1,721,562 research outputs found
The origins and signifiance of the free school movement in Morocco, 1919-1931
Damis J. The origins and signifiance of the free school movement in Morocco, 1919-1931. In: Revue de l'Occident musulman et de la Méditerranée, n°19, 1975. pp. 75-99
Tartuffe - scene from play - Dorine and Damis
Patricia Parsonsese as Dorine and Phillip Nicholson as Damis in UNM University Theatre's production of Moliere's Tartuffe. The setting is the lavishly Louis XIV-era sitting room of the house of Monsieur Orgon, a rich merchant
Das Menzel-Dach an der Humboldt-Universität zu Berlin 1998-2015
Ein Film von Johanna Aust & Anne Erika Schmidt
für, mit und über Ruth Tesmar / Humboldt-Universität zu Berlin;
Tonaufnahme, Musik & Sprecher Jan Siebert;
Extramaterial Hanna Seibel;
Vielen Dank an Simone Damis und Anne MakarovA movie by Johanna Aust & Anne Erika Schmidt
for, with and about Ruth Tesmar / Humboldt University Berlin;
Sound recording, music & speaker Jan Siebert;
Extra material Hanna Seibel;
Many thanks to Simone Damis and Anne Makaro
Tartuffe - scene from play - Damis, Orgon, and Tartuffe
Phillip Nicholson as Damis, D. Masters as Orgon, and D.G. Buckles as Tartuffe in UNM University Theatre's production of Moliere's Tartuffe. The setting is the lavishly Louis XIV-era sitting room of the house of Monsieur Orgon, a rich merchant
Moral y ontología en el sistema filosógico de José Ingenieros
Lejos está del propósito de este trabajo ser un panegírico del filosofo argentino Ingenieros. Su pretensión se limita, a través de la guía de sus textos, a una lectura, lo mas fiel posible de su pensamiento. Nuestra intención es dibujar el "trazo grueso", hasta el momento apenas bocetado. Esto es, mostrar y demostrar, como tarea primera e inevitable, la unidad de su pensamiento, el despliegue de los supuestos antológicos, y la moral como eje y "clave de bóveda" de su sistema.Fil. Damis, José Luis. Universidad de Buenos Aires. Facultad de Filosofía y Letras
Moral y ontología en el sistema filosógico de José Ingenieros
Lejos está del propósito de este trabajo ser un panegírico del filosofo argentino Ingenieros. Su pretensión se limita, a través de la guía de sus textos, a una lectura, lo mas fiel posible de su pensamiento. Nuestra intención es dibujar el "trazo grueso", hasta el momento apenas bocetado. Esto es, mostrar y demostrar, como tarea primera e inevitable, la unidad de su pensamiento, el despliegue de los supuestos antológicos, y la moral como eje y "clave de bóveda" de su sistema.Fil. Damis, José Luis. Universidad de Buenos Aires. Facultad de Filosofía y Letras
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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