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    Practices of reappropriation in the contemporary city. Processes, places and imagery

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    Urban practices, city, Reappropriation of places, everyday lif

    Finding common ground on the threshold: an experiment in critical urban learning

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    The paper explores the role of academic institutions in urban commoning, which involves sharing and collaborating to manage common resources. Specifically, it analyses the impact of an experimental programme, Practices of Urban Inclusion, on fostering new forms of collaboration and cultures of sharing. The programme was co-designed and co-run by a network of four architecture and urban planning schools and three civil society organisations across four European countries. The paper mobilises the concept of 'threshold spaces' by Stavros Stavrides, to discuss if and how urban knowledge and learning can be co-produced and circulated ‘on the threshold’ between academic and civil society organisations. Practices of Urban Inclusion is thus seen as a threshold space that attempted to bring different subjectivities and forms of knowledge into connection by foregrounding experiential knowledge, fostering collaborative learning, and connecting temporalities. The paper reflects on the key characteristics of the programme and highlights some of its commoning and un-commoning outcomes. We suggest that conceptualising knowledge co-production through ideas of commoning and threshold spatiality allows for more nuanced understandings of the dynamics of academia-civil society collaborations

    Protagonismo sociale e spazio. Quali apprendimenti?

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    Il contributo si delinea in relazione alla terza sessione del Convegno Tracce Urbane 2024 intitolato “Chi apprende da chi? Sguardi interdisciplinari tra azione pubblica e pratiche dal basso”. La sessione, “Protagonismo sociale. Quali condizioni di apprendimento tra autonomia e istituzionalizzazione” guardava alle esperienze di azione “dal basso” dal punto di vista dei cittadini e delle loro aggregazioni formali e informali. Il saggio traccia la recente evoluzione delle forme di protagonismo sociale in ambito urbano, interpretate all’intreccio tra tre diverse spinte: protesta, costruzione di alternative organizzate/auto-organizzate, ibridazione con gli strumenti delle politiche pubbliche. Vengono poi discussi gli esiti di tali azioni in termini di capacità di produrre cambiamento nei percorsi di vita delle persone e di incidere sulle trasformazioni urbane attraverso chiavi di lettura utili a interrogare il cambiamento prodotto o auspicato

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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