1,720,999 research outputs found
La poésie de Paulin de Nole : des réseaux de communication du IVe siècle aux bibliothèques médiévales de France et d'Italie
No full textL’edizione critica dei carmi di Paolino di Nola che è l’obiettivo di questa tesi è la prima dopo l’edizione di Wilhelm von Hartel, realizzata alla fine dell’Ottocento. E’ costituita da uno studio globale della tradizione testuale di Paolino di Nola, a partire da tutti i manoscritti conosciuti; e questo studio è la base di una critica di attribuzione, fondata anche su aspetti metrici, letterari, teologici e culturali dell’opera paoliniana. Gli aspetti filologici e codicologici della questione, spesso i meno conosciuti, sono stati esposti con particolare attenzione, tanto più che incrociano spesso la storia del testo di Ausonio, particolarmente complessa. Questa edizione, in tal modo preceduta di una introduzione sulla la storia del testo e lo stabilimento dello stemma, è accompagnata di una traduzione a fronte, la prima integrale in francese. L’annotazione tratta soprattutto di problemi si stabilimento e di storia del testo, nonché, attaverso un apparato delle fonti e dei paralleli biblici e letterari, del ruolo di Paolino di Nola nella storia letteraria della Tardoantichità.L’édition critique des œuvres poétiques complètes de Paulin de Nole présentée dans cette thèse est la première depuis celle de Wilhelm von Hartel, datant de la fin du XIXe siècle ; elle donne lieu à une étude globale de la tradition textuelle de Paulin de Nole, appuyée sur la totalité des manuscrits actuellement connus, qui est la source d’une critique d’attribution également fondée sur des aspects métriques, littéraires, théologiques et culturels de l’œuvre paulinienne. Les aspects philologiques et codicologiques, qui sont les plus ignorés, ont fait l’objet d’une attention particulière, d’autant qu’ils recroisent souvent l’histoire du texte d’Ausone, particulièrement complexe. Cette édition, ainsi précédée d’une introduction consacrée à l’histoire du texte et à l’établissement du stemma, est accompagnée en regard de la première traduction française intégrale. L’annotation se concentre sur des problématiques d’établissement et d’histoire du texte, ainsi que, à travers un apparat des sources et parallèles bibliques et textuels, sur la place de Paulin de Nole dans l’histoire littéraire de l’Antiquité tardive.The critical edition of the poetic works of Paulinus of Nola which is the main aim of this thesis is the first one since Hartel’s edition, realized at the end of the 19th century. It consists in a global study of the textual tradition of Paulinus of Nola, based on all known manuscripts, study which founds a criticism of attribution based too on metrical, literary, theological, and cultural aspects of Paulinus’ works. The philological and codicological aspects of the question, mostly ignored, have been the subject of a special study, for they often meet Ausonius’ textual history, known as particularly difficult. This edition, preceded by an introduction on textual history and stemmatic reconstruction, comes with, in front of it, the first full French translation. Annotation concentrates on problematics of textual drafting and history, and, through an apparatus of biblical and textual sources and parallels, on the place of Paulinus of Nola in the literary history of late Antiquity
La Sylloge Elnonensis et la connaissance d'Ausone aux premiers siècles du moyen âge
No full textThis paper is concerned by a series of four epitaphs known as the Sylloge Elnonensis. It shows that, although they were written at or near Reims in the late 6th century, their author cannot be some local. Actually, there are good grounds to believe that this person was trained at Rome. Since the Sylloge is an exceptional witness to the early reception of Ausonius, this has consequences on what we know of the circulation of the collections of Ausonius' works before any manuscript known to us
Un poème passé inaperçu : contribution au dossier hagiographique de saint Maieul, quatrième abbé de Cluny
Full text linkCatherine Magne a découvert en 1994 un poème rythmique sur la mort de Maieul de Cluny jusqu’alors inconnu ; malheureusement, un défaut d’édition l’avait fait passer inaperçu. Il est ici réédité d’après l’unique témoin conservé (Paris, BnF, lat. 5611). Tout porte à croire qu’il faut l’attribuer à Odilon de Cluny, mais il n’est pas impossible que l’auteur soit Jotsald de Saint-Claude.Catherine Magne brought to light in 1994 a previously unknown rhythmical poem on the death of Maieul of Cluny ; unfortunately, because of an defect in editing, it went unnoticed. It is here newly edited from the unique known manuscript (Paris, BnF, lat. 5611). It is very likely that its author was Odilo of Cluny, even if some elements point to Jotsald of Saint-Claude
Les Orationes « d’Ausone » et « de Paulin » : examen des problèmes liés à leur attribution
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Laurent de Noves pastiché ?
No full textIn the Vetus bibliotheca Floriacensis, there are two homilies on the repentant sinner in Luke 7 (according to the rubrics, ‘on Mary Magdalene'). The first is in fact an extract from the De paenitentia (or De duobus temporibus) of Laurentius, bishop of Novae, a somehow mysterious character once studied by Morin: he is most remarkable for his quite unorthodox opinions on the remission of sins and on the salvation, the former being (as Laurentius sees it) an effect not of Christ's sacrifice but of his baptism. The second homily looks very much like a pastiche of the first. It could have been produced within a Roman, Greak-speaking circle
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
[Compte-rendu de :] Iversen,G. "Psallite regi nostro…" et Marie-Noëlle Colette, "The Place and Function of Music…" in Iversen, G. et al., Sapientia et eloquentia [...]. – Brepols, 2009
No full textCompte-rendu des contributions de Gunilla Iversen, "Psallite regi nostro, psallite : Singing Alleluia in Ninth-Century Poetry" et Marie-Noëlle Colette, "The Place and Function of Music in a Liturgical Context : The Earliest Witness of Sequence and Versus ad sequentias in the Antiphoner of Charles the Bald and Other Early Sources" parus dans Iversen, Gunilla and Bell, Nicholas. (eds.), Sapientia et eloquentia: meaning and function in liturgical poetry, music, drama, and biblical commentary in the Middle Ages. – Turnhout: Brepols, 200
Un poème passé inaperçu : contribution au dossier hagiographique de saint Maieul, quatrième abbé de Cluny
No full textInternational audienc
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