1,554 research outputs found
Algunas discrepancias con Ernesto Garzón en materia de derechos humanos
No full textThis text constitutes the answer of the author of the above quoted book to three comments about it formulated by Ernesto Garzón in its prologue. These comments referred to disagreements about the historicity of the human rights theories proposed by the author and criticised by Garzon; the pattern of international organization required by these human rights theories: an association of democratic States versus a democratic international institution which is «interventionist» in the field of human rights; and the moral relevance of the principle of human dignity which the author bases on identity and «rule of law» rights, while Garzon considers it to be more generally the basement of a morally acceptable legal order.El texto recoge la respuesta del autor del libro citado a las tres observaciones que Ernesto Garzón realizó en el prólogo del mismo. Las discrepancias giran en torno a la historicidad de las concepciones de los derechos humanos defendida por el autor y cuestionada por el prologuista; al modelo de organización internacional exigido por las teorías de los derechos humanos: una asociación de Estados democráticos o una institución internacional democrática e «intervencionista» en materia de derechos humanos; y a la relevancia moral del principio de dignidad humana que el autor circunscribe a fundamentar los derechos de la personalidad y de seguridad, mientras Garzón lo amplia a fundamentar una regulación jurídica moralmente aceptable
Carta, Rubén Darío a Ernesto Bermúdez, 1908 Mayo 26
No full textabstract: Handwritten letter from Rubén Darío to Ernesto Bermúdez, in Manchester, confirming the receipt of the shipment and forthcoming reception with the Spain's King. Ernesto Bermúdez (1872-1962) was Consul of Nicaragua at Manchester. Rubén Darío was in Madrid when the letter was written.The original Rubén Darío Papers 1882-1945 (MSS-339) are located at ASU Libraries Archives & Special Collections. For more information about visiting the collection see http://hdl.handle.net/2286/L.A.0
Carta, Rubén Darío a Ernesto Bermúdez, 1908 Mayo 26
No full textabstract: Handwritten letter from Rubén Darío to Ernesto Bermúdez, in Manchester, confirming the receipt of the shipment and forthcoming meeting with the Spain's King. Ernesto Bermúdez (1872-1962) was Consul of Nicaragua at Manchester. Rubén Darío was in Madrid when the letter was written.The original Rubén Darío Papers 1882-1945 (MSS-339) are located at ASU Libraries Archives & Special Collections. For more information about visiting the collection see http://hdl.handle.net/2286/L.A.0
Guevara, Ernesto ‘Che’ (1928–1967)
No full textThis essay explores the life and work of Argentine Marxist revolutionary, physician, author, guerrilla leader, military theorist, and diplomat, Ernesto ‘Che’ Guevara (1928–1967).https://digitalcommons.chapman.edu/education_books/1136/thumbnail.jp
On Ernesto Garzón Valdés’s «Representation and Democracy»
No full textEl trabajo es un comentario a «Representación y democracia» de Ernesto Garzón Valdés. La finalidad del mismo es discutir el alcance de su tesis del «coto vedado» y, en particular, dirigirle a Ernesto Garzón Valdés una pregunta sobre la «naturaleza» de la obligación política del ciudadano.This paper is a comment on Ernesto Garzón Valdes’s work «Representación y Democracia». Its purpose is to put the scope of one of his main theses the «off limits area» under discussion and, specifically, to address a question about the «nature» of citizen’s political obligation to the author
Carta, Rubén Darío a Ernesto Bermúdez, Sin Datar
No full textabstract: Handwritten letter from Rubén Darío to Ernesto Bermúdez, in Manchester, responding his last letter and about the forthcoming reception with the Spain's King. Ernesto Bermúdez (1872-1962) was Consul of Nicaragua at Manchester. Rubén Darío was in Madrid when the letter was written.The original Rubén Darío Papers 1882-1945 (MSS-339) are located at ASU Libraries Archives & Special Collections. For more information about visiting the collection see http://hdl.handle.net/2286/L.A.0.The top margin has the hand written word "Particular" ("Private, Personal").According to the top right margin, this letter was written on July 4, but the year wasn't included. Taking into account the recipient and the content (is mentioned a reception with the Spain's King), this piece could have been written approximately on 1908
Alluvial Diagram- Country of Affiliation of Principal Investigator/Author of the 25 Highest Scoring Academic Articles with 'Africa" in the Title, including Journal and Access Type
No full text<p>This is a .png file of an lluvial diagram visualising the Affiliation Country of Principal Investigator/Author, Journal and Access Type of the 25 top scoring academic articles with "Africa" in the title according to an Altmetric Explorer report exported on 19 February 2014.</p>
<p>Columns correspond to 1) Journal Where Article was Published 2) Country of Article PI/Author Affiliation 3) Article access type 4) Altmetric score.</p>
<p>Articles are authored by teams with affiliations in different countries; only the country of affiliation of the first/principal author has been included.</p>
<p>Source data has been deduped and cleaned and non-peer-reviewed outputs (like Nature news items) were removed from original export. Score data is likely to change in future reports.</p>
<p>The Altmetric score is a quantative measure of the quality and quantity of online attention that a scholarly article has received.</p>
<p>Data researched, exported, refined, edited and visualised by Ernesto Priego.</p>
<p>For more information on how the score is calculated go to<br>http://support.altmetric.com/knowledgebase.</p>
<p>This diagram is part of a series.</p>
<p>CC-BY Ernesto Priego @ernestopriego</p
Introduction. Pseudo-Dionysius and Christian Visual Culture, c.500–900
No full textThe name Pseudo-Dionysius the Areopagite is recurrent in discussions of late antique and medieval art and aesthetics of the eastern and western Mediterranean. Believed for a long time to be a disciple of Saint Paul, but in truth engineered to appear as such in the early sixth century, the author of the Corpus Dionysiacum developed a number of themes which have a predominant visual–spatial dimension and thus expressed a strong tendency towards ‘visual thinking’ or thinking through images. Included in these themes are topics such as the metaphysics of light, angelic hierarchies, symbolic theology, liturgical rites and their performing space; but there are also visual and artistic metaphors such as ‘luminous darkness’, ‘divine painter’, ‘divine statues’, as well as geometrical metaphors for the movements of angels, souls, and so on.
This volume does not intend to cover fully or systematically the
wider question of Pseudo-Dionysius’ impact on Christian visual culture. Rather, it invites readers to consider how profound the interaction of the Corpus Dionysiacum has been with many aspects of Byzantine and western cultures, including ecclesiastical and lay power, politics, religion, and the arts in the period of its development, and how long-lasting its impact has been on the visual thinking and figural art-making of Mediterranean Christianity
El escultor Ernesto Cardenal
No full textEl autor ofrece un análisis de la obra escultórica de quien conocemos principalmente como poeta, Ernesto Cardenal, presentándolo como un escultor representativo, que ha desarrollado las temáticas de la religiosidad, y la fauna y flora de América, permitiendo que confluyan en él las culturas primitivas y el arte moderno. Afirma Valle-Castillo que el trabajo de Cardenal ha llevado la escultura a una expresión de lo esencial, a partir de la contemplación, de la conciencia, y de un estudio largo y profundo de los modelos.L’auteur propose une analyse de l’œuvre sculpturale de celui qui fut mieux connu pour sa poésie, Ernesto Cardenal. Il est présenté comme un sculpteur représentatif, qui a développé les thématiques de la religiosité, la faune et la flore d’Amérique, permettant la confluence des cultures primitives et de l’art moderne. Valle-Castillo affirme que le travail de Cardenal a amené la sculpture à exprimer l’essentiel, à partir de la contemplation, de la conscience, et d’une profonde et patiente étude des modèles.The author offers an analysis of the sculptoric work of whom we know mostly as a poet, Ernesto Cardenal, presenting him as a representative sculptor, who has developed the subjects of religiosity, animal and plant’s kingdoms, allowing in his work a confluence between primitive culture and modern art. Valle-Castillo states that the work of Cardenal has driven his sculpture to an expression of what is essential, springing from contemplation, consciousness and a long and profound study of his models
La pulquería como lugar de encuentro: el caso de la Pirata. Antropología. Boletín Oficial del Instituto Nacional de Antropología e Historia: Espacios de la Ciudad de México. Num. 75-76 Nueva Época (2004) julio-diciembre
No full textBrenner, Anita, “Pulquerías, corridos y vacilada en el México de los años 20”, en Coatlicue, núm. 2, México, noviembre de 1980.Guerrero, Raúl, El Pulque, México, Joaquín Mortiz/ INAH, 1985.Licona Valencia, Ernesto, “Notas para la historia de las pulquerías”, en El Financiero, México, 4 de noviembre de 1991.Vergara Figueroa, Abilio (coord.), Imaginarios: horizontes plurales, México, ENAH - ONAH / BUAP, 2001
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