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    Perancangan Tekstil Burung Hong dan Bunga Meihua pada Cheongsam Modern dengan Teknik Sublim Printing

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    Indonesia and China have been closely related since ancient times. The purpose of this design was the development of two-cultural acculturation motifs that were applied in a fashion design work that gave rise to a new, unique and meaningful blend of motifs, as well as education to the public about cultural acculturation.This method of design uses an approach in the creation of artwork according to Bram Palgunadi (2008). The approach has three main processes: exploration, extraction and termination.The result of this design was an exploration of motifs that resulted in a new motif combining the Hong Bird and the Meihua Flower. Visualization of this motif is applied in fashion products, namely Cheongsam / traditional women's clothing in modern China. The technique used to realize this product is batik printing. The colors used are those commonly used in Chinese culture in fashion products such as red, green, and blue, where each color has its own meaning and philosophy.Indonesia dan China sangat erat kaitannya sejak jaman dahulu kala. Tujuan perancangan ini adalah pengembangan motif akulturasi dua budaya yang diterapkan dalam sebuah karya perancangan busana sehingga melahirkan suatu pembaharuan perpaduan motif yang indah, unik, dan bermakna, sekaligus edukasi kepada masyarakat tentang akulturasi budaya. Metode perancangan ini menggunakan pendekatan dalam penciptaan karya seni menurut Bram Palgunadi (2008). Pendekatan tersebut memiliki 3 proses utama yaitu proses eksplorasi, proses ekstrasi dan titik terminasi. Hasil dari perancangan ini adalah eksplorasi motif yang menghasilkan motif baru perpaduan dari Burung Hong dan Bunga Meihua. Visualisasi motif ini di terapkan dalam produk busana yaitu Cheongsam / pakaian tradisional wanita di China modern. Teknik yang digunakan untuk mewujudkan produk ini yaitu batik printing. Warna yang digunakan adalah warna-warna yang biasa digunakan dalam budaya Tiongkok dalam produk busana seperti merah, hijau, dan biru yang dimana tiap warnanya memiliki makna dan filosofi masing-masing

    PERANCANGAN BATIK KONTEMPORER MOTIF PAGI SORE UNTUK BUSANA READY TO WEAR DENGAN SUMBER IDE “BOHEMIAN”

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    ABSTRAKSumber ide bohemian” dari trend yang berkembang di tahun 1960-an memiliki ciri khas dengan motif bunga-bunga, romaniac etnik maupun motif geometris. sumber ide “bohemian” sangat menarik ketika Batik Kontemporer di aplikasikan ke dalam motif pagi sore untuk busana busana Ready to Wear.  Batik kontemporer pada motif Pagi Sore dapat  membuat masyarakat beradaptasi dalam pemakaian busana motif batik dengan motif-motif yang bervariasi dan inovasi mengikuti trend sehingga mendongkrak batik supaya tidak kehilang unsur budaya nya. Tahap perancangan melalui tahap Observasi, Wawancara dan Pengisian Kuesioner, studi visual yang mengacu pada metode dari teori Colin Clipson (1989:43) yaitu kegiatan mendesain mulai dari konsep, proses dan visualisasi karya yang mengacu kepada pasar dan pembeli. Hasil visualisasi yang terpilih dilanjutkan pada proses perancangan karya menggunakan teknik batik tulis kemudian direalisasikan pada 1 buah produk fungsional yaitu busana ready to wear dan 1 lembar kain batik kontemporer motif pagi sore dengan sumber ide bohemianABSTRACTThe bohemian ideas from the trends that developed in the 1960s are characterized by floral motifs, ethnic Romanian, and geometric motifs. The source of the "bohemian" concept is exciting when Contemporary Batik is applied to the Pagi Sore motifs for Ready to Wear clothing. Contemporary batik in the Pagi Sore motifs can make people adapt to batik motif clothing with varied motifs and innovation following trends to boost batik so as not to lose its cultural elements. The design stage is through the Observation, Interview, and Questionnaire Filling stands. This visual study refers to the method of Colin Clipson's theory (1989:43), namely designing activities starting from the concept, process, and visualization of works that refer to the market and buyers. The selected visualization results are continued in developing the job using the written batik technique and then realized on one functional product, namely ready-to-wear clothing and one sheet of contemporary batik cloth with Pagi Sore motifs with a source of bohemian ideas

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    BATIK TULIS PADANG LAMUN (PADANG LAMUN SEBAGAI SUMBER IDE PERANCANGAN BATIK TULIS UNTUK SELENDANG SUTRA)

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    Seagrass bads is a variety of flora that lives on the sea coast. The objective of this project is to produce a new visual alternative for silk batik scarfs by visualizing Seagrasses bads which live under water; its illusion of motion, dimensions, and biodiversity. This research use design method consist of exploration process, extraction, and termination are described in four operational steps i.e. analysis, concept, visualization, and prototypes. The design is directed at new creative batik for premium products. The result was a silk batik scarfs made by Lorodan batik technique which was able to produce illusory effects and layered images which would offer a new visual sensation, differentiation, and novelty. Keywords: Seagrass Bads, batik tulis, silk scarf Padang Lamun merupakan keanekaragaman flora yang hidup di pesisir laut. Tujuan penelitian ini adalah memberikan alternatif visual baru desain batik tulis untuk selendang sutra dengan mengolah visual Padang Lamun yang hidup terendam air, ilusi gerak, dimensi, dan ragam biota. Penelitian ini menggunakan pendekatan desain yang terdiri atas proses eksplorasi, ekstraksi, dan titik terminasi yang dijabarkan dalam empat langkah operasional, yakni analisis, konsep, visualisasi, dan tes produk. Desain diarahkan pada batik kreasi baru untuk produk premium. Hasilnya berupa desain selendang sutra menggunakan teknik batik tulis Lorodan yang mampu menghasilkan efek ilusi dan bayangan, sehingga memberikan sensasi visual baru, diferensiasi, dan kebaharuan. Kata Kunci : Padang Lamun, batik tulis, selendang sutr
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