1,720,955 research outputs found
SPATIAL SOUND RECORDING WITH DENSE MICROPHONE ARRAYS
No full textMultichannel recordings are usually performed by means of microphone arrays. In many cases "sparse" and discrete microphone arrays are used, where each microphone is employed for capturing one of the channels, which in turn is routed to one loudspeaker.
However, also the usage of "dense" microphone arrays has a long history, dating back to the first MS-matrixed microphones setups and passing through the whole Ambisonics saga.
A dense microphone array is employed differently from a sparse array: each channel is obtained by a combination of the signals coming from all the capsules, by means of different matrixing and filtering approaches. And similarly, each loudspeaker feed results from a re-matrixing of all the transmitted channels.
This paper is the third of a series: in the previous two [1,2] a numerical method for computing a matrix of FIR filter was employed for processing the microphone signals (encoding, [1]) and for computing the speaker feeds (decoding, [2]). In this third paper, the same numerical approach is extended to intermediate processing (rotation, zooming, stretching, spatial equalization, etc.): hence we have now a general meta-theory, providing a unique framework capable of processing the signals for any kind of dense microphone array, providing any kind of intermediate manipulation, and finally projecting the signal to every kind of loudspeaker arrays. The same framework can operate according to different standards and formats, including A-format (raw signals), B-format (High Order Ambisonics signals), G-format (speaker feeds) and P-format (Spatial PCM Sampling signals), and can be used for converting freely among them.
Experimental results are presented, including "traditional" tetrahedral probes, a commercial spherical microphone array, and two newly-developed massive microphone arrays developed by the authors, a cylindrical and a planar array, both incorporating 32 high-quality condenser microphones and a panoramic video camera
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Methods for assessing and controlling the spatial sound field inside a car
No full textThe growing demand for lightweight and “greener” vehicles is an open challenge for the NVH engineers in car manufacturer companies to keep produce refined and comfortable vehicles. The internal combustion engines are gradually replaced with electrical machines, changing dramatically the main noise source in a car and, at limits, increasing the total mass of the vehicle, due to added power battery pack. The active noise control techniques have become nowadays, thanks to the low-cost CPU available in audio amplifiers, a valid alternative to control the internal sound field, especially for structure-borne road noise and increase the car occupant’s comfort.
In the last 5 years, Virtual Reality (VR) technology has dramatically spread in our lives, thanks to entertainment, video game and social networks industry, opening new opportunities for engineering applications in spatial sound field recording, analysis, and reproduction.
In this thesis, the last spatial audio and video techniques, based on dense microphones array and Ambisonics and SPS theories, have been applied to the sound field characterization and assessment in car cabins. The traditional measurement techniques based on binaural microphone recording and headphones playback, have been replaced with dense microphone array spatial recording that allows advanced spatial analysis on 360° colourmap.
The spatial sound field analysis technique has been employed in the performance assessment and objective evaluation of an active road noise control system (RNC). The implementation stages of the RNC feedforward system are presented, with a focus on the reference sensor selection.
The psychoacoustics parameters, widely employed in automotive industry for objective evaluation of sound quality of cabin noise, have been included in the spatial sound field analysis tool to create Loudness and Sharpness direction-dependent maps.
The 360° video and spatial sound field recordings can be played back on loudspeaker rig in an Ambisonics listening room with panoramic screens or on binaural headphones attached to a Head Mounted Display (HMD) benefiting from head-tracking and, even, individualized Head Related Transfer Functions (HRTF).
The VR playback applied to car cabin noise allows to make subjective evaluation with a degree of realism unattainable with traditional static binaural approach
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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