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Isabel Saludes - "En el azar de un ancho sueño" obra reciente : del 16 de diciembre de 2003 al 24 de enero de 2004, Galería BAT Alberto Cornejo, Madrid
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Daughter of fortune: Isabel Allende's popularity from a readership perspective
The primary aim of this thesis is to explore and critically interrogate Isabel Allende’s popularity cross-culturally in Britain and Spain. It analyses readers’ responses to Allende’s works as well as the discourses surrounding her public representation, an approach that is ‘readerly’ but must also take account of production and text. This approach is intended to further the understanding of Allende’s work which so far has always been analysed from a textual perspective. However, the relationship between Allende’s popularity, her texts, public representation and readers has not been yet analysed in detail.This thesis is innovative in other ways too. Methodologically, it approaches readers through the under studied cultural form of the reading group. It also incorporates a comparative dimension by looking at the reception of Allende in two different cultural contexts: the British and Spanish respectively. Finding out about Allende’s popularity has involved asking readers about their reading experiences as well as analysing the production of discourses around her public representation. Paul Ricoeur’s (1984, 1988) perspective on authorial intentions and readers’ responses to texts helps in understanding the intricacies surrounding what is involved in reading any text. It draws attention to Allende’s and her publishers’ authorial strategies, her ‘strategies of persuasion’ and the specificity of the lives and contexts of British and Spanish reading publics. Equally, this ‘readerly’ approach draws on feminist audience research and primarily on the work of Ien Ang and Janice Radway. Their work with viewers and readers respectively is particularly useful in establishing and developing methodological parameters for the study of reading groups. As a whole, this thesis contributes to the understanding of Allende’s cross-cultural popularity by situating readers at the centre
Monteverdia multicostata Cornejo & Biral 2021, sp. nov.
Monteverdia multicostata Cornejo & Biral, sp. nov. (Figs. 1 and 2) Type:— ECUADOR. Manabí: La Esperanza, secondary wet forest, 0°22´30.2¨ S 79 ° 36´19.2¨ W, 200 m, 21 February 2020, Cornejo & Loor 9320 (holotype GUAY, isotype QCA). Species insignis ab omnibus speciebus notis generis fructibus grandioribus et seminibus multicostatus differt. Tree, 8–30 m tall, to 80 cm in diameter at breast height, glabrous; inner bark red, outer bark richly lenticellate, gray with irregular white spots; old twigs cylindrical, blackened (dry); young twigs slightly flattened, grayish (dry), densely lenticellate, lenticels whitish and prominent. Leaves alternate, distichous; stipules not seen, early caducous; petiole ca. 5 mm long, slightly flattened, drying black; blades 7–14 × 4–6 cm, elliptic to obovate, chartaceous, base cuneate to obtuse, margin entire, flat, apex acute to obtuse, acuminate, glabrous, drying brown on both faces; venation brochidodromous, primary vein plane on the adaxial face, slightly prominent at the base, raised slightly on the abaxial face, secondary veins 7–9 pairs, darker on the adaxial face, slightly raised or impressed on the abaxial face. Inflorescences fasciculate, simple, axillary, multi-flowered; pedicels ca. 7–8 mm long, cylindrical; bracteoles acute, 2 mm long, margin irregular. Flowers 5-merous, prefloration imbricate, in one row with the margins of one petal overlapping two other petals, three petals with one margin external and the other internal, and one petal with both margins completely internal; calyx gamosepalous at base, lobes ca. 1 × 0.8 mm, green, ovate to deltoid, margin sparsely ciliate, blackened; corolla dialypetalous; petals 2–3 × 1 mm, light-green, ovate, broadly divergent to subpatent at anthesis, apex obtuse to rounded, margin membranous, hyaline, slightly undulate; stamens 5, alternate with petals, 1–1.5 mm long, filaments flattened, broadened at base, attenuate at apex, inserted on the margin of the disk, erect and becoming reflexive at anthesis; anthers ovoid, brown when mature, dorsifixed, dehiscing longitudinally; disk intrastaminal, 2 mm in diam., pentagonal, green, blackened when dry, margin slightly undulate; gynoecium 2-carpellate, ovary fused to disk, style evident, stigma simple. Fruit a loculicidal capsule, 25–35 × 18–25 mm, obovoid to narrowly-obovoid or ovate, base cuneate to narrowly-cuneate, apex rounded, style not persistent, pericarp coriaceous, ca. 0.8–1.2 mm thick, green when unripe, light-green to yellowish when ripe and brown when dry, opening by 2 valves; seeds 1–2(–3), 1.8–2.5 × 1.0– 1.5 mm, oblong to ellipsoid, ridged, with 6–14 conspicuous ridges, evenly arranged in the longitudinal, completely surrounded by a sweet white aril, maturing brown to black, glossy when dry. Phenology. Flowering in February; fruiting in February to May. Etymology. The specific epithet of this species is a reference to the uncommon morphology of the seeds, with multiple longitudinal ridges, a unique feature among the known species of the genus. Distribution and habitat. Monteverdia multicostata occurs in the lowland wet forests of Manabí and Esmeraldas provinces, in northwestern Ecuador from 200 to 600 m in elevation. Vernacular name: Carne de pardis (tinamou) (Clark 4848) Biological interactions and uses. The sweet aril is eaten by: humans, howler monkeys, Alouatta palliata; spider monkeys, Ateles fusciceps; machín, Cebus capuchinus; cusumbo, Potos flavus; and large birds such as toucans (Rhamphastidae) from the type locality (Anelio Loor pers. comm.). The recorded vernacular name (op. cit.) suggests that the aril of fruits is also eaten by tinamou (Tinamus sp.). Conservation status. The conservation status of Endangered is recommended for Monteverdia multicostata, based on the IUCN (2012) criteria (EN B 1ab[iii]). Ongoing deforestation in northwestern Ecuador is leading to fragmentation and degradation of habitat with small forest patches becoming extinct. Monteverdia multicostata has not been recorded within the National System of Protected Areas of the country (PANE). Notes. The new species is easily characterized by the multi-ridged seeds. This feature is unique within all known species of Monteverdia, with all other known species possessing smooth to slightly rugose seeds. The large fruits are also distinct. Only one other species in the genus, M. fugax (Biral & Lombardi 2016: 99) Biral in Biral et al. (2017: 688), has fruits of similarly large dimensions, however, M. fugax is endemic to the Brazilian Atlantic Rainforest and produces reduced cymes, rather than the fasciculate inflorescences found in most Monteverdia species. Additional specimens examined (paratypes): ECUADOR. Esmeraldas: Quinindé. Bilsa Biological Station. Mache mountains, 35 km W of Quinindé, 5 km W of Santa Isabel. Forest along Dogala trail, 2 April 1995, Clark & Troya 568 (MO, QCNE, US [two sheets]); Ibidem, 5 km W of Santa Isabel. Third lot W of Station following road towards Piedrita, 13 May 1995, Clark & C. Watt (F, MO, QCNE, US [two sheets]); Ibid., 35 km W of Quinindé, 20 March 1998, Clark & Pallis 4848 (MO, QCNE, US).Published as part of Biral, Leonardo & Cornejo, Xavier, 2021, Two new species of Monteverdia (Celastraceae) from Ecuador, pp. 183-190 in Phytotaxa 479 (2) on page 184, DOI: 10.11646/phytotaxa.479.2.4, http://zenodo.org/record/541383
El impacto del concepto de diversidad en la concepción y la experiencia del cuerpo
Depto. de Antropología Social y Psicología SocialFac. de Ciencias Políticas y SociologíaFALSEpu
Recensiones
INTERACADEMY COUNCIL/IAP- THE GLOBAL NETWORK OF SCIENCE ACADEMIES, 2012Responsible Conduct in the Global Research Enterprise: A Policy ReportFernando Lolas StepkePIETRO MAGLIOZZI, M.IEl arte de sanarMaría Isabel Cornejo PlazaLOLAS STEPKE, FERNANDO y DRUMOND, JOSÉ GERALDO DE FREITAS, editoresBioéticaJorge F. Aguirre SalasLOLAS STEPKE, FERNANDO y DRUMOND, JOSÉ GERALDO DE FREITAS, editoresBioéticaClaudio Lavados Monte
A Discussion About Writing Fiction and Creative Prose with Isabel Huggan
Award-winning Canadian author Isabel Huggan talks to students about writing, with a focus on fiction and creative non-fiction.Presentation for English 2905 (Introduction to Creative Writing), taught by Dr. Stepanie McKenzie
La motivación de los trabajadores y su relación con el desempeño laboral de una IPRESS en Lima, con enfoque global
La motivación de los trabajadores y su relación con el desempeño laboral de una IPRESS en Lima, con enfoque global”, se investigó la relación que la motivación ejerce sobre el desempeño laboral en una IPRESS. Tiene como objetivo general Determinar la relación entre la motivación y el desempeño laboral de una IPRESS en Lima, con enfoque global. En el trabajo de investigación se aplicó un método hipotético-deductivo, diseño no experimental de carácter transversal, de tipo descriptivo y correlacional. El instrumento utilizado para la recolección de datos es la encuesta con un formato de la escala de Likert, el cual constara de 24 preguntas que serán aplicados a una muestra de 50 colaboradores. Recolectada la información de la muestra, es procesada y analizada en el programa estadístico SPSS 27. Los resultados nos indican que existe relación significativa entre la motivación y el desempeño laboral de una IPRESS en Lima. Luego de obtener los resultados se concluye que existe una relación entra las variables, esto se debe a que el p-valor es < 0.05, por lo tanto, cae en zona de rechazo y la hipótesis nula se rechaza, siendo la hipótesis alternativa aceptadaSubmitted by Veronica RubinDeCelis ([email protected]) on 2023-10-23T19:07:59Z
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Humanismo y Reforma en la corte renacentista de Isabel de Vilamarí : Escipión Capece y sus lectoras
Durante la primera mitad del siglo XVI y en la corte salernitana del último príncipe de la casa Sanseverino y de su esposa, Isabel de Vilamarí (noble señora de origen catalán) se desarrolló un intenso clima intelectual. Allí se congregaron artistas y humanistas italianos y españoles. En este ambiente de intercambio cultural, atento en participar en las ideas de la Reforma que se difundió en Nápoles gracias a B. Ochino y a Valdés, nace el poema De principiis rerum del último académico pontaniano: Escipión Capece. En esta obra no sólo se rastrean motivos lucrecianos y virgilianos sino también el influjo de los tratados cosmológicos de Pontano. En este estudio, la autora propone el análisis de la figura y de la obra de Capece a través de sus lectoras: Isabel de Vilamarí y las mujeres cultas de su corte.During the first half of sixteenth century and in the Salernitan court of the last prince Sanseverino and his wife Isabel de Vilamarí (a lady coming from a noble Catalan family) an intense intellectual climate developed. Italian and Spanish artists and humanists met there. In this environment of cultural exchange, that shared in the Reform ideas divulged in Naples by B. Ochino and Valdés, Scipione Capece (the last member of the Pontanian Academy) writes his poem De principiis rerum. In his book Capece uses Latin literature (Vergil and Lucretius mainly) and Pontano's treatises on cosmology. The author of this paper studies Scipione Capece through his female readership: Isabel de Vilamarí and the learned women from her court
Humanismo y Reforma en la corte renacentista de Isabel de Vilamarí : Escipión Capece y sus lectoras
Durante la primera mitad del siglo XVI y en la corte salernitana del último príncipe de la casa Sanseverino y de su esposa, Isabel de Vilamarí (noble señora de origen catalán) se desarrolló un intenso clima intelectual. Allí se congregaron artistas y humanistas italianos y españoles. En este ambiente de intercambio cultural, atento en participar en las ideas de la Reforma que se difundió en Nápoles gracias a B. Ochino y a Valdés, nace el poema De principiis rerum del último académico pontaniano: Escipión Capece. En esta obra no sólo se rastrean motivos lucrecianos y virgilianos sino también el influjo de los tratados cosmológicos de Pontano. En este estudio, la autora propone el análisis de la figura y de la obra de Capece a través de sus lectoras: Isabel de Vilamarí y las mujeres cultas de su corte.During the first half of sixteenth century and in the Salernitan court of the last prince Sanseverino and his wife Isabel de Vilamarí (a lady coming from a noble Catalan family) an intense intellectual climate developed. Italian and Spanish artists and humanists met there. In this environment of cultural exchange, that shared in the Reform ideas divulged in Naples by B. Ochino and Valdés, Scipione Capece (the last member of the Pontanian Academy) writes his poem De principiis rerum. In his book Capece uses Latin literature (Vergil and Lucretius mainly) and Pontano's treatises on cosmology. The author of this paper studies Scipione Capece through his female readership: Isabel de Vilamarí and the learned women from her court
Isabel Allende recuerdos para un cuento = Isabel Allende : memories for a story
A simple description of the childhood and youth of the Chilean author Isabel Allend
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