864 research outputs found
García Lorca at the Edge of Surrealism The Aesthetics of Anguish
No full textGarcía Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico García Lorca.Intro -- Title Page -- Illustrations -- Acknowledgments -- Permissions -- Abbreviations -- Note on Translations -- Introduction: Foundations for a Dissident Surrealism -- Spanish Surrealism's Absent Father: Sub-Realism from Juan Larrea to Federico García Lorca -- Burning in the Void: An Aesthetics of Informe in Lorca's New York -- Truth, Mutation, and the Closure of Representation: Sovereign Identity in Lorca's Retablillo and El público -- Rotten Roses and Other Botanical Bereavements: Vanguardist Floral (Dis)arrangements and Lorca's Doña Rosita -- Lorca and Bataille beyond Surrealism: Sonetos del amor oscuro andthe Erotic Imperative -- Conclusion: An Ethics of Informe -- Bibliography -- Index -- About the AuthorGarcía Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico García Lorca.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
La luna antes de Lorca: herencia y diacronía del símbolo selénico en la tradición poética
No full textEven though the moon has always been a common space in literary history, there has been no author to describe it as Federico García Lorca. In his moon rest ambitious semantics, which can be explained as a result of an instinctive assimilation of precedent poetry. Each segment that converges on the symbol was configured in conversation with a moon that has been building itself for centuries in the literary world. Especially after the overcoming of the classical way of thinking. Therefore, through the treatment of authors from different geographies and Movements, the strange moon of Lorca can find a solid meaning.Si bien la luna fue siempre un espacio común en la historia literaria, no hubo autor que la tratase con la misma insistencia que Federico García Lorca. En el interior de la suya quedó una semántica ambiciosa y de compleja categorización, que puede ser explicada como el resultado de una asimilación instintiva de la lírica precedente: cada segmento que confluye en el símbolo se configuró en diálogo con la luna que durante siglos fue edificando la literatura; especialmente tras la superación de los moldes del pensamiento clásico. A través del tratamiento de autores que aportaron una significación relevante, en distintas corrientes y puntos geográficos, la luna de extraña codificación que trascendió en Lorca encuentra un sentido firme
Rezensionen einiger Veröffentlichungen zu García Lorca
No full text- David Loughran: Federico García Lorca. The Poetry of limits, London 1978
- Norman Miller: García Lorcas Poema del Cante jondo, London 1978
- Derek Harris: Federico García Lorca, Poeta en Nueva York, London 1978
- R. Martínez Nadal, Marie Laffranque (Hg.): Federico García Lorca. El público y Comedia sin título, Barcelona 197
Objetivo: García Lorca. Nuevas inquisiciones cinematográficas y televisivas sobre la vida, obra y muerte del poeta
No full textThis essay, “Objetivo: García Lorca. Nuevas inquisiciones cinematográficas y televisivas sobre la vida, obra y muerte del poeta”, explores several representations of Federico García Lorca in Spanish film and TV productions of recent decades. The focus on the figure of the author rather than on the adaptations of his plays favors the analysis of the representation of two, closely intertwined processes: that of literary creation-how the creative process is portrayed, and how the artist’s life is seen to intertwine with his work-and that of the cultural construction of the artist, in retrospect, as a historic figure and a cultural icon. This seems a particularly appropriate perspective in the case of García Lorca, whose fame and cultural significance owe as much to the circumstances of his life and death as they do to his plays and poems, and who in recent decades has been vindicated, reinvented, and re-introduced as an emblematic presence and a foundational myth of a contemporary, autonomous Andalucía and a democratic Spain. The article traces all those processes through recent documentaries such as Emilio Ruiz Barrachina’s Lorca, el mar deja de moverse, Magali Negroni’s F.G.L. (1898-1936): Federico cumple 100 años and Basilio Martín Patino’s “mockumentary” El jardín de los poetas.Este ensayo explora algunas representaciones de la figura de Federico García Lorca en la televisión y el cine españoles de las últimas décadas. El énfasis en la representación de la figura de García Lorca más que en las adaptaciones de sus obras dramáticas favorece el análisis de dos cuestiones íntimamente conectadas entre sí: en primer lugar, la representación mediático-audiovisual del proceso de creación literaria y de la interacción de autor y texto –es decir, cómo se construye la figura del escritor como ente creador, cómo se entiende dicho proceso de creación, y muy especialmente cómo se presenta la relación e influencia mutuas entre la vida y la obra del artista– y en segundo lugar, la construcción, realizada desde la distancia temporal y desde un contexto muy diverso al de su propia vida, de la figura del artista como personaje histórico y mito cultural. Este enfoque parece especialmente apropiado al tratarse de un autor que, por su vida y su muerte tanto o más que por su obra, ha pasado de ser un proscrito bajo el primer franquismo a convertirse en una figura emblemática de la Andalucía autonómica y de la España democrática. El ensayo traza este proceso de recuperación, reinvención, reivindicación y debate sobre García Lorca a través de documentales como Lorca, el mar deja de moverse de Emilio Ruiz Barrachina, F.G.L. (1898-1936): Federico cumple 100 años de Magali Negroni y del “documental de ficción” El jardín de los poetas de Basilio Martín Patino
El grande ijo de David Cristo Señor Nuestro : istoria evangelica, moral, politica y predicable...
No full textMarca de editor en portSign. : Ú¡8, A-Z¡8, 2A-2C¡8, 2D¡4, 2E¡2Texto a dos colPort. con orla tipEsc. xil. arzobispal en Ú¬2Ilustraciones xil. intercalados en el text
Federico García Lorca: Blood Wedding
No full textThe thesis it´s about theatre play Blood Wedding written by spanish author F. G. Lorca. In first theoretical part I briefly concentrate on author, his life and his life´s work. Than I analyze drama Blood Wedding with focus of symbols and metaphors, which are dominated in the play of Lorca. At the end of theoretical part I choose three performances of Blood Wedding from three different directors. I describe them and complete them with fotos from performances. In a practical part of my thesis I analyze all dramatical characters and give description and explication of their costumes, which I use
el espectro de garcia lorca en la obra de dali
No full textAuthor, Carlos Rojas, discusses works that Dali made, with Federico Garcia Lorca as the subject. He has previously written about both Lorca and Dali, and the event he was speaking at was in honor of his book, ""The ingenious gentleman and poet federico garcia lorca ascends to hell"" being translated to English
Lisbon 'Fado': the European Union under reform.
No full textTo address the uncertainties surrounding the
Treaty of Lisbon, this book examines several issues
from various angles. Regardless of the results
of the second referendum in Ireland and the
pending ratifications in Poland, the Czech
Republic and Germany, the European Union (EU)
will not be the same after the Lisbon Treaty.
If it comes into effect, Europeans will enter into
a new stage in the deepening of the integration
process; if it is rejected, the first decade
of the 21st Century will represent a period of
institutional stagnation in Europe’s integration.
Nonetheless, the chapters in this book share the
consensus that, despite its limitations,
the Lisbon Treaty will make the EU decision
making process more efficient, enhance regional
democracy and strengthenits international voice
RECEPCIÓN DE LA OBRA DE FEDERICO GARCÍA LORCA EN HUNGRÍA
No full textThis article provides a comprehensive overview of the reception of the work of Federico García Lorca in Hungary since the 1940’s until today. The 22 editions of the works of this author from Granada, published between 1947-2006, and the numerous theatrical releases since 1955 until today, prove that García Lorca is still a current and genuine author for the Hungarian public. In this analysis we discuss the most important phases of the diffusion of Lorca’s work, as well as the arrival of the news of this death, the first translations (paying particular attention to the work of the translator László Nagy), the representations of the works of García Lorca on the Hungarian stage and, finally, the Hungarian investigations about the life and work of this famous poet and playwright. Despite the popularity of García Lorca in Hungary, the shortcomings of the relevant research and publications are clearly visible as well, therefore this essay will also make references to these gaps.El presente artículo ofrece un panorama abarcador sobre la recepción de la obra de Federico García Lorca en Hungría desde los años 40 hasta nuestros días. Las 22 ediciones de las obras del autor granadino entre 1947- 2006 y los numerosos estrenos teatrales desde 1955 hasta nuestros días atestiguan que García Lorca es un autor actual y vigente ante el público húngaro. En el análisis repasamos las fases más importantes del proceso de la difusión de la obra lorquiana, como la llegada de la noticia sobre la muerte del poeta, las primeras traducciones –con especial atención a la obra traductora de László Nagy–, las representaciones de obras de García Lorca en las tablas húngaras y, por último, las investigaciones húngaras a cerca de la vida y obra del famoso poeta-dramaturgo. A pesar de la popularidad de García Lorca en Hungría, son bien visibles también las deficiencias de las investigaciones y publicaciones, así, el presente ensayo tampoco puede pasar por alto la mención de estas lagunas
The Tragic Myth: Lorca and Cante Jondo
No full textWith literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca\u27s life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would remember with affection years later. At a very early age he began to study piano, and during his adolescence, music and poetry competed for primacy among his interests. His first book was dedicated to his music teacher, who instilled in him a love for the world of art and creation.
In part I of this study, Edward F. Stanton examines Lorca\u27s theoretical and practical approach to cante jondo, the traditional music of Andalusia, as seen in his lectures on the subject and in the 1922 concurso. In part II, he searches for direct and—far more important—indirect echoes of this music in his work. Part III explores the mythic quality of Lorca\u27s art in relation to cante jondo. Throughout, Stanton illuminates a new dimension of the poet\u27s work.
The author\u27s enthusiasm for his subject and the clear-cut relationship he underscores between cante jondo and Lorca\u27s verse encourage the reader to return to the Poema del cante jondo and the Romancero gitano with an increased understanding of their roots. —Journal of Spanish Studieshttps://uknowledge.uky.edu/upk_spanish_literature/1029/thumbnail.jp
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