1,721,189 research outputs found
DECLERCQ, CHRISTOPHE Y KERREMANS, KOEN (EDS.). 2024. THE ROUTLEDGE HANDBOOK OF TRANSLATION, INTERPRETING AND CRISIS. ROUTLEDGE, 452 PÁGINAS. ISBN: 9781032075426
Full text linkReseña del libro, Declercq, Christophe y Kerremans, Koen (eds.). 2024. The Routledge handbook of translation, interpreting and crisis. Routledge, 452 pág. ISBN: 978-103207542
Belgium and the Semantic Flux of Flemish, French and Flemings
Full text linkWith the outbreak of war, Britain drastically altered its image of Belgium. Under Leopold II, Belgium had become a colonial power of note, especially in Africa from the 1880s onwards (Bandeira Jeronimo and Costa Pinto 2015; Poddar, Patke and Jensen 2008). However, in Britain the disgraceful and inhumane rule of Belgium over its colonies was exposed in reports by Roger Casement and Edmund Dene Morel. As a consequence relations between Britain and Belgium had become sour in the first years of the twentieth century. Although they improved after the death of Leopold II in 1909, the public image of Belgium still had to undergo a dramatic change in order to move from the oppressor to the oppressed in August 1914. However, the image of Belgium continued to be a difficult one to grasp for the British, not least in newspaper articles on Belgians. This paper covers insight into the at times awkward under- standing by the British of Belgian matters during the war, taking into account also the preceding confused impressions and how these were met by the Belgians in Britain
Expérimentation du pair-programming en spécialité NSI en classe de première pour l’acquisition de compétences en programmation
No full textNational audienceLe pair-programming est une modalité d’enseignement pratique de la programmation où les deux élèves ont des rôles différents : le pilote programme pendant que le co-pilote analyse, commente, teste le travail de son binôme. L’approche par compétences permet de distinguer finement les compétences développées par les élèves et en particulier d’identifier les compétences spécifiques à chaque rôle dans une activité en pair-programming. En classe de première, le programme de la spécialité NSI mêle des notions d’algorithmique et de programmation avec un focus particulier sur les méthodes de programmation incluant spécification, mise au point et tests. Notre travail a consisté à expérimenter une séquence d’activités sur ces notions, pour montrer l’intérêt combiné du pair-programming et de l’approche par compétences
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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