondness for
theater converge
Cervantes y Vargas Llosa. Dos arquitecturas literarias
No full textFrom the development of Literature Theory wich based on the analogy with Architecture the author analyze the relationships between Cervantes and Vargas Llosa works. Research on Cervantes reception in Latin America it is a work to keep doing. In Peru Vargas Llosa has received Cervantes works in a peculiar way. This paper tries to clarify what are the structural relations between these two literary architectureFrom the development of Literature Theory wich based on the analogy with Architecture the author analyze the relationships between Cervantes and Vargas Llosa works. Research on Cervantes reception in Latin America it is a work to keep doing. In Peru Vargas Llosa has received Cervantes works in a peculiar way. This paper tries to clarify what are the structural relations between these two literary architectur
Microeconomic Instability and Children's Human Capital Accumulation: The Effects of Idiosyncratic Shocks to Father's Income on Child Labor, School Drop-Outs and Repetition Rates in Brazil
No full textRubén Darío en la poética de Vargas Llosa // Rubén Darío in Vargas Llosa’s poetics
No full textThe examination of Mario Vargas Llosa’s bachelor’s thesis (1958, published in book form in 2001) reveals
his background as a literary critic. Vargas Llosa’s interest in the biographical aspects of the Nicaraguan
poet lets us track the emergence of his literary vocation. The other interest demonstrated
in this thesis is to prove the permanence of the life and work of the naturalist writer Emile Zola in the
life of Darío. In this thesis, there are some features that Mario Vargas Llosa maintained throughout
his production as a literary critic, especially the biographical review as a key to understand certain
codes of literary creation of an author
Libertarian utopias and dreams of equality: Mario Vargas Llosa and Flora Tristán
No full textEste artículo analiza la reconstrucción ficcional que Mario Vargas Llosa realiza de Flora Tristán, tomando en cuenta diversas rearticulaciones histórico-literarias de los siglos XIX y XX. A diferencia de otras escrituras con respecto a la famosa escritora franco-peruana, la de Vargas Llosa en El paraíso en la otra esquina (2003) articula un mundo posible y coherente desde una perspectiva alternativa y disidente, sin la religiosidad, el fervor nacionalista o la actitud paternalista que hallamos en otros trabajos sobre Flora Tristán, la intelectual que luchó por alcanzar una utopía socialista de igualdad para las mujeres y los obreros oprimidos. Para realizar este análisis de reconstrucción histórica, el crítico analiza el ensamblaje feminista de Flora Tristán en la novela de Vargas Llosa, a la luz de varios de sus ensayos con respecto al mundo de la ficción y el poder político de la literatura.This article analyzes Mario Vargas Llosa’s fictional reconstruction of Flora Tristán, taking into account a variety of 19th –and 20th– century historical and literary rearticulations. Unlike other writings on the famous Franco-Peruvian author, Vargas Llosa’s El paraíso en la otra esquina (2003) articulates a possible and coherent world from an alternative and dissident perspective, without the religiosity, nationalist passion, and paternalistic attitude that we find in other works on Flora Tristán, the intellectual who fought for a socialist utopia of equality for women and the oppressed workers. In order to carry out this historical reconstruction, the critic analyzes Flora Tristán’s feminist fabrication in Vargas Llosa’s novel, in view of his own essays in regards to the world of fiction and the political power of literature
RUBÉN DARÍO IN VARGAS LLOSA’S POETICS
No full textThe examination of Mario Vargas Llosa’s bachelor’s thesis (1958, published in book form in 2001) reveals his background as a literary critic. Vargas Llosa’s interest in the biographical aspects of the Nicaraguan poet lets us track the emergence of his literary vocation. The other interest demonstrated in this thesis is to prove the permanence of the life and work of the naturalist writer Emile Zola in the life of Darío. In this thesis, there are some features that Mario Vargas Llosa maintained throughout his production as a literary critic, especially the biographical review as a key to understand certain codes of literary creation of an author.11011
- …
