92 research outputs found

    Domenica Bruni, Storia naturale dell'amore, Carocci, Roma 2010, pp. 144

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    The text offers a Critical Review of "Storia naturale dell'amore" by Domenica Bruni. The author critically reflects on the book by considering its methodologies, its arguments, and its relation with other books of the same type and on the same subject.Il testo propone una Lettura Critica del libro "Storia naturale dell'amore" di Domenica Bruni. L'autrice riflette criticamente sul libro considerandone le metodologie, gli argomenti e il nesso con altri libri dello stesso tipo e sullo stesso argomento

    Alternanza scuola lavoro. Un dispositivo da applicare o una strategia formativa?

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    The following paper deals with the work-related learning introduced in Italian secondary schools by Law 107/15, in order to understand if it could been considered after the first year of application as a valid educational strategy for the full development of each pupil, or as a mere device to apply. The author emphasizes how it should represent an important challenge for the innovation of the Italian school system and the promotion of the educational value of work

    La ricerca incontra la didattica. Un’idea che viene da lontano

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    This article aims to provide a general overview on the work done by CQIA (Academy for Teaching and Learning Quality) of the University of Bergamo which from 2012 to 2015 has organized courses for the initial teachers traineeship (TFA). Starting from the pedagogical, cultural and institutional reasons that motivated the creation of this academic body, the author shows how CQIA over the years has marked both for its research activities carried out and for teachers’ training courses made in Lombardy, including those dedicated to the pre-service teachers’ training

    L’humour fellaguien comme lieu d’inventivité lexicale francophone

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    In this contribution, we analyse the lexical inventiveness of Mohamed Saïd Fellag, a Kabyle-speaking Algerian comedian and humorist, with the aim of reporting on the morpho-lexical creation processes involved and characterising the contexts in which these new lexies appear. In a logic of testimony and experiential narrative, both individual and collective, he forges a theatre-constat in which neology with a humorous and playful aim occupies a cathartic place. We will first present the author, the corpus compiled ad hoc and the theoretical and methodological framework adopted for its treatment. We will then attempt to explain the reasons that motivate, in our opinion, the flowering of Fellagian neologisms, paying particular attention to the morpho-lexical production processes and their functions in the discourse

    Ponovno odkrita glasba za Tarquinio Molza: Cantate o nove alme/Mater misericordiae Domenica Michelija/Geronima Cavagglierija

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    Through the recent identification of the model for a contrafactum, a composition by Domenico Micheli dedicated to Tarquinia Molza has been discovered. This has turned out to be of earlier date than those dedicated to her by other composers. The incompletely preserved madrigal can be partially reconstructed with the aid of the parts belonging to the contrafactum and opens up new research perspectives on Molza and Micheli as well as on the process of retextualization carried out by Geronimo Cavaglieri, author of the new text.Nedavno odkritje modela za kontrafakturo je omogočilo identifikacijo avtorja skladbe, posvečene Tarquinii Molza. Skladba Domenica Michielija je zgodnejša kot druga dela, ki so ji jih posvetili drugi skladatelji. Nepopolno ohranjeni madrigal je mogoče delno rekonstruirati s pomočjo ustreznih glasov ohranjene kontrafakture, s čimer se odpirajo nove možnosti raziskav o Molzi in Micheliju, kot tudi procesu ustvarjanja novega besedila, ki ga je napisal Geronimo Cavaglieri

    A tradução como experiência e reflexão no Epistolario e no Zibaldone di Pensieri de Giacomo Leopardi

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    Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2012Esta dissertação analisa as reflexões sobre tradução de Giacomo Leopardi (1798-1837) presentes no Epistolario (1807-1837) e no Zibaldone di Pensieri (1817-1832), no período de 1817 a 1832 por meio de um estudo comparativo. O primeiro capítulo traz uma breve contextualização do cenário histórico-literário do século XIX, que evidencia os acontecimentos que geraram o intenso debate entre Classicistas e Românticos, e contempla o percurso do autor de Recanati nessa discussão. O segundo capítulo aborda o Epistolario e o Zibaldone, à luz dos gêneros literários, e evidencia a importância deles no conjunto da obra do autor de Recanati. O terceiro capítulo apresenta uma análise dos principais aspectos sobre tradução discutidos pelo autor italiano, dos quais destacam-se: a tradução como exercício para se tornar um importante escritor; a importância da retradução dos Clássicos; a questão da (in)intraduzibilidade; a fidelidade ao original e a questão da língua no que diz respeito ao estilo, ao caráter e à adaptabilidade na tradução.Abstract : This dissertation analyzes the reflections on translation by Giacomo Leopardi (1798-1837) found in Epistolario (1807-1837) and Zibaldone di Pensieri (1817-1832), within the period from 1817 to 1832 through a comparative study. The first chapter presents a brief contextualization of the 19th century historical and literary scenery, that highlight the events which generated the intense debate between Classicists and Romantics, and it thinks over the path of Recanati#s author in this discussion. The second chapter approaches Epistolario and Zibaldone, under the light of literary genres, and highlight their importance within the entire work of Recanati#s author. The third chapter presents an analysis of the main aspects on translation discussed by the Italian author, which include: the translation as an exercise to become a good writer, the importance of retranslation of the Classics, the issue of (in)translatability; fidelity and the question of the original language with regard to style, the character and adaptability in translation

    Stampatori del sacro a Napoli tra Ottocento e Novecento. Aspetti visivi della comunicazione

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    This article presents the activity of typographers, lithographers and chalcographers who created sacred images on paper in the nineteenth century and in the first half of the twentieth century in Naples. Public and private collections of sacred prints and pictures on paper are analyzed here, along with the indications reported by the Naples trade guides during the period examined. In this way, families of «sacred printers» succeeded in time have been identified. The author focuses on other aspects, such as serial visual communication or related to the skills of the various families of Neapolitan printers. Particular attention is also paid to the figurative details placed in relation to local times and specificities that have contributed to make the visual communication and the diffusion of such images rich in the central and southern part of Italy.</p

    I graffiti preistorici paleolitici della “Zà Minica” in territorio di Torretta (Palermo)

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    L’autore riassume i risultati alla Zà Minica (zia Domenica) in territorio di Torretta, provincia di Palermo; dà una lista della fauna pleistocenica proveniente da uno scavo, poi si sofferma sulla scoperta di una figura di Bos primigenius graffita nella grotta. Descrive la vicina nicchia omonima, ricorda l’incisione di un cervo trafitto da zagaglie, le incisioni lineari e due soggetti dipinti già noti, si sofferma a descrivere un nuovo gruppo d’incisioni lineari. Auspica di trasmettere entusiasmo per altre ricerche e di aver notizia di nuove scoperte.The author sums up the results of research carried out at the cave of Zà Minica (aunt Domenica) in the territory of Torretta; Province of Palermo. An account of the remains of Pleistocene fauna recovered during excavation at the site is given, it is followed by a description of the engraved image of an aurochs Bos primigenius discovered on the walls of the cave. The author goes on to describe the nearby homonymous rockshelter with its rock art portraying a speared red deer, linear engravings and two figures, which had been published previously. A group of unpublished linear engravings is presented in detail. He hopes that this paper will encourage new research and discoveries
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