186 research outputs found
Roza Irrigation District
No full textPresented at the 2002 USCID/EWRI conference, Energy, climate, environment and water - issues and opportunities for irrigation and drainage on July 9-12 in San Luis Obispo, California.The Roza Irrigation District (Roza), in the Yakima Valley of Washington State, received only 37 percent of its water right entitlement in the 1994 and 2001 irrigation seasons due to its junior water status in the basin. A reduction in water allocation of this magnitude places a great deal of stress on farmers and their crops, and hinders the District's ability to deliver water. Faced with having to operate with less than 50 percent (600 cfs) of design flow, Roza has become one of the most progressive irrigation districts in the Pacific Northwest with respect to water conservation by applying new and innovative technology. Since 1991, Roza has developed numerous partnerships to help fund and apply resourceful technology to water conservation measures. Initially, Armtec and UMA introduced the automated single-leaf over shot gate, which was applied to numerous main canal checks to provide constant level control for pipeline turnouts and pumping plants. One of Roza's most successful partnerships has been with the United States Bureau of Reclamation (Bureau) Water Conservation Field Services Program in Yakima, and Aqua Systems 2000 Inc. (AS2I) from Lethbridge, Alberta, Canada. The partnership began in 1997 when an existing flashboard check structure was replaced with an automated Langemann gate. The success of this project, cost shared with the Bureau, prompted Roza to discontinue building new multi-bay single-leaf over shot structures and building or retrofitting eight structures with a single Langemann gate, the largest being 24-feet wide. The partnership with the Bureau and AS2I expanded to include Supervisory Control and Data Acquisition (SCADA) on two existing main canal checks and a re-regulation reservoir. These innovative projects include flow control using undershot gates, spill flow monitoring using ultrasonic level technology, downstream canal level control using a variable speed pump and modulating valve, and remote communications via spread spectrum radio, dedicated phone line, and cellular digital modem technology. The SCADA system was recently expanded with the incorporation of an Acoustic Doppler Flow Meter (ADFM) downstream of the diversion point. In addition, Roza also partnered with MagnaDrive, Inc. (MagnaDrive) and AS2I to demonstrate variable speed pump control on an existing pumping plant. MagnaDrive supplied a magnetic coupler rather than a variable frequency drive (VFD), and AS2I provided the controls design and software to the flow control project. The success of these projects has enabled Roza to reduce low-end operational flows from 600 cfs to 280 cfs in water short years and still provide reliable service to its water users
Children\u27s prose of Andrej Rozman Roza
No full textV magistrskem delu so analizirana otroška prozna dela sodobnega ustvarjalca Andreja Rozmana Roze. Andrej Rozman Roza je pisatelj, pesnik, dramatik in igralec. Je vsestranski sodobni ustvarjalec, ki s svojim humorjem in stilom pisanja navdušuje otroke, mladino in odrasle. Njegova dela so kakovostna in izvirna, zato je dobitnik mnogih nagrad.
V začetnem delu magistrskega dela je predstavljen Andrej Rozman Roza in njegova biografija.
V jedrnem delu magistrskega dela so analizirana vsa prozna dela Andreja Rozmana Roze po metodi analiziranja iz dela Poetika slikanice (2013) Dragice Haramije in Janje Batič. Razdeljena so v dve skupini glede na oblikovne značilnosti: slikanice: Krava, ki jo je pasel Mihec (1999), Balon velikan (2001), Najbolj dolgočasna knjiga na svetu (2001) in O začaranem žabcu (2019), in ilustrirane knjige: Skrivnost špurkov (1997), Kako je Oskar postal detektiv (2007), Gospod Filodendron (2011), Gospod Filodendron in Marsovci (2011), Gospod Filodendron in nogomet (2012), Čofli (2012) in Predpravljice in popovedke (2015). Dela so razdeljena še na podskupine glede na književno vrsto.
Analizirano je vsako delo posebej, v zaključku so skupne točke in ugotovitve povezane v smiseln zaključek.The master\u27s thesis contains an analysis of children\u27s prose work of contemporary author Andrej Rozman Roza. Andrej Rozman Roza is a writer, poet, playwright and an actor. He is a versatile contemporary author, who uses his humour and style of writing to enthuse children, the youth as well as adults. His works are original and of high quality, which is why he is a recipient of many literary awards.
The initial part of the master\u27s thesis focuses on Andrej Rozman Roza and his biography.
The core of the thesis places the emphasis on the analysis of all prose works of Andrej Rozman Roza by the method of analysis from Poetika slikanice (2013) by Dragica Haramija and Janja Batič. The prose works are divided into two groups in accordance with their stylistic features: picture booksKrava, ki jo je pasel Mihec (1999), Balon velikan (2001), Najbolj dolgočasna knjiga na svetu (2001) and O začaranem žabcu (2019)and illustrated booksSkrivnost špurkov (1997), Kako je Oskar postal detektiv (2007), Gospod Filodendron (2011), Gospod Filodendron in Marsovci (2011), Gospod Filodendron in nogomet (2012), Čofli (2012) in Predpravljice in popovedke (2015). Furthermore, the works are then divided into sub-groups according to their literary type.
Each work is analysed separately. In the end, findings and common points form an insightful conclusion of the thesis
Learning needs assessment examining current infection prevention and control knowledge, readiness, and training preferences among healthcare providers
No full textNicholas Ida, MPH; Judith A. Guzman Cottrill, DO; Roza Tammer, MPH, CIC; Rebecca Pierce, PhD, MS, BSN; Dat Tran, MD, MS.This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Akamboja monteirorum Roza & Quintino & Mermudes & Silveira 2017, sp. nov.
No full textAkamboja monteirorum sp. nov. Roza, Quintino, Mermudes & Silveira (Figs 27–30 and 43) Etymology. The name is in honor to the Monteiro family, especially our dear friends, Drs. Ricardo and Margarete. Their enthusiasm and contributions to Neotropical insect ecology are noteworthy. They also helped the last author to collect specimens of three species. Genitive, plural. Diagnosis. Male. Eyes occupying two thirds of head width, in lateral view (Fig. 29). Apical maxillary palpomere 3.5x longer than subapical (Fig. 29). Vertex occupying? of head in dorsal view (Fig. 30). Elytron reaching the posterior margin of the fourth abdominal segment (Fig. 27). Description, male. Measurements (n=5): Total length: 4.1–4.5 mm (aver. 4.3 mm). Head length: 0.5–0.7 mm (aver. 0.6 mm). Head width: 0.6–0.7 mm (aver. 0.6 mm). Pronotum length: 0.5–0.6 mm (aver. 0.55 mm). Pronotum maximum length: 0.5–0.6 mm (aver. 0.55 mm). Elytron length: 1.5–1.6 mm (aver. 1.55 mm). Elytron maximum width: 0.4 mm (aver. 0.4 mm). Elytral spot length: 0.2–0.3 mm (aver. 0.25 mm). Morphology: Eyes occupying two thirds of head width, in lateral view (Fig. 29). Vertex occupying? of head in dorsal view (Fig. 30). Apical maxillary palpomere 3.5x longer than subapical (Fig. 30). Head as wide as long (Fig. 30). Elytron 3.5x longer than wide (Fig. 27), reaching the posterior margin of the fourth abdominal segment, elytron apical spot occupying a fifth of the elytron (Fig. 27). Color. Body overall light brown. Pronotum dark to light brown. Elytron almost black to light brown, apex pale yellow, sometimes light brown. Wing venation black to light brown. Immature and females. Unknown Biology and distribution. Akamboja monteirorum sp. nov. seems to occur only during spring and summer. It inhabits high altitudinal areas of Itatiaia, on the Itatiaia massif, in the Serra da Mantiqueira mountain range, from 1280 to 1442 m. It is found on the montane forest. Remarks. This species resembles Akamboja minimum sp. nov., but can be distinguished by its bigger size, elytron (the elytron of Akamboja minimum sp. nov. reaches the anterior margin of the second abdominal segment, while in Akamboja monteirorum sp. nov. it reaches the posterior margin of the third), smaller vertex (bigger in Akamboja minimum sp. nov.) and its high altitude occurrence (low altitude occurrence in Akamboja minimun sp. nov.). Akamboja monteirorum sp. nov. occurs only in montane forest (from 830 m to 1442 m), while Akamboja minimum sp. nov. occurs in lower montane forest (below 800 m) and partially in the montane forest (beginning in 600 m). Type material. Holotype (male): BRAZIL. Rio de Janeiro. Itatiaia. Parque Nacional de Itatiaia. PENSA RIO Pt. 3, 22°25’42.6’’ S, 44°37’42,2’’ W, 1442 m, 1 male, 12.X.2013, R. Monteiro col. (DZRJ). Paratypes (all male): BRAZIL. Rio de Janeiro. Itatiaia. Parque Nacional de Itatiaia. PENSA RIO Pt. 2, 22° 25’ 59,6” S, 44° 37’ 39,7” W, 1280 m, 1 male, 12. II.2015, R. Monteiro col. (DZRJ); PENSA RIO Pt. 3, 22°25’42.6’’ S, 44°37’42,2’’ W, 1442 m, 1 male, 7.I.2015, R. Monteiro col. (DZRJ); Parque Nacional de Itatiaia. Setor Lago Azul, Mata, Ponto M 3B, 22°27’01.10’’S, 44°36’55.30’’W, 830m, 2 males, 04.XII.2015 – 06.I.2016 (MNRJ). Serra Negra, 2 males, 17.VII.2012, Mermudes col (MZSP).Published as part of Roza, André Silva, Quintino, Hingrid Yara Souza, Mermudes, José Ricardo Miras & Silveira, Luiz Felipe Lima Da, 2017, Akamboja gen. nov., a new genus of railroad-worm beetle endemic to the Atlantic Rainforest, with five new species (Coleoptera: Phengodidae, Mastinocerinae), pp. 501-523 in Zootaxa 4306 (4) on page 515, DOI: 10.11646/zootaxa.4306.4.3, http://zenodo.org/record/84511
Analisis Tari Sujud Antara Dua Keputusan Karya Cita Roza Di Sanggar Tasik Kabupaten Bengkalis Provinsi Riau T.A 2019/2020
No full textThis thesis aims to determine the Analysis of Sujud Dance Between Two Decisions by Cita Roza at Sanggar Tasik, Bengkalis Regency, Riau Province T / A 2019/2020. This dance was performed by a choreographer named Cita Roza in 2013 and was first performed at the Innovative Dance Creativity event at Bandar Serai Pekanbaru. The purpose of this dance is to raise awareness especially for young people in Bengkalis Regency in order to be able to differentiate between good and bad because Bengkalis Regency itself is an island, if something unexpected happens then everything will be destroyed. Prostration Dance Between Two Decisions of approximately 10 minutes. This study uses qualitative analysis methods using qualitative data, with data collection techniques through observation, interviews and documentation. In this study the research subjects obtained by the author consisted of 6 people, namely 1 choreographer (Cita Roza), 2 dancers (Dita Ritsila and Yona Karina Maulana), 1 musician (Usman), 1 makeup artist (Ratih), 1 stylist (Indra). The results of the research are Sujud Between Two Decisions dance drawn from a group consisting of 8 dancers, between which are 2 male dancers and 6 female dancers. The theory used is Soedarsono's theory. Prostration Dance Between Two Decisions has dance elements such as motion, music, themes, costumes, make-up, floor design, dynamics, lighting and staging
Gledališki eksperiment na Slovenskem (1966–1986) in njegovi odmevi v mladinski dramatiki – Andrej Rozman Roza
No full textIn Slovenian (youth) literature, three authors who have worked in the field of drama and/or theatre stand out – namely, Svetlana Makarovič, academically trained actress (Sapramiška), Milan Jesih (Four Plays for Children, adaptations of Andersen’s fairy tales The Emperor’s New Clothes and The Ugly Duckling) and Andrej Rozman Roza. The paper will focus on the latter, who was strongly influenced by the theatre experiment in Slovenia, especially during the formative period of his studies of the Slovenian language (1974–1978). Andrej Rozman Roza (1956) started performing and/or publishing plays in the period 1981– 1990 (Inspector Schwake, 1986; collection of texts Ana Monró Theatre, 1991, etc.). He is known in literary history as a youth poet and is included in Slovenian language curricula (1998, 2011, 2018). However, the definition of a systemic author is more appropriate for him (I. Even Zohar, M. Dović) since of the six functions in the literary system (author, institution, market, repertoire, book, reader) he holds at least three roles (author, “institution”, book [living book], etc.). This paper focuses on adaptations of classics of Slovenian (Cankar, Levstik, Linhart, Prešeren, etc.) or world literature that – regardless of literary genre or type – have become crossover literature in the process of literary reception, especially in picture-book editions (e.g., A Midsummer Night’s Dream which has the international fairy tale type number ATU 899A [Pyramus and Thisbe]). According to B. Kümmerling-Meibauer’s definition of crossover classics or authorship, Rozman is a crossover author. In addition, according to L. Hutcheon’s theory, adaptations are an important part of Rozman’s work and contribute to the updating of classics and modern classics. The paper presents the collection Brvi čez morje (The Footbridge Across the Sea), which contains thirteen plays, three of which are folktale texts – Janko and Metka (Hansel and Gretel) [ATU 327], Obuti maček (Puss in Boots) [ATU 545B], Vžigalnik (The Tinderbox) [ATU 562] – and one which is a fairy tale, Kekec [ATU 1137]). Intertextually, they refer to folktale types.V slovenski (mladinski) književnosti izstopajo trije avtorji, ki so se ukvarjali z dramatiko in/ali gledališčem: to so Svetlana Makarovič, diplomirana igralka (npr. Sapramiška), Milan Jesih (Štiri igre za otroke, priredbe Andersenovih pravljic Cesarjeva nova oblačila in Grdi raček) in Andrej Rozman Roza. Prispevek bo obravnaval slednjega, na katerega je izrazito vplival gledališki eksperiment na Slovenskem, posebej v času študija slovenščine (1974–1978). Andrej Rozman Roza (roj. 1955) je začel nastopati in/ali objavljati dramska besedila v obdobju 1981–1990 (Inspektor Schwake, 1986; besedila v zborniku Gledališče Ane Monró: od Talija do Torija, 1991 idr.). V literarni zgodovini je znan kot mladinski pesnik, uvrščen je v učne načrte za slovenščino (1998, 2011, 2018), a je zanj primernejša oznaka sistemskega avtorja (I. Even Zohar, M. Dović), saj ima od šestih funkcij v literarnem sistemu (avtor, ustanova, trg, repertoar, knjiga, bralci) najmanj tri vloge (avtor, »ustanova«, knjiga [živa knjiga] idr.). Prispevek se osredotoča na priredbe klasične slovenske (Cankar, Levstik, Linhart, Prešeren itd.) ali svetovne književnosti, ne glede na literarno zvrst ali vrsto, ki je v procesu literarne recepcije postala večnaslovniška (angl. »crossover«), posebej v slikaniški izdaji (npr. Sen kresne noči, ki ima mednarodno številko pravljičnega tipa ATU 899A [Piram in Tizba]). Glede na opredelitev klasične oz. večnaslovniške književnosti (B. Kümmerling-Meibauer) je Rozman večnaslovniški avtor in po teoriji L. Hutcheon so adaptacije pomemben del njegovega opusa, ki prispeva k posodabljanju klasike in sodobne klasike. V prispevku bo predstavljena Rozmanova zbirka Brvi čez morje, v kateri je trinajst dramskih besedil, od tega so tri besedila ljudske pravljice (Janko in Metka [ATU 327], Obuti maček [ATU 545B], Vžigalnik [ATU 562], eno pa avtorska/literarna pravljica (Kekec [ATU 1137]), ki se medbesedilno navezujejo na pravljične tipe
Saúde pública, psicanálise e infância: do silêncio ao brincar - história do presente dos espaços para o brincar no campo da saúde
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Ciências da Saúde. Programa de Pós-Graduação em Saúde PúblicaO objetivo deste trabalho é o de apresentar as determinações ideológicas - discursivas historicamente construídas em relação aos espaços para o brincar. Estes espaços aparecem em cena por volta da década de 1980. Muitos deles como um intento de desafiar às regras de jogo presentes na relação criança - adulto nos hospitais. Nos interessa particularmente a dimensão discursiva tecida a partir das práticas discursivas e não discursivas da Saúde Pública e da Psicanálise em relação à infância e ao brincar. Levando em conta que o sentimento da infância e o reconhecimento do brincar como inerente à condição de criança, são relativamente recentes, podemos afirmar que o Estatuto da Criança e do Adolescente (1990) institui um antes e um depois na condição jurídica dos menores no Brasil. A passagem de objeto ao de sujeito pleno de direito, significou que o brincar comece ser reconhecido como um direito a ser efetivamente garantido e defendido pela sociedade. O brincar é a fala da criança e, através do qual a criança vai construindo sua subjetividade; é através do brincar, se houver um adulto capaz de escutar, o meio com o qual a criança diz sobre seu sofrimento, suas esperanças. Práticas e discursos variados tentam disciplinar este brincar como forma de controle, numa tentativa de higienizar e disciplinarizar os corpos e as mentes das crianças. A falta de espaços para o brincar é uma forma de condenar às crianças ao silêncio, uma forma de tirar delas a possibilidade de recriar o mundo, de cercear a experiência de viver sua própria infância. Não se trata aqui simplesmente de espaços materiais, trata-se de abrir mão do poder hegemônico do adulto no intuito de desconstruir saberes, práticas e discursividades que possibilitem o surgimento de uma outra verdade e novas formas de subjetivação. Os discursos da Saúde Pública e da Psicanálise, junto às determinações históricas que lhes deram origem, encontram-se nestes particulares espaços. Mostramos como a psicanálise pode ser um auxilio para que às práticas da saúde pública possam repensar e retificar seus dispositivos disciplinares. Possibilita a produção de um espaço onde possam ser acolhidos os que demandam um refugio para resistir ser subjugado pela "ordem disciplinar". Concluímos que o brincar pode manter vivo o desafio que a psicanálise propôs: ser uma chance. A chance de restituir a palavra dos sem voz, pois, a condena ao silêncio não é privativa das crianças. Daí seu poder transformador de práticas e discursos ligados à saúde pública, à psicanálise e à infância
De violencias y traumas: las mujeres en la posguerra en "Roza, tumba, quema" de Claudia Hernández
No full textInternational audienceThis article intends to analyze the specificities of women’s experiences in the Salvadoran war and postwar in Claudia Hernández’s novel Roza tumba quema (2017). The author focuses on narrative and discursive strategies whereby, in spite of an apparently simple style, the Salvadoran writer shows the complexity of the women’s situation during the war and after it, the difficulties of the female guerrillas reintegrating society and the impact that war violence has had on their descendants after the conflict, as they pass trauma on daughters and granddaughters in an unconscious and transgenerational way. The article further defines the strategies developed by women, especially peasant women, in order to survive and overcome violence, by emphasizing the narrative structure, its symbolism and the metaphorical and archetypal nature of a female lineage whose particular story could represent all the women affected directly or not by the violence of war.Este artículo propone analizar las especificidades de las vivencias de las mujeres en la guerra y la posguerra salvadoreña a través de la novela Roza tumba quema de Claudia Hernández (2017). El análisis se basará en las estrategias narrativas y discursivas con las que, mediante un estilo aparentemente sencillo, la autora salvadoreña logra problematizar la complejidad de las situaciones de las mujeres en el momento y después del conflicto, la difícil reintegración de las mujeres excombatien-tes y los impactos que las violencias bélicas sufridas por ellas tienen en sus descendientes, una vez terminado el conflicto, por medio de la transmisión transgeneracional del trauma por vía femenina. Se estudiarán también las estrategias desarrolladas por las mujeres, particularmente las campesinas, para sobrevivir y sobreponerse a las violencias, teniendo en cuenta la estructura del relato, su simbolismo y la dimensión ejemplar y metafórica de la historia particular de un linaje femenino cuyas dificultades podrían extenderse al conjunto de las mujeres afectadas, directa o indirectamente, por la violencia armada
A submissão e o silenciamento da mulher representada no conto "Miss Jaqueline", de Livia Garcia-Roza
No full textThe short story “Miss Jaqueline” by Livia Garcia-Roza, which makes up the collection Restou o dog, presents in the peculiar format of only dialogues, the routine of a submissive woman who lives under the yoke of her husband, who does not miss opportunities to humiliate her. -there. Even without the voice of a narrator, the reader can infer the couple\u27s routine and even some past events, based only on the narrative\u27s dialogues. Based on this premise, the present work proposes to analyze the condition of contemporary women, represented by the character Jaqueline, the symbolic/psychological violence and the consequent female silencing, as these are recurring themes in the short story proposed for analysis. In addition, we will consider the narrative characteristics adopted by the author. As support for the analyzes carried out, the text Pode o subalterno falar?, by G. C. Spivak and Tendências e impasses: o feminism como crítica da Cultura, by H. B. Hollanda.O pequeno conto “Miss Jaqueline” de Livia Garcia-Roza, que compõe a coletânea Restou o cão, apresenta no peculiar formato de apenas diálogos, a rotina de uma mulher submissa que vive sob o jugo do marido, o qual não perde oportunidades de humilhá-la. Mesmo sem a voz de um narrador, o leitor pode inferir a rotina do casal e até de alguns acontecimentos passados, com base apenas nos diálogos da narrativa. Com base nessa premissa, o presente trabalho tem como proposta analisar a condição da mulher contemporânea, representada pela personagem Jaqueline, a violência simbólica/psicológica e o consequente silenciamento feminino, pois estas são temáticas recorrentes no conto proposto para análise. Além disso, iremos considerar as características narrativas adotadas pela autora. Como suporte para as análises realizadas será usado o texto Pode o subalterno falar?, de G. C. Spivak e Tendências e impasses: O feminismo como crítica da Cultura, de H. B. Hollanda
“Pertumbuhan Bibit Stek Batang Sungkai (Peronema canescens Jack) Dengan Pemberian Cendawan Mikoriza Arbuskula (CMA) Asal Rizosfer Sungkai”
No full textCendawan Mikoriza Arbuskula (CMA) merupakan simbiosis muatalisme yang terbentuk antara akar tanaman dan cendawan. Mikoriza berperan sebagai bioprosesor yang dapat membantu tanaman menyerap unsur hara dan air yang tidak terjangkau oleh akar. Tanaman yang diberi perlakuan CMA memiliki pertumbuhan yang lebih baik dibandingkan dengan tanpa perlakuan CMA. Penelitian ini dilakukan di rumah kaca dan Laboratorium Fisiologi Tumbuhan, FMIPA Universitas Andalas, Padang. Tujuan dari penelitian ini adalah untuk mengetahui; (a) jenis mikoriza yang terdapat pada rizosfer sungkai, (b) pengaruh CMA terhadap pertumbuhan stek batang sungkai dan (c) dosis CMA yang tepat untuk pertumbuhan stek batang sungkai. Penelitian ini menggunakan Rancangan Acak lengkap (RAL) dengan 5 perlakuan dan 5 ulangan. Perlakuan yang diberikan adalah dosis inokulan CMA seperti kontrol (tanpa CMA), 5, 10, 15 dan 20 g CMA. Empat genus CMA yaitu Glomus, Gigaspora, Acaulospora dan Scutellospora ditemukan pada rizosfer sungkai. Inokulasi CMA memberikan pengaruh yang nyata terhadap pertumbuhan sungkai seperti; panjang tunas, diameter tunas, jumlah daun, panjang dan jumlah akar, berat kering tanaman, derajat kolonisasi dan ketergantungan mikoriza. 10 g inokulan indigenous CMA merupakan dosis terbaik untuk meningkatkan pertumbuhan stek batang sungkai pada semua parameter
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