1,721,057 research outputs found
La respuesta y sus vestidos : tipos discursivos y redes de poder en La respuesta a Sor Filotea
Full text linkFil: Colombi, Beatriz. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Departamento de Letras; Argentina
Lugares del ensayista
Full text linkFil: Colombi, Beatriz. Universidad de Buenos Aires. Facultad de Filosofía y Letras; ArgentinaEl artículo analiza el locus de enunciación de ensayista en el ensayo hispanoamericano de interpretación nacional y continental. Sostiene que este locus está definido por la intersección de múltiples posiciones y ficciones, imbuidas de una particular valoración social, a través de las cuales el ensayista provee de legitimidad a su discurso. El artículo analiza algunas de estas figuraciones, como el profeta, el polemista, el maestro, el profesor, el tratadista, el neo-humanista y el filólogo, el archivista, el intérprete de la psiquis colectiva, el post-utopista, todas estrechamente relacionadas con la autoridad y representaciones del letrado o intelectual en esta cultura
Sobre cartas y lectoras. Dos misivas inéditas de María Luisa Manrique de Lara y Gonzaga, mecenas de sor Juana Inés de la Cruz
Full text linkSusana Zanetti se abocó como crítica al universo femenino y a la escritura íntima en la literatura latinoamericana, como parte de sus profusos intereses intelectuales. Su impronta está presente en este trabajo que analiza cartas inéditas de María Luisa Manrique de Lara y Gonzaga, la mecenas de sor Juana Inés de la Cruz, de reciente hallazgo y publicación (Calvo-Colombi 2015). Las cartas de María Luisa permiten ingresar en el universo íntimo y personal de la virreina, como así también conocer los intereses mundanos e intelectuales de esta noble española, inmortalizada por los escritos de la monja mexicanaFil: Colombi, Beatriz. Universidad de Buenos Aires
Una gesta antiépica.
No full textFil: Colombi, Beatriz. Universidad de Buenos Aires; Argentina.Una abundante bibliografía crítica, de la que no podría dar cuenta ni siquiera sumariamente en este contexto, se ha producido en los últimos años sobre La ciudad letrada. En ella se coloca en el centro de la discusión, y en términos altamente polémicos, la representación del intelectual latinoamericano postulada por Rama. Este trasfondo orienta en alguna medida mi intervención, que se detiene en algunas de las elecciones de Rama, intentando destrabar su lógica. Considero que la lectura que hace Rama está articulada sobre un modelo subyacente, donde México hace las veces de caso testigo. De esta confrontación, derivo la hipótesis de una tensión irresuelta en la obra crítica de Rama, en lo que hace a la figuración del intelectual, entre la “gesta del mestizo” y la “gesta del letrado”. Postulo, por último, que ciertas omisiones del ensayo (el letrado fuera de la “ciudad letrada”, el letrado transculturador) son resultantes de una propuesta historiográfica reticente a cualquier dirección edificante
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Del reinar al vasallaje : armonía y despojos en los Comentarios reales
Full text linkEste trabajo se detiene en escenas de los Comentarios reales donde se interrumpe la armonía humanista del relato histórico del Inca Garcilaso de la Vega para dejar emerger los despojos, fragmentos y ruinas del pasado. Propone que el narrador oscila entre la metáfora y la metonimia como figuras del discurso colonial. Si la metáfora tiene por fin trazar analogías entre culturas, la metonimia opera en sentido inverso al privilegiar la especificidad del mundo incaico, lo que otorga al fragmento su carácter resistente.In this paper the author examines scenes from the Comentarios reales in which the humanist harmony of the historical account of Inca Garcilaso de la Vega is interrupted in order to allow for the emergence of remnants, fragments, and ruins from the past. The author proposes that the narrator oscillates between metaphor and metonymy as figures of Colonial discourse. While the goal of metaphor is to draw analogies between cultures, metonymy operates in reverse by privileging the specificity of the Inca world, which grants resilience to the fragment
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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