7,994 research outputs found
Gian Carozzi
No full textProtagonista dello scenario artistico ligure postbellico, Gian Carozzi (La Spezia 1920 – Sarzana 2008) tra il 1949 e il 1950 si trasferisce a Milano, dove entra in contatto con Lucio Fontana e firma due manifesti dello Spazialismo, il 3° Manifesto dell’Arte Spaziale (1951) e il Manifesto del Movimento Spaziale per la Televisione (1952).
Dopo un’intensa stagione di lavoro e di frequentazioni, alla fine degli anni Cinquanta lascia Milano per Parigi, dove soggiorna per circa vent’anni, per poi far ritorno nei suoi luoghi natali alla fine degli anni Settanta. Nei primi anni Ottanta si stabilisce a Sarzana, cittadina ligure dove vive sino ai suoi ultimi giorni.
A partire dagli anni Sessanta Carozzi prosegue un cammino solitario, esplorando una ricerca che mai si riduce a univoca cifra stilistica, seppur coesa attorno a una profonda continuità di pensiero, attraverso un’ininterrotta indagine sulla pittura. Una pittura che mette in crisi le definizioni e vaporizza i confini: tra astratto e figurativo, tra avanguardia e inattualità.
La presente monografia, promossa dall’Archivio Gian Carozzi e curata da Lara Conte, ripercorre l’intera vicenda creativa dell’artista. Si compone di contributi critici di Giulia Carozzi, Lara Conte, Fabrizio D’Amico, Andrea Marmori e Alberto Salvadori; di un’antologia critica con testi di Luca Bertolo, Manlio Cancogni, Beniamino Joppolo e Roberto Tassi; e di un dettagliato regesto bio-bibliografico.A protagonist of the post-war art scene in Liguria, Gian Carozzi (La Spezia 1920 – Sarzana 2008) moved to Milan between 1949 and 1950. Here he met Lucio Fontana and signed two manifestoes on Spatialism, the 3° Manifesto dell’Arte Spaziale (1951) and the Manifesto del Movimento Spaziale per la Televisione (1952). In the late 1950s, after an intense season of work and friendships, he left Milan for Paris, where he lived for around twenty years, to return back home in the late 1970s. During the early 1980s he moved to Sarzana, a small town in Li- guria, where he lived until his death.
Starting in the 1960s, Carozzi followed a solitary path investigating, through an uninterrupted exploration of painting, on a research which is never reduced to a univocal recognizable style, even though coherent with a profound continuity of thought. An exploration challenging all labels and evaporating all boundaries: between abstraction and guration, between avant-garde and outdatedness. This monograph, edited by Lara Conte, retraces the artist’s whole career. It includes critical essays by Giulia Carozzi, Lara Conte, Fabrizio D’Amico, Andrea Marmori and Alberto Salvadori; a critical anthology with texts by Luca Bertolo, Manlio Cancogni, Beniamino Joppolo and Roberto Tassi; and an in-depth bio-bibliography
Audiomobiles, Sculptures and Conundrums
No full textRoberto Gerhard was a pioneer of electronic music in England creating a number of substantial concert, theatre and radio works from as early as 1954. Gerhard’s electronic music is one of the richest repositories for understanding the development of the composer’s late compositional technique. Apart from the Symphony no.3, ‘Collages’, none of Gerhard’s electronic music is published. This paper will discuss aspects of Gerhard’s electronic music, focusing on Audiomobiles (1958-59) and Sculptures (1963)
Associazionismo aristocratico e politiche di integrazione delle nobiltà italiane tra ottocento e Novecento
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Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment
No full textThis research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is to evaluate the impact that the electronic medium exerted in the musical thinking of Roberto Gerhard, one of the most outspoken, prolific and influential composers in the Spanish diaspora whose musical legacy, for the most part unknown, is a major landmark in the early history of electroacoustic music. Gerhard’s personal tape collection, one of the largest historical archives of its kind reported in the literature, is exceptional for both its antiquity (50+-year-old tapes) and its abundance of production materials. Through the digitisation and analysis of the composer’s tape collection this research argues that the empirical study of audio documents sets out a basis for a broader understanding of textual processes. More specifically, the research demonstrates that the reconstruction of works based on magnetic tape sketches is a powerful method to advance the understanding of early tape music. This research also examines Gerhard’s sound compositions in relation to the post-war context in which they were composed. Finally, this research presents performance documentation that proposes an approach to the electroacoustic music repertoire in which creativity is not at odds with rigor and critical discernment demonstrating that archival study can be closely aligned to the concept of re-enactment
Per la storia delle élites in età contemporanea. Potere e società nell'Europa dell'Ottocento
No full textIl saggio ricostruisce la storia delle élites nell'Europa dell'Ottocento con particolare riferimento alle vicende sociali e alla dinamiche del potere nel periodo considerato alla luce anche della relativa storiografia italiana e internazionale.The essay reconstructs the history of the elites in nineteenth-century Europe with particular reference to social events and the dynamics of power in the period considered in the light of the relative Italian and international historiography
Tra cesarismo e gattopardi: il sistema socio-politico italiano
No full textExcursus storiografico riguardante la pubblicistica di taglio socio-politico e istituzionale di Luigi Rossi con relativa analisi delle rispettive categorie alla luce di riferimenti della letteratura italiana su tali tematiche.Historiographic excursus concerning Luigi Rossi's socio-political and institutional publications with relative analysis of the respective categories in the light of references from Italian literature on these issues
Histoire du couvent royal des Minimes français de la très Sainte Trinité sur le Mont Pincius à Rome / Père Charles-Pierre Martin ; édition critique par Maria Giovanna Canzanella-Quintaluce ; regestes des actes latin par Benoît Schmitz ; coordination éditoriale de Jean-François Chauvard ; avec la collaboration de Laurence Beck, Sophie Conte, Sebastiano Roberto... [et al.]. - Rome : École française de Rome, 2018 (Sources et documents ; 6)
No full textÉdition critique par Maria Giovanna Canzanella-Quintaluce ; regestes des actes latin par Benoît Schmitz ; coordination éditoriale de Jean-François Chauvard ; avec la collaboration de Laurence Beck, Sophie Conte, Sebastiano Roberto... [et al.]International audienc
Histoire du couvent royal des Minimes français de la très Sainte Trinité sur le Mont Pincius à Rome / Père Charles-Pierre Martin ; édition critique par Maria Giovanna Canzanella-Quintaluce ; regestes des actes latin par Benoît Schmitz ; coordination éditoriale de Jean-François Chauvard ; avec la collaboration de Laurence Beck, Sophie Conte, Sebastiano Roberto... [et al.]. - Rome : École française de Rome, 2018 (Sources et documents ; 6)
No full textÉdition critique par Maria Giovanna Canzanella-Quintaluce ; regestes des actes latin par Benoît Schmitz ; coordination éditoriale de Jean-François Chauvard ; avec la collaboration de Laurence Beck, Sophie Conte, Sebastiano Roberto... [et al.]International audienc
Histoire du couvent royal des Minimes français de la très Sainte Trinité sur le Mont Pincius à Rome / Père Charles-Pierre Martin ; édition critique par Maria Giovanna Canzanella-Quintaluce ; regestes des actes latin par Benoît Schmitz ; coordination éditoriale de Jean-François Chauvard ; avec la collaboration de Laurence Beck, Sophie Conte, Sebastiano Roberto... [et al.]. - Rome : École française de Rome, 2018 (Sources et documents ; 6)
No full textÉdition critique par Maria Giovanna Canzanella-Quintaluce ; regestes des actes latin par Benoît Schmitz ; coordination éditoriale de Jean-François Chauvard ; avec la collaboration de Laurence Beck, Sophie Conte, Sebastiano Roberto... [et al.]International audienc
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