1,720,965 research outputs found

    Kajian Ekokritik Sastra: Analisis Cerpen Sumur Lebak dan Ayah, Karya Eep Saefullah Fatah (dalam Buku Lelaki dari Neraka dan Cerita-Cerita Manusia Keras Kepala Lainya)

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    Jika berbicara tetang cerpen, maka tentu tidak akan lepas dari sebuah karya yang dibuat dengan ringkas, indah dan bias saja sesuai dengan realitas. Seperti halnya cerpen berjudul Sumur Lebak dan Ayah karya dari penulis Eep Saefullah Fatah kali ini. Di sana terdapat berbagai hal yang memang kedaan yang mangandung berbagai masalah. Dari cerpen ini, kemudian Eep membuat kritik untuk menumbuhkan kesadaran dan gerakan perbaikan. Sebagaimana yang tersisip secara perkataan dan tindakan dalam tokoh cerpennya. Serta hal itu terbukti dari realitas Kali Srengseng Cikarang Hilir yang bertumpuk sampah

    Eep Saefullah's Quick Files

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    The Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity

    Kriteria Teks Dha’if Menurut Ahli Hadis dan Linguis Arab

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    Artikel ini membahas mengenai perbedaan ahli hadis dan linguis Arab dalam mendefinisikan teks dhaif. masing-masing dari ahli hadis dan linguis arab memiliki definisi yang berdeda mengenai teks dhaif. hal ini, tentu berpengaruh terhadap inplikasi dan hukum yang terlahir dari perbedaan keduanya tersebut. Adapun untuk metode yang digunakan pada artikel ini ialah kajian pustaka yang segala sumbernya diambil dari beberapa literatur yang terekait dengan bahasan ini

    Eep Saefullah's Quick Files

    No full text
    The Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity

    Determinisme Soeharto dan Masa Depan Orde Baru

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    Leadership and Culture is a collection of Liddle's articles which had been published in some journal and books. Written over the course of 1984-1993, these article were classified into two main themes. The first theme consists of four articles, is designed to look at the future of this regime, especially in its relationship with the changing political climate and the agenda of democratization.DOI: 10.15408/sdi.v4i2.78

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Bangsa saya yang menyebalkan : catatan tentang kekuasaan yang pongah

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    xxi, 282 p. : il.; 22 cm

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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