17,856 research outputs found

    Los estudiantes católicos de la universidad de Valencia (1875-1936)

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    Desde 1875 a 1936, una parte de los estudiantes universitarios participó activamente en las concepciones políticas del catolicismo. Este artículo se centra en el caso de los estudiantes de la universidad de Valencia. Estos universitarios desarrollaron una activa participación política, dieron formas estables de asociación en las que reforzaron sus vínculos y relaciones, y se opusieron a las actividades de los estudiantes liberales y de izquierdas. Para ello contaron con notables apoyos exteriores que aspiraban a conquistar las universidades.From 1875 to 1936, some of the university students actively took part in the political conceptions of Catholicism. Focused especially on the students from the University of Valencia, this article shows how they were actively involved in political issues, created steady societies in which their ties and relations grew stronger, and worked against the activities of the liberal and left-wing students. To achieve all this, they relied on outstanding contacts from the outside world, aimed at gaining control of the universities.Publicad

    Canciones de Papel. Silvia Valencia & Cuento Cantao, concierto familiar (Colombia)

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    Silvia Andrea Valencia Viva es promotora de lectura, músico, maestra, gestora cultural y editora. Es además magíster en bibliotecas escolares y promoción de la lectura de la Universidad de Barcelona, licenciada en literatura de la Universidad del Valle y técnico en bellas artes con énfasis en música del Instituto Departamental de Bellas Artes. Es fundadora de los proyectos El Globo restaurante-taller, un espacio para la infancia que reúne un restaurante, librería y teatro; La madriguera del conejo, una editorial de libros infantiles de autores caleños, y Cuento Cantao, un grupo musical para niños y familias con experiencia de más de 20 años en más de 500 escenarios y con un recorrido de más de 2000 presentaciones. Actualmente dirige los proyectos mencionados, escribiendo, componiendo, cantando y gestionando, además de coordinar el Diplomado en enseñanza de la literatura infantil de la Universidad del Valle, y ser docente en dicha institución. Entre sus publicaciones literarias se encuentran: La maleta (2009), Si tuviera un alma la preferiría de violín (2011), Quién me ha robado el mes de abril (2013), Dos veces Silvia (2016), Momentos (2017), Andersen para contar y cantar (2019), Bichazo (2022) y Sonríe (2022). El álbum Canciones de papel (2021) fue ganador de los Estímulos del Ministerio de Cultura a producción discográfica. En Cuento Cantao la acompañan Juan David Pantoja y Samuel Bernate, dos músicos locales de alto nivel, quienes complementan la propuesta didáctica con una gran experiencia y pasión por la música

    Observatorio de bibliometría y cienciometría USTA Métricas de autor FICHA BIBLIOMÉTRICA David Valencia Villamizar

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    Informe de las métricas de autor del Dr. David Valencia Villamizar de las publicaciones indexadas en Google Académico cuyo objetivo es entregar un insumo para el fortalecimiento de las capacidades y potencialidades de los autores de la Universidad Santo Tomás en el posicionamiento y visibilidad de sus publicacionesReport of the author metrics David Valencia Villamizar of the publications indexed in Google Scholar whose objective is to provide an input for the strengthening of the capacities and potentialities of the authors of the Santo Tomás University in the positioning and visibility of their publicationshttp://unidadinvestigacion.usta.edu.c

    David Ortiz and Bibian Cordova at Cordova Ranch

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    Cordova Ranch, Manzano Mountains, Valencia County, New Mexico, ca. 1973. Left to right: David Ortiz and Bibian Cordova

    José David de Valencia : platero [Manuscrito]

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    Datos sobre una Custodia realizada por el platero José David de Valencia, para la Iglesia de San Juan de Málaga

    Título Metodología visual como metodología cualitativa para innovar en la investigación jurídica en la maestría de Derecho Penal de la U.S.T.A.

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    En el presente programa, dos profesores de la maestría en derecho penal de la Universidad Santo Tomás, Julio César Montañez Ruiz y David Valencia Villamizar, conversamos sobre nuevas metodologías de investigación para innovar en la maestría en Derecho Penal de la Universidad Santo Tomás. Ahondamos en el abordaje de la Política Criminal que nos abre la posibilidad de hacer referencia a la criminología cultural y dentro de esta a la criminología visual, en relación con el análisis del discurso de la cinematografía, lo que nos permitió comentar un libro publicado con la editorial de la Universidad Santo Tomás de autoría de varios profesores de la universidad Santo Tomás, denominado: del derecho al cine. También pudimos reflexionar sobre la prospectiva del análisis del discurso en la música, develando un campo aún no muy trasegado en las investigaciones socio-jurídicas, pero que ya empieza a verse su pertinencia como objeto de análisis al ser un importante referente cultural.In this program, two professors of the Master's Degree in Criminal Law at the Santo Tomás University, Julio César Montañez Ruiz and David Valencia Villamizar, discussed new research methodologies to innovate in the Master's Degree in Criminal Law at the Santo Tomás University. We delve into the approach to Criminal Policy that opens up the possibility of making reference to cultural criminology and within this to visual criminology, in relation to the analysis of the discourse of cinematography, which allowed us to comment on a book published with the Editorial of the Santo Tomás University of authorship of several professors of the Santo Tomás University, denominated: of the right to the cinema. We were also able to reflect on the prospects of discourse analysis in music, revealing a field not yet widely tracked in socio-legal research, but its relevance as an object of analysis is already beginning to be seen as it is an important cultural reference

    Valencia in Spanien

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    [drawn by David Roberts ]Ansicht der Torres de Serranos, eines der erhaltenen Tore der Stadtbefestigung von Valencia - rechts oben Plattennr. CCLIX - nach: Landscape Annual 2: Tourist in Spain, 183

    Normativity, moral realism, and unmasking explanations

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    Moral Projectivism must be able to specify under what conditions a certain inner response counts as a moral response. I argue, however, that moral projectivists cannot coherently do so because they must assume that there are moral properties in the world in order to fix the content of our moral judgements. To show this, I develop a number of arguments against moral dispositionalism, which is, nowadays, the most promising version of moral projectivism. In this context, I call into question both David Lewis' dispositionalist account of colour and Chistine Korsgaard's procedural realism

    La Academia valenciana de Bellas Artes : el movimiento academista europeo y su proyección en Valencia

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    Monografia sobre l'Acadèmia de Belles d'arts de València presentada com a tesis doctoral pel seu autor.Monografía sobre la Academia de Bellas Artes de Valencia presentada como tesis doctoral por su autor.Monography on the Fine Arts Academy of Valencia presented as the doctoral thesis of the author

    The myth of minority : cultural change in Valencia in the thirteenth century at the time of the conquests of James I of Aragon

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    The history of the Iberian Peninsula is intricate and complex. Like most regions of Western Europe in the Middle Ages, it suffered invasion, occupation, political change and an almost constant re–alignment of social alliances. Yet the thirteenth century saw one of the most massive shifts in the balance of power recorded in western history. In the space of fifty years, Islamic rule within the peninsula was ended for good, with the last vestiges of Muslim territory erased from the southern peninsula by the fifteenth century. Christian ascendancy heralded the arrival of a mixed policy of tolerance, as questions began to be asked about the nature of living together with other cultures and religions and whether this new rule – this new Christian rule – needed to tolerate the existence of others in its midst. The most dramatic shift in policy occurred in the middle of the thirteenth century, as the campaigns of the two great northern kingdoms of Leon–Castile and Aragon–Catalonia moved southwards. The most dramatic outcome – due to the size of the Muslim population – was the relatively swift conquest of, in the case of Ferdinand III, the main towns of Andalucia and, in the case of James I, king of Aragon, the region of Valencia by 1245. Yet it is important when examining the campaigns of these great warrior kings not to be overwhelmed by the idea of the religious ethos for the conquest. Some historians have chosen to interpret the thirteenth–century conquests as the Christian reaction for the centuries of subjugation under Muslim rule. The reasoning behind the conquests was far more complex than that of a mere idealistic crusade. In the case of thirteenth–century Christian expansion, desire for territory, sovereignty, inheritance, taxation and inter-territorial rivalry had just as much of a part to play as a desire to overcome the Muslim ‘infidel.’ It is the conquest of Valencia which will form the major focal point of this paper, examining the historical precedent for conquest, the nature of Muslim rule, the ulterior motives of the Christians, the position of Muslims and Jews in existing Christian society (as well as under the conquerors) and the role of James I in both consolidating and changing that culture. The programme of this thesis is divided into two main parts. In the first part, the paper will explore the impact of historical events up to the birth of James; how these events both shaped him as a king and as a warrior; and how domestic concerns may have provided a greater incentive than religious missionaries spreading Crusading fever amongst Western kingdoms. It will review the impact of those close to the king; on the nature of his conquest; on his ideology; and how his attitude towards his conquered subjects was shaped. External political and geographical pressures impacted both upon the king’s campaigning and, ultimately, how complete the conquest was. In the second part, the thesis will focus on the communities themselves and the changes that occurred as the conquests progressed further and further southwards. It will contrast the circumstances and fortunes of those conquered with the lives of minority cultures who were already subjects in the Christian realms. It will examine the idea of hierarchy within minority culture and the social mores that had an even more direct impact upon community life than the military campaigning. Most important of all, it will question the idea of convivencia and the concept of tolerance and ‘living together.
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