774 research outputs found

    ТВОРЧИЙ КЛІМАТ У МЕТОДИЧНІЙ РОБОТІ ЯК ОДНА З УМОВ РОЗВИТКУ ТВОРЧОГО стилю ДІЯЛЬНОСТІ ПЕДАГОГА

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    There is a dependence of the development of teacher\u27s Creative style from the present conditions of school work. The organization of creative climate during the method work as one of the conditions is a high possibility of teacher\u27s positive attitude to professionalfursonal work

    N.V. Zakrevskiy – the author of the fi rst encyclopedia of Kyiv monuments of history

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    У статті розповідається про складний життєвий і науковий шлях видатного українського історика й етнографа М.В. Закревського, що ы 1868 р. видав книгу «Описание Киева», яка представляє собою енциклопедію пам’яток історії Києва. М.В. Закревський був не тільки учнем Київської гімназії, в якій викладав «перший історик і археолог Києва» М.Ф. Берлінський, але і продовжувачем його наукового дослідження історії Києва. М.В. Закревський також займався збиранням українських пісень, дум, прислів’їв.В статье изложена жизненная и научная биография выдающегося украинского историка и этнографа Н.В. Закревского, который в 1868 г. издал книгу «Описание Киева», представлявшую энциклопедию памятников историю Киева. Н.В. Закревский был не только учеником Киевской гимназии, в которой преподавал «первый историк и археолог Киева» М.Ф. Берлинский, но и продолжателем его научного исследования истории Киева. Н.В. Закревский занимался также собиранием украинских песен, дум, пословиц.The article contains materials on lifelong and scientifi c biography of an outstanding Ukrainian historian and ethnographer N.V. Zakrevskiy who published his book «Description of Kyiv» in 1868. The book was an encyclopedia of Kyiv monuments of history. Not only N.V. Zakrevskiy was a student of the First Kyiv Gymnasium where «fi rst Kyiv historian and archaeologist» M.F. Berlinskiy lectured, but also Berlinskiy’s successor of his scientifi c research of Kyiv history. N.V. Zakrevskiy also worked on collecting Ukrainian songs, ballads, proverbs

    N.V. Zakrevskiy – the author of the fi rst encyclopedia of Kyiv monuments of history

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    У статті розповідається про складний життєвий і науковий шлях видатного українського історика й етнографа М.В. Закревського, що ы 1868 р. видав книгу «Описание Киева», яка представляє собою енциклопедію пам’яток історії Києва. М.В. Закревський був не тільки учнем Київської гімназії, в якій викладав «перший історик і археолог Києва» М.Ф. Берлінський, але і продовжувачем його наукового дослідження історії Києва. М.В. Закревський також займався збиранням українських пісень, дум, прислів’їв.В статье изложена жизненная и научная биография выдающегося украинского историка и этнографа Н.В. Закревского, который в 1868 г. издал книгу «Описание Киева», представлявшую энциклопедию памятников историю Киева. Н.В. Закревский был не только учеником Киевской гимназии, в которой преподавал «первый историк и археолог Киева» М.Ф. Берлинский, но и продолжателем его научного исследования истории Киева. Н.В. Закревский занимался также собиранием украинских песен, дум, пословиц.The article contains materials on lifelong and scientifi c biography of an outstanding Ukrainian historian and ethnographer N.V. Zakrevskiy who published his book «Description of Kyiv» in 1868. The book was an encyclopedia of Kyiv monuments of history. Not only N.V. Zakrevskiy was a student of the First Kyiv Gymnasium where «fi rst Kyiv historian and archaeologist» M.F. Berlinskiy lectured, but also Berlinskiy’s successor of his scientifi c research of Kyiv history. N.V. Zakrevskiy also worked on collecting Ukrainian songs, ballads, proverbs

    Emptiness in the Poem Dead Souls by N.V. Gogol.

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    Tukšums N.V. Gogoļa poēmā `Mirušās dvēseles` Darbs veltīts kategorijas `tukšums` izpausmju izpētei N.V. Gogoļa poēmā ‘Mirušās dvēseles’. Darba mērķis ir noskaidrot kategorijas `tukšums` atspoguļojuma poēmā veidus, raksturot dotās kategorijas izpausmju īpatnības, likumsakarības un nozīmi poēmas kompozīcijā. Darbs sastāv no divām daļām. Pirmajā sniegta koncepta `tukšums` definīcija, kā arī apskatīti atsevišķi zinātniski darbi dotās problemātikas izpētē krievu literatūrā. Otrajā daļā darba autors, pielietojot analītisko literatūrzinātnes metodi, veica detalizētu izvēlēto poēmas ‘Mirušās dvēseles’ teksta segmentu analīzi. Darbs var ieinteresēt personas, kas ir saistītas ar literatūrzinātni, Gogoļa daiļrades izpēti, kā arī līdzīgas problemātikas pētniecību. ATSLĒGAS VĀRDI Tukšums, neesība, nekas, Mirušās dvēseles, Gogolis'Emptiness' in the poem "Dead souls" by N.V. Gogol The following work is aimed at studying the appearances of the literary category of emptiness in the text of N. Gogol’s poem ‘Dead souls’. The main objective of the work is to discover the ways by which the emptiness category appears in the composition of the poem, and to find logic and meaning in those appearances. The work consists of two chapters. The first chapter defines the concept of emptiness, and also introduces some of the earlier scientific works on this matter in Russian literature. In the second chapter, using the analytical philological method the author creates a thorough analysis of the chosen fragments of the poem ‘Dead souls’. The work is dedicated to any person affiliated with philology, Gogol studies, or common interest in the subject of the study. KEY WORDS Emptiness, non-existence, nothing, Dead souls, Gogo

    On the Sources of Some N.V. Gogol’s Records in the “Tarnovsky Notebook”

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    The presented work is directly related to the ongoing at the Institute of World Literature of the Russian Academy of Sciences preparation of the academic Complete Works of N.V. Gogol in 23 volumes. The article is devoted to the problem of establishing the sources of a number of texts introduced by Gogol’s hand in one of his notebooks, the so-called “Tarnovsky notebook” (1830–1834). The author of the article examines thematic intersections of part of these records with fragments of the Gogol letter dated April 2, 1830. The first of the records, indicating the author (K. Shtisser) and the title of his work, is first compared with the searched printed original. The article describes the volume and nature of its copying by Gogol, also it establishes the origin and authorship of the four “anonymous” texts written by Gogol’s hand in the “notebook.” The article includes the results of correlation of these texts with the primary sources, such as the volume and nature of the abbreviations when copying, lexical, stylistic, punctuation differences. The results of the research present options for the inclusion of attributed records in the upcoming Complete Works of N.V. Gogol, as well as the possibility of using the established facts when commenting on the mentioned letter

    Familial Relations of Russian Naval Officer N.V. Kopytov: based on Epistolary Sources of 1866-1897

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    The author in their work analyzes familial relations, gender roles and gender equality issues based on Vice Admiral N.V. Kopytov’s letters to his wife, letters currently being stored in his personal fund stored at the Russian State Archive of Navy. The novelty of the scientific usefulness of the letters is determined by their use as a source base for further historical analysis. The introduction of N.V. Kopytov’s personal letters into scientific use for the first time has allowed the authors and further researchers to obtain information to analyze a wide range of issues: including interpersonal communications, gender relations, everyday life, and professional activities. In addition, this research has allowed the analysis of the influence of peculiarities of mentality, class affiliation, financial situation on the character and main priorities of relationships in N.V. Kopytov’s family. Recent research interest in personal letters as historical sources of private origin and the epistolary genre is currently associated with the ability to identify common and specific features of intra-family communications of people of a certain social stratum and social status, in this particular case, the noble family of the Vice-Admiral of Navy. The study of the letters allows us to conclude that the Kopytov family was not typical of Russian society and was more of an equal partnership, despite the prevailing gender inequality enshrined in the legislation and in the mentality of the population of time. The authors have examined the causes of family relations which were considered progressive for the period under consideration, based on the equal division of gender roles and the position of spouses in joint decision-making
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