1,721,164 research outputs found
Cycle de conférences de David Vogel David Vogel conference cycle
L’institut francilien Recherche Innovation Société (IFRIS) et le laboratoire Techniques Territoires et Sociétés (LATTS), avec le soutien de l’unité SenS de l’INRA, ont le plaisir et l’honneur d’accueillir David Vogel, professeur en éthique des affaires à l’université de Berkeley, Californie. A l’occasion de son séjour à Paris, David Vogel donnera trois conférences en accès libre, destinées à un large public, parmi les membres de l’IFRIS et au-delà
Book review: California greenin': how the Golden State became an environmental leader by David Vogel
California Greenin': How the Golden State Became an Environmental Leader presents a political history of California's environmental leadership. David Vogel carefully details how citizen mobilisation, business support and regulatory capacity have iteratively enabled progressive reforms. This is a fascinating case study in its own right, but it also provides broader insights about progressive policy change – both methodologically and substantively, as Alice Evans explains
The WTO, International Trade and Environmental Protection: European and American Perspectives
GATT; Uruguay round; WTO; trade policy; environmental policy; EFTA; environmental policy
Recension de California Greenin’: How the Golden Gate Became an Environmental Leader, de David Vogel (2018). Politique américaine, vol. 2, n°35, 2020, p. 91-94.
Recension de California Greenin’: How the Golden Gate Became an Environmental Leader, de David Vogel (2018). Politique américaine, vol. 2, n°35, 2020, p. 91-94
Recension de California Greenin’: How the Golden Gate Became an Environmental Leader, de David Vogel (2018). Politique américaine, vol. 2, n°35, 2020, p. 91-94.
Recension de California Greenin’: How the Golden Gate Became an Environmental Leader, de David Vogel (2018). Politique américaine, vol. 2, n°35, 2020, p. 91-94
Les tiers-espaces dans La Vie conjugale de David Vogel
Dans La vie conjugale, roman urbain par excellence de l’écrivain de langue hébraïque David Vogel (1891-1944), les lieux évoqués oscillent dans des entre-deux, des espaces qui relèvent à la fois de l’extérieur et de l’intérieur, des marges et de l’appartenance. Ce sont les « espaces autres » chers à Foucault, le tiers-espace, the Thirdspace, imaginé par E. Soja, dans lesquels les personnages, en l’occurrence de jeunes émigrants juifs de l’Europe orientale, tentent de trouver leur place dans une société normée aux frontières invisibles mais néanmoins réelles. Différents tiers-espaces seront analysés : lieux physiques tels que le célèbre Kaffeehaus viennois, l’hôpital psychiatrique ou l’asile pour les pauvres ; la ville de Vienne, ses rues, ses tramways et sa population, espace à la fois séducteur et repoussant, reflet de la modernité clinquante et quasi-monstrueuse ainsi que de la psyché du personnage ; et enfin sera abordé le tiers-espace que représentent la langue hébraïque et la langue yiddish.In Married Life, the urban novel par excellence of the Hebrew writer David Vogel (1891-1944), the mentioned places sway around in-between places, in spaces that meet the outside and the inside, the margins and the belongings at the same time. These are the “other places” dear to Michel Foucault, as well as the Thirdspace imagined by Edward Soja, in which the characters, here young Jewish emigrants from Eastern Europe, try to find a place of their own in a standardized society that has invisible but yet quite real borders. Different third spaces will be reviewed: at first physical places such as the famous Viennese Kaffeehaus, the psychiatric hospital or the poorhouse. Secondly the city of Vienna as a whole, with its streets, tramways and population, which is in itself a real third place, both seducing and repellent, a reflection of the glitzy and somewhat monstrous modernity as well as of the character’s psyche. Lastly will be analysed the Hebrew and the Yiddish languages standing for the ultimate and concluding third place.In dem Stadtroman Eine Ehe in Wien des hebräischsprachigen Schriftstellers David Vogel entsteht ein Wechselspiel von Orten, die gleichzeitig für Innen wie für Außen, für Abseitigkeit wie für Zugehörigkeit relevant sind und dabei als Zwischenräume fungieren.Es handelt sich hier um die von Michel Foucault theorisierten „anderen Räume“, um den von Edward Soja vorgestellten Dritten Raum („the Thirdspace“), in denen die Figuren – hier junge jüdische Emigranten aus Osteuropa – versuchen, ihren Platz in einer Gesellschaft zu finden, die von unsichtbaren, aber dadurch nicht weniger realen Grenzen durchzogen ist.Dieser Artikel untersucht verschiedene solcher „Dritten Räume“: zum einen physische Räume wie das berühmte Wiener Kaffeehaus, das psychiatrische Krankenhaus oder das Armenhaus; zum anderen die Stadt Wien selbst mit ihren Straßen, Straßenbahnen und Einwohnern, verführend und abstoßend zugleich, und in der sich die protzige und fast ungeheuerliche Modernität sowie auch die Psyche der Hauptfigur widerspiegeln ; schließlich werden die hebräische und die jiddische Sprache als „Dritter Raum“ betrachtet
Wווייכערט מיט : A propos du roman inédit de David Vogel en yiddish
At the beginning of the 1940s, Hebrew writer David Vogel (1891-1944) started to write a Yiddish novel for the first time. As an Austrian citizen living in France, he had been held in a camp for suspicious foreigners. His narrative, inspired by this experience, remained untitled after he was captured and sent to death by the Gestapo at the beginning of 1944. Its original version has never been published.This article gives an overview of critical approaches to this text that have been published up to now. It proposes an analysis based on Merleau-Ponty’s linguistic thought and on the principles of literary genetics. The manuscript, with its deletions and additions, is approached in the light of all the languages in which the author could have written in and that leave their mark on the narrative. The author of this article argues that the poetics of foreign language is more central than the question of Vogel’s linguistic identity. His writing in Yiddish thus poses the problem of the status of this language in a world where things are no longer called what they were
Les paysages comme reflet de la décadence et de l'érotisme dans l'œuvre romanesque de David Vogel
International audienceDans trois œuvres en prose de David Vogel, "Le sanatorium", "La vie conjugale" et " Avec vue sur la mer", loin d’évoquer la question de l’identité ou du nationalisme juif, thèmes dominants dans la littérature hébraïque de l’époque, l'écrivain se concentre sur des motifs universels tels que Eros et la culture européenne . La dualité des personnages féminins, la quête de l’enfance perdue, la métropole tentaculaire irriguent les trois ouvrages. Avec la ville, le paysage maritime et montagnard deviennent de véritables acteurs des nouvelles et du roman
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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