1,721,769 research outputs found
Scenarios for Climate Change Mitigation from the Energy Sector in Indonesia: The Role of Fiscal Instruments
As mandated by the recent Copenhagen Accord, Indonesia submitted a nationally appropriate mitigation actions plan to reduce greenhouse gasses emission by 26% by 2020. However, for now, specific strategies especially appropriate instruments to achieve those targets are yet under early planning stage. This study is an attempt to contribute to the policy design on how Indonesia can achieve that target in particular for the energy sector by looking directly at specific instruments available and under the discretion of Indonesian government particularly the Ministry of Finance. For this purpose, we constructed AGEFIS-E model, a computable general equilibrium (CGE) model with a focus on energy sector and fiscal instruments. As the departure from the previous literature on CGE modeling in Indonesia, this model incorporates explicitly the renewable energy such as geothermal and hydropower. It was used to exercise various scenarios of finding an effective mix of instruments to reduce emissions from the energy sector. We find that a scenario of engineering the energy relative prices through pricing-instruments is an effective way to achieve a given target of reducing emissions from the energy sectors. More specifically, we conclude that removing energy subsidy (fuel and electricity) can contribute to significant reduction in carbon emissions. Adding a carbon tax to the policy mix will complement to find the best scenario to achieve a certain target of emissions reduction. A target of 14% reduction of emissions from the energy sector, for example, can be achieved by removing energy subsidy complemented by a carbon tax of only around US$3/ton CO2. Half of the reduction is attributed to the removing energy subsidy alone, suggesting evidence that the emissions reduction potential of energy pricing reform has been overlooked in the policy agenda.climate change, computable general equilibrium model, fiscal instruments, energy, Indonesia
Studi tentang motif - motif wayang dalam lukisan Kuswadji Kawindro Sutanto, Djoni Trisno dan Bagong Kussudiardjo
wayang kulit purwa merupakan jenis wayang yang paling populer di antara jenis - jenis wayang lainnya. Dari nilai - nilai yan terkandung di dalamnya, terutama nilai bentuknya, ternyata telah memebrikan inspirasi bagi beberapa pelukis, diantaranya adalah KUswadji Kawindrosusanto, Djoni Trisno dan Bagong Kussudiardjo.Perubahan yang terjadi pada wayang lukisan ketiga pelukis tersebut tidak mutlak, namun kadang - kadang cukup jauh juga perbedaan / penyimpangan yang terjadi, hal ini terutama terlihat pada lukisan wayang Djoni Trisno pada segi bentuknya dan lukisan Bagong Kussudiardjo yang hanya merupakan figur yang tidak sempurna bentuknya. Sedangkan pewarnaan pada lukisan Kuswadji tidak lagi terikat oleh warna obyeknya
METODE DAKWAH BUYA KH. MUHAMMAD DJONI LUBIS DI PESANTREN BAHRUL ULUM AL- ISLAMY PANTAI RAJA KAMPAR KIRI
ABSTRAK
METODE DAKWAH BUYA KH. MUHAMMAD DJONI LUBIS DI PESANTREN BAHRUL ULUM AL- ISLAMY PANTAI RAJA KAMPAR KIRI
Oleh :
ELVIRA YULIA
NIM. 11644200998
Skripsi ini membahas tentang Metode Dakwah Buya KH. Muhammad djoni Lubis di Pesantren Bahrul Ulum Al- Islamy Pantai Raja Kampar Kiri. Yang melatar belakangi skripsi ini adalah Islam merupakan agama universal yang telah berkembang ke berbagai penjuru dunia, tidak lain karena adanya dakwah Islamiyah. pada perkembangan dakwah Islam, pondok pesantren merupakan merupakan lembaga pendidikan Islam yang mempunyai peran penting dalam mengembangkan aktivitas dakwah. Dakwah merupakan usaha-usaha menyerukan dan menyampaikan kepada seluruh umat manusia konsepsi Islam tentang pandangan dan tujuan hidup manusia di dunia ini, yang meliputi amal ma’ruf nahi munkar dengan berbagai macam strategi yang digunakan oleh pondok pesantre, Permasalahan dalam penelitian ini membahas tentang Bagaimana metode dakwah Buya KH. Muhammad Djoni Lubis di pondok pesantren Bahrul Ulum Al- Islamy Pantai Raja, Penelitian ini bertujuan Untuk mengetahui metode dakwah Buya KH. Muhammad Djoni Lubis di pondok pesantren Bahrul Ulum Al- Islamy Pantai Raja. Metode yang diguanakan dalam penelitian ini adalah dengan menggunakan metode kualitatif adalah data yang bersifat menguraikan, menggambarkan dan membandingkan data satu dengan data yang lainnya untuk ditarik suatu kesimpulan.Teknik Pengumpulan data yang di gunkaan dalam penelitian ini adalah dengan mengunakan, Observasi, Wawancara dan Dokumentasi. Tekanik Analisis Data dalam penelitian ini adalah analisis data deskriptif kualitatif yang bersifat induktif Dari hasil penelitian ini dapat di tarik kesimpulan bahwa metode dakwah Buya KH. Muhamad Djoni Lubis dalam membina Pesantren Yang ada di Daerah Pantai Raja dapat menyimpulkan bahwa: Dakwah Ceramah dan Tanya Jawab, dimana terkadang ucapan lisan tidak lebih dari sekedar lipstik hiasan bibir yang tidak ada bukti nyatanya, maka dalam rangka mengiringi proses informasi dakwah harus dilakukan dengan contoh teladan yang baik. Dakwah Keteladanan lebih aktif, dinamis dan praktis melalui berbagai kegiatan dan pengembangan potensi masyarakat dengan muatan kebaikan normatif. Silaturahum yang menjadi panutan dalam melakukan tindakan sebagai pesan dakwah dapat langsung ditiru oleh jamaahnya, sehingga menjadi lebih nyata.
Kata Kunci : Metode Dakwah, Buya KH. Muhammad Djoni, Pesantre
Studi tentang tema wayang pada lukisan djoni trisno
A. Kesimpulan: 1. wayang adalah peninggalan nenek moyang bangsa indonesia yang sudah ada sejak jaman neolitikum menurut bentuknya pada waktu itu, kemudian berkembang menurut zaman dan lingkungan, sehingga menimbulkan berbagai macam jenis wayang, antara lain seperti: wayang kulit purwa, wayangkulit madya, wayang gedog, wayang klitik, wayang golek, wayang nenak, wayang suluh, wayang kancil, wayang rumput dan masih banyak lagi. 2. ciri-ciri lukisan Djoni Trisno adalah bentuk digarap secara dekoratif, ruang mempunyai prespektif sehingga menimbulkan suasana tertentu, garis sebagai kontur dan ornamen, warna bebas tidak terikat pada wayang kulit purwa, tehnik menggunakan cat minyak, fungsi sebagai pencetus ide-ide dan tema wayang dengan cerita mahabharata dan ramayana
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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