346 research outputs found
Osservazioni sullo schema di decreto legislativo in attuazione della Direttiva (UE) 2019/790 del Parlamento europeo e del Consiglio sul diritto d'autore e sui diritti connessi nel mercato unico digitale - A.G. 295, Audizione in Senato di Wikimedia Italia e Creative Commons Italia
No full textOsservazioni sullo schema di decreto legislativo in attuazione della Direttiva (UE) 2019/790 del Parlamento europeo e del Consiglio sul diritto d’autore e sui diritti connessi nel mercato unico digitale - A.G. 295, Audizione al Senato della Repubblica Italiana di Wikimedia Italia e Creative Commons Italia, 12 ottobre 2021, CC BY-SA 4.0. Presentazione di Iolanda Pensa e Deborah De Angelis; partecipa alla discussione Maurizio Codogno e partecipa alla preparazione dell'audizione Federico Leva
De Angelis difusor de Vico: examen de un paradigma indiciario
No full textEl autor trata de determinar si la recepción de G. Vico en el contexto de la cultura rioplatense decimonónica se debió directamente a De Angelis o Michelet, aparentemente influido a su vez por De Angelis. Si la primera idea es plausible, dada la estancia del mismo italiano en la Argentina, entonces la conclusión parece clara: el verdadero papel de De Angelis en la difusión decimonónica de Vico no es un hecho, sino algo desconocido. Sin embargo, el hecho de que algo no se encuentre mostrado por la evidencia documental no impide su existencia ficcional.The author tries to determinate if the reception of G. Vico in the context of the River Plate Culture of the nineteenth century was due directly to De Angelis, or to Michelet, apparently influenced in turn by De Angelis. If the first idea is plausible, through the stay of the Italian himself in the Argentine, then the conclusion seems clear: the true rôle of De Angelis in the spread of Vico in the nineteenth century is an unknown, and not a fact. However, the fact that something is not shown by documentary evidence does not prevent it being fictionally suppoused
Erratum to: A Regenerative Approach with Dermal Micrografts in the Treatment of Chronic Ulcers (Stem Cell Rev and Rep, 10.1007/s12015-016-9692-2)
No full textThe original version of this article unfortunately contained a mistake. The name of the seventh author was incorrectly listed as Gabriella Maria Casella De Angelis, when it is actually Gabriella Maria Cusella De Angelis. The correct information is as shown above. The original article was corrected
Qantara alladhi kafara, Awwal riwayyah kàmila bi-al-lahja al-misriyya
No full textQantara alladhi kafara is the first novel entirely written in Egyptian dialect. The author, Mustafa Musharrafa, shows how Egyptian patois is suitable to write about all topics. He also uses some narrative tecniques much before her colleagues who write in classical arabic
Comparison of theory and direct numerical simulations of drag reduction by rodlike polymers in turbulent channel flows
No full textNumerical simulations of turbulent channel flows, with or without additives, are limited in the extent of the Reynolds number (Re) and Deborah number (De). The comparison of such simulations to theories of drag reduction, which are usually derived for asymptotically high Re and De, calls for some care. In this paper we present a study of drag reduction by rodlike polymers in a turbulent channel flow using direct numerical simulation and illustrate how these numerical results should be related to the recently developed theory
Milano altomedievale e gli «esperimenti di verità» di Ross Balzaretti
No full textThis paper aims at giving a general overview of Ross Balzaretti’s book The Lands of Saint Am-brose. Monks and Society in Early Medieval Milan and discusses some of its main themes and problems, with particular attention to the methods of criticism of documentary sources adopted by the author
Quasi cursores vitai lampada tradunt: Tra traduzione e riscrittura: Milo De Angelis traduttore di Lucrezio.
No full textThe aim of this paper is to consider the ways and intentions of Milo de Angelis’ translation experience of Lucretius’ De rerum natura. The first part of the article will provide a comparison between the translation of a Lucretian passage, operated by the editorial board of Niebo, quarterly journal of poetry led by De Angelis himself for three years, and a later version of the same passage operated by De Angelis alone. This will highlight the shift between a translation that remains completely faithful to the ancient author and one that operates more freely. In the second part, the paper will consider the progression of De Angelis’ lecture of De rerum natura, by analyzing some passages from the Lucretius’ anthological collection, Sotto la scure silenziosa (SE 2005), and by showing the evolution of translation toward a proper ‘rewriting’.In questo lavoro sono indagate le modalità e le intenzioni dell’esperienza traduttiva di Milo De Angelis intorno al De rerum natura di Lucrezio. Nella prima parte della ricerca si proporrà il confronto tra un brano lucreziano tradotto dalla redazione di Niebo, rivista quadrimestrale di poesia, diretta per tre anni da De Angelis, con una traduzione successiva ad opera del solo De Angelis, mettendo in luce l’evoluzione da una resa complessivamente fedele all’autore antico ad una resa più libera. Nella seconda parte, il lavoro considererà lo sviluppo della lettura deangelisiana del De rerum natura, analizzando alcuni brani tratti dalla raccolta antologica lucreziana Sotto la scure silenziosa (SE 2005) e mostrando l’approdo ad una traduzione che si presenta nella forma di una riscrittura vera e propria
FAQ diritto d'autore, copyright e licenze aperte per la cultura nel web. 2021 - 100 domande e risposte per musei, archivi e biblioteche. A cura del gruppo di lavoro Digital Cultural Heritage ICOM ITALIA - 2021
No full textFAQs AUTHOR’S RIGHTS, COPYRIGHT AND OPEN LICENSES FOR CULTURE ON THE WEB
100 questions and answers for museums, archives and libraries
By Digital Cultural Heritage Research Group - ICOM ITALY. Sara Dominique Orlandi coordinator, Deborah De Angelis, Pierfrancesco Fasano, Cristina Manasse, Anna Maria Marras, Mirco Modolo
FAQ with practical indications for museums, archives and libraries, with the aim of clarifying the opportunities and legal limits related to the reuse and dissemination of digital reproduction of cultural resources on the web, in order to be able to take decisions on topics of a complex world with a better awareness.
We thank colleagues who have helped us with important observations and suggestions during the selection and revision of these FAQs, for their valuable contribution.
Final version Feb, 18 202
Rodolfo De Angelis e le canzoni "italiane" di epoca fascista: incontri e scontri tra lingue, musiche e civiltà
No full textIl contributo presenta una parte della produzione canzonettistica di Rodolfo De Angelis, artista vicino al movimento futurista. In questi brani alcune parole d'ordine dell'ideologia autarchica fascista vengono diffuse in chiave propagandistica ma spesso con una forte carica ironica e satirica che non risparmia nemmeno critiche al regime.This essay presents some songs by Rodolfo De Angelis, an artist close to the Futurist movement. These works show both the autarchic themes of Fascism and the ironic and satirical point of view of the author
Masriyyano di Carmine Cartolano : il successo di un autore italiano nella letteratura egiziana contemporanea
No full textMașriyyānū: yawmiyyāt mușawwir īṭālī by Carmine Cartolano is a collection of anecdotes, in which the author himself is the protagonist. The word mașriyyānū is the result of the union of two words: mișrī
and italiano. The author is an Italian photographer, instructor and translator, who has been living in Egypt for thirteen years. His first book published in Egypt and entirely written in Egyptian dialect has achieved resounding success and a second edition of it has been published in
November of the same year. Cartolano describes “his” Egypt, as if he were taking pictures of the people that surround him, i.e. mostly Egyptians of the lower classes. In this paper I will try to explain the reasons why an Italian author writing in Egyptian dialect achieved such a success within Egyptian contemporary literature, through a omparative analysis with Arabic mother tongue authors writing in Italian
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