847 research outputs found
Sir Peter Cook: Towards a Non-Solid Architecture
Peter Cook, Crab Studio, founder of radical experimental group Archigram, former Director of the Institute for Contemporary Art and the Bartlett School in London, has been a pivotal figure within the global architecture world for over 50 years. His achievements have been the subject of numerous publications and public exhibitions. In 2007, Cook was knighted by the Queen for his contributions to architecture
Sir Peter Cook's 80 at 80 Exhibition
This exhibition featured original drawings and models by Sir Peter Cook, the Archigram group and CRAB studio from 1965-2017
Interview with Sir Peter Marshall: Commonwealth Oral History Project
Interview with Sir Peter Marshall, conducted 18 November 2013 as part of the Commonwealth Oral History Project. The project aims to produce a unique digital research resource on the oral history of the Commonwealth since 1965 through sixty oral history interviews with leading figures in the recent history of the organisation. It will provide an essential research tool for anyone investigating the history of the Commonwealth and will serve to promote interest in and understanding of the organisation. Biography: Marshall, Sir Peter. Joined the UK Diplomatic Service in 1949, rising to become Economic Under-Secretary in the Foreign and Commonwealth Office. Deputy, Economic and Social Affairs, to Britain's Permanent Representative to the United Nations in New York. Permanent Representative of the United Kingdom to the United Nations in Geneva, 1979-83. Commonwealth Deputy Secretary-General, 1983-88. Chairman of the Commonwealth Trust and Royal Commonwealth Society, 1988-92. Chairman of the Joint Commonwealth Societies Council, 1993-2003. Author of Public Diplomacy (Macmillan, 1997)
Letter from Peter Parker to Nicholas Cook regarding American prisoners. Rhode Island, 1777.
Sir Peter Parker commanded the squadron at the unsuccessful attack on Fort Moultrie in Charleston, S.C. He aided Howe in the capture of N.Y and reduced R.I.https://digitalcommons.wofford.edu/littlejohnmss/1118/thumbnail.jp
Alexander Dalrymple (1737-1808), hydrographer to the East India Company and the Admiralty, as publisher: a catalogue of books and charts
This is a study of the publications and publishing practices of
Alexander Dalrymple (1737-1808). Dalrymple was cumulatively a private
publisher of nautical charts and plans (from 1767), the ''examiner of
ships' journals'' and chart publisher for the East India Company (from
1779), and Hydrographer to the Admiralty (from 1795).
The core of the study is a catalogue of the known publications of
Alexander Dalrymple, defining and establishing his oeuvre. The
catalogue is in two parts, Catalogue A for the letterpress publications,
numbering 257, and Catalogue B for the engraved charts, plans of ports,
views of land, and other Illustrations, numbering 1116. The entries in
each part of the catalogue are arranged chronologically by date of
publication, with full bibliographical and technical descriptions, and
notes of attribution, dating and inter-relationships.
The introduction gives a short account of Dalrymple's life, focussing on
his publishing activity, and introducing his geographical and political
pamphlet publishing. Four phases of activity in his nautical publication
are identified: the decision to publish charts and memoirs from his own
voyages in the Eastern Archipelago (1769-1772); the private publication
of charts and plans with grants or subscriptions from the East India
Company (1772-1779); the annual series of charts, plans, views and
memoirs issued from 1779 onwards for the East India Company; and the
organisation and output of the Admiralty Hydrographic Office which he
ran in parallel with his East India Company work after 1795. This is
supplemented by a discussion of the continuing use made of Dalrymple's
charts after his death in 1808.
An investigation of Dalrymple's engraving and publishing practices
follows, with a brief survey of his technical leaflets and manuals on
nautical surveying and chronometer use, and an account of Oriental
Repertory, his chief non-nautical publication. The study emphasises the
close personal control Dalrymple exercised over his publications, and
the consequent problems in the Admiralty and East India Company in
developing arrangements to continue publishing charts after his death
The Hand and the Machine: A Hybrid Approach to Complex Construction in a Work of Sir Peter Cook
This paper describes and provides a critique of the design and implementation of the “scoops” – a set of bespoke multifunctioning architectural free-form concrete elements that are a highlight of the new Soheil Abedian School of Architecture by the office of Sir Peter Cook and Gavin Robotham (CRAB). The development includes the transfer of analogue design processes into digital 3D modelling, which is then analysed and rationalized via an exchange with consultants and procurement contractors. The complexity of the concrete works necessitated the use of digital fabrication to make their implementation affordable and within time constraints, with said complexity creating a variety of challenges for many aspects of the entire delivery team. The 3D model played a critical role in communicating intent and accuracy at all stages. The use of site-based craftsmanship combined with computer aided design and fabrication overlapped to realize the project
Architecture in tension: an examination of the position of the architect in the private and public sectors, focusing on the training and careers of Sir Basil Spence (1907-1976) and Sir Donald Gibson (1908-1991)
In the early 1900s tensions began to appear within the architectural profession,
as private practitioners struggled to deal with the implications of professional
colleagues moving into public sector employment. Sir Basil Spence and Sir
Donald Gibson began their architectural training in the mid-1920s and, as
tensions between the sectors intensified, Spence entered private practice and
Gibson chose to enter the public sector. Each became an exemplar of his
chosen sector of the profession and yet both have, until recently, escaped
critical attention. The tensions between the public and private sectors of the
profession have been acknowledged within the historiography, but not received
detailed analysis.
This thesis advances the current historiography by presenting an examination
of the division between the sectors, focusing on the relationship between the
RIBA and the public sector union AASTA and assessing the influence of
AASTA on Gibson's Coventry City Architect's Department.
Through an examination of archival material, contemporary published material,
and buildings, this thesis builds on the work of the Sir Basil Spence Archive
Project, adding detailed accounts of his early life, architectural training, and
RIBA presidency, presenting new information and correcting certain aspects of
the accepted historiography. It likewise presents new information on Gibson's
early life and training and his central role in achieving improved status and
representation for the public sector. An analysis of selected projects provides a
comparative study of their contrasting approaches to architecture: the
technically informed, collaborative team-work of Gibson and the individual
artistry of Spence.
Both men played pivotal roles in reforming the RIBA and in changing public and
professional perceptions of the architect, nevertheless, the long lineage and
complex nature of tensions within the profession meant that the public/private
division was never be bridged and issues of status and representation
remained essentially immutable
His Majesty's advocate : Sir James Stewart of Goodtrees (1635-1713) and Covenanter resistance theory under the Restoration monarchy
This thesis is the first to explore the life and political thought of Sir James
Stewart of Goodtrees (1635-1713). The first part reviews the life of his father, Sir
James Stewart of Kirk field (1608-1681) to 1661, and Goodtrees' own life from birth
to his admission to the Scots bar in 1661. This provides the backdrop of history
necessary to appreciate his contributions as both writer and radical activist.
Particular attention focuses on the conflict between Charles I and Charles II, on the
one hand, and the Church of Scotland, on the other; the National Covenant (1638)
and the Solemn League and Covenant of(1643); the British wars of religion; and
the upheavals following the Restoration in the 1660s, culminating in the Pentland
Rising of 1666.
The next part develops Goodtrees' political philosophy from his two most
important writings. Chapter 3 reviews and interprets Naphtali (1667), a defence of
those who rose at Pentland. Chapter 4 reviews Andrew Honyman's Survey of
Naphtali (1668, 1669), a rebuttal of Naphtali and standard Anglican case for royal
absolutism. Chapter 5 reviews and interprets Goodtrees' Jus Populi Vindicatum, or
The People's Right, to defend themselves and their Covenanted Religion, vindicated
(1669), his rejoinder to Honyman. His Calvinist, covenantal constitutionalism is
shown to be an important link between earlier resistance theorists like John Knox
and Samuel Rutherford and the later Whigs, represented preeminently by John
Locke.
The third part (chapters 6-7) reviews Goodtrees' life and minor writings as radical critic of the Restoration monarchy; a participant in plots among British
exiles in Holland to overthrow it; a member briefly of James's Scottish government
before the Revolution; and lord advocate and churchman pursuing political, legal,
and ecclesiastical reforms afterwards
Writing and Reading in the Circle of Sir John Fastolf (d. 1459)
This thesis is a study of all aspects of writing and reading connected with Sir John Fastolf, a military captain and steward of the household of John Duke of Bedford, who returned to England from the later battles of the Hundred Years War in 1438. Using the circumstantial, palaeographical, and codicological evidence contained in
the letters, documents, and literary texts associated with Fastolf, the thesis performs a survey of the men who wrote for Fastolf, their interactions with him and with each other, and their positions in what might be deemed a ‘readership community’. The thesis takes a detailed look at letter and document composition, delivery, and storage,
then relates this administrative writing to the production and reception of texts in manuscript books. It argues that there was a close relationship between these two types of work, finding that the administrators of the Fastolf circle were also the scribes of literary texts. The thesis consistently reinforces the importance of oral communication within this circle, emphasising that though there is a substantial amount of surviving written material associated with this circle, the written word was
not the sole form of communication within it.
The first section of the thesis is an introduction to the circle of Sir John Fastolf,since it is necessary to comprehend this complex and multitudinous group before
considering reading and writing within it. Chapter One gives biographical information about Fastolf and the associates who were most involved with writing and reading. It then reconsiders the highly-contended issue of Fastolf's relations with these men: was Fastolf a harsh master, or badly-served by his men? Chapter Two explains the choice of the word ‘circle’ to describe this group, and considers potential subdivisions within it according to responsibilities or linguistic descriptions. It emphasises the individuality within the master-servant relationship, as is indicated by the evidence that Fastolf’s servants maintained various levels of proximity and permanence of service.
In the second section, Chapter Three is a detailed examination of the writing of letters and administrative documents. It opens with a discussion of the interplay between oral conversation and written correspondence. It then looks at the evidence for the way in which Fastolf’s letters (none of which were autograph) were composed, and argues that they were not dictated. It progresses to examine the practicalities of correspondence and administration: drafting, copying, letter delivery,
and storage. Finally, there is a look at the watermarks of paper associated with Fastolf. This leads into Chapter Four, which is a study of interactions between the men who wrote for Fastolf. It shows that there was consistent co-operation between Fastolf’s scribes, and suggests that collaboration had an effect upon the linguistic features of their work. Finally, Chapter Five looks at Fastolf’s collection of literary manuscript books, and considers the evidence about who read literary texts, as indicated by circumstantial evidence, as well codicological evidence such as annotations within the books themselves. It provides case studies of the men who can be shown to have written these books, and a focused study of one of these books in particular, the hitherto under-studied manuscript, College of Arms, MS. Arundel 48.
Finally, there is an overview of the formation of a sub-section of Fastolf’s readership community in the west country, especially in Bristol, Glastonbury and Wells, which
was facilitated by Fastolf’s Bristol-born secretary William Worcester
Sir Joseph Banks to James Edward Smith
Thanks for turkey. Has had 'Limosella diandra' from [Charles] Konig and [William] Roxburgh but no drawing of it. Does not think it is the 'Gratiola pusilla' of [Carl Ludwig von] Willdenow. Happy at the improvement in Smith's health. Asks Smith's opinion of author Peter [Peregrine] Lille
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