30,509 research outputs found

    Van Dyck, Henriette Maria von England

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    VAN DYCK, HENRIETTE MARIA VON ENGLAND Van Dyck, Henriette Maria von England ( -

    Van Dyck, Jakob und Henriette Maria von England

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    VAN DYCK, JAKOB UND HENRIETTE MARIA VON ENGLAND Van Dyck, Jakob und Henriette Maria von England ( -

    La Vita S. Rosaliae di van Dyck nella Biblioteca della Fondazione Sicilia

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    The essay examines the Vita S. Rosaliae, a very rare collection of engravings taken from drawings by Antoon van Dyck, identified by the author and Maria Concetta Di Natale in the Sicily Foundation Library during preparatory research for the realisation of the exhibition 'The Ecstasies of Saint Rosalie - Antoon van Dyck, Pietro Novelli, Mattia Preti, Luca Giordano'

    Maria Stuart Comitissa Portlandiae Neylandiae

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    Medium: etching"Maria Stuart Comitissa Portlandiae Neylandiae" [1995.2039.000.000], Hollar, Wenceslaus, Dyck, Anthony VanArtist and Role: Hollar, Wenceslaus, EtcherArtist and Role: Dyck, Anthony Van, ArtistExtent: plate 27.6 x 18.

    Maria Bersani

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    La voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Representation of numerical semigroups by Dyck paths

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    We introduce square diagrams that represent numerical semigroups and we obtain an injection from the set of numerical semigroups into the set of Dyck paths
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