6,535 research outputs found
Martinez Luis, La Guerre civile en Algérie.
No full textLepoutre David. Martinez Luis, La Guerre civile en Algérie.. In: Revue française de sociologie, 2000, 41-2. pp. 398-399
The State in North Africa After the Arab Uprisings. An Interview with Luis Martinez
No full textEnglish translation not available onlineContribution au site web du CERI, Centre de recherches internationalesLuis Martinez is the author of The State in North Africa. After the Arab Uprising, published by Hurst and Oxford University Press on 30 January 2020. Martinez answers our questions about the situation in the several countries that form North Africa, following the popular protests that started in December 2010 in Tunisia
Estética da imperfeição: o ceticismo humeano e a prosa de Jorge Luis Borges
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.O presente trabalho pretende dar conta da relação entre o escritor argentino Jorge Luis Borges e o filósofo escocês David Hume, no que diz respeito ao papel do pensamento deste na produçã
José Luis y Alejandro Martinez Vesga, tiplistas (Colombia)
No full textConcierto de tiple interpretado por los hermanos José Luis y Alejando Martínez Vesga, en el que se interpretaron obras de Oriol Rangel, Pedro Morales Pino, Emilio Murillo, Oriel Mantilla, Luis A. Calvo, Guillermo Quevedo, Francisco Cristancho, José Luis Martínez, Roberto Castellanos, Mario Martínez J. y Octavio Daza
Objectualism of Juan Luis Martinez: the palpable significant
No full textIn the context of the neo-avant-garde literary, this paper explores parts of two works of Juan Luis Martinez, La Nueva Novela and La Poesia Chilena, where the author incorporates objects in the textual fabric, giving birth to a new technique, the objectualism. This technique, together with the pictograph and collage became characteristics of this movement in chilean literary. The objectualism represents a new way of understanding the text, in whose body the words has been displaced by a corporeal sign with tangible significant. The object in the textual fabric enhances the expressive and interpretive possibilities of the literary signs, which results in what today we know as object-work.Este trabajo explora una parte de las obras de Juan Luis Martínez, La Nueva Novela y La
Poesía Chilena, referida a la inclusión de objetos en el entramado textual y que da nacimiento,
dentro de la neovanguardia literaria chilena, a una nueva técnica, el objetualismo, que junto
con la pictografía y el collage van a ser características de este movimiento. Este objetualismo
responde a un nuevo modo de entender el texto como un entramado en el que la exclusividad
de la palabra ha sido desplazada por un signo corpóreo de significante palpable, el objeto, que
aumenta las posibilidades expresivas e interpretativas del signo literario y da lugar a lo que
conocemos como obra-objeto.9883160,1120,027Q2Q4AHCISSC
Methodology in the Ontology of Artworks: Exploring Hermeneutic Fictionalism
No full textThere is growing debate about what is the correct methodology for research in the ontology of artworks. In the first part of this essay, I introduce my view: I argue that semantic descriptivism is a semantic approach that has an impact on meta-ontological views and can be linked with a hermeneutic fictionalist proposal on the meta-ontology of artworks such as works of music. In the second part, I offer a synthetic presentation of the four main positive meta-ontological views that have been defended in philosophical literature about artworks and of some criticisms that can be lodged against them: Amie Thomasson’s global descriptivism, Andrew Kania’s local descriptivism, Julian Dodd’s folk-theoretic modesty, and David Davies’ rational accountability view. In the conclusion, I show the advantages of my view
Classics Car Club: Photograph of Classics club members (front row, l-r) Johnny Flames, Joe Bane, Juan Diaz, Chacho Amezqua, Josue Aguilar, David Aguilar, Leo Nava, Esteban Hernandez (standing, l-r) Sal Gallegos, Miguel Hernandez, Tony Trevino, Ruben Bernal, Joe Castro, Teddy Morales, Clevie Nixon, David Bunelos, Fernando Hernandez, Tony Bernal, Alfred Renteria, Marcos Diaz, Victor Montoya, Jorge Montoya, Alex Ramirez, Joe Munoz, Luis Martinez, Tony Chanpido, Ernie Carrillo
No full textPhotograph of Classics club members (front row, l-r) Johnny Flames, Joe Bane, Juan Diaz, Chacho Amezqua, Josue Aguilar, David Aguilar, Leo Nava, Esteban Hernandez (standing, l-r) Sal Gallegos, Miguel Hernandez, Tony Trevino, Ruben Bernal, Joe Castro, Teddy Morales, Clevie Nixon, David Bunelos, Fernando Hernandez, Tony Bernal, Alfred Renteria, Marcos Diaz, Victor Montoya, Jorge Montoya, Alex Ramirez, Joe Munoz, Luis Martinez, Tony Chanpido, Ernie Carrillohttps://digital.sandiego.edu/lowriders-classics/1016/thumbnail.jp
História de la eternidad : retórica nos ensaios de Jorge Luis Borges
No full textDissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2019.Essa dissertação propõe uma leitura dos 11 textos de Historia de la Eternidad, livro de ensaios de Jorge Luis Borges, sob a perspectiva da retórica e suas figuras de linguagem na construção de argumentos, ao mesmo tempo em que traz um resumo da história da retórica grega e romana, passando por Aristóteles, Górgias, Isócrates, Catão, Cícero, até chegar aos expoentes mais modernos, como Chaïm Perelman, Lucie Olbrechts-Tyteca e Olivier Reboul.
Propõe também relacionar os ensaios borgianos ao gênero epidíctico, substituindo a figura do orador-auditório pela do autor-leitor, aproximando o discurso retórico da realidade do leitor.This dissertation proposes an interpretation of 11 texts of Jorge Luis Borges essay book Historia de la Eternidad under the perspective of Rhetoric and its figures of speech on the construction of arguments. It also brings an overview of the Greek and Roman Rhetoric history, analyzing Aristotle, Gorgias, Isocrates, Cato, Cicero, all the way to modern exponents, such as Chaïm Perelman, Lucie Olbrechts-Tyteca and Oliver Reboul. It also proposes relating the Borgian essays to the Epideictic genre, replacing the figure of the speaker-audience by the author-reader, bringing the rhetoric discourse closer to the reality of the reader
Bibliotecarios en el jardín , frente al edificio de la biblioteca y del Centro de Información "Luis Fimbres Moreno."
No full textPersonal administrativo de la Biblioteca, bajo la direccion como Director, Rubén Martinez-RochaPersonal Bibliotecario del Centro de Información "Luis Fimbres Moreno." del CETYS Universidad, Campus Tijuana,De izquierda a derecha, de arriba hacia abajo: Jonathan Jiménez Salazar, Fulvia Reyes Ottonelli, María Irma Alvarez Clerici, Montserrat Espíndola Hernández, Ricardo Sandoval De la Torre, David Estrada Lázaro,
Miguel Ángel López Guerrero, Rubén Federico Martinez Rocha, Salvador López Lea
El Tlacuache Núm. 198 (2006) Primera parte. 198 Año 7 (2006) febrero. El Tlacuache
No full textImágenes de vida: Gregorio Sosenski por Ricardo Melgar. - Gregorio Sosenski: compromiso por Paul Hersch-Martínez. - Adiós a una sonrisa amable por Elizabeth Palacios. - Gregorio Sosenski, Buenos Aires, Argentina, 1938 Cuernavaca, Morelos, 2006. por José Martinez Cruz, Juliana G. Quintanilla. - A Gregorio Sosenskyuna breve nota de un privilegio Luis Miguel Morayta Mendoza. - El Yauhtli por Margarita Avilés y Macrina Fuentes
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