624 research outputs found
Initial analysis of intracranial MR angiography from the twinsUK large cohort twin imaging study
No full textO reino de Deus e as v?timas da hist?ria : uma abordagem segundo a cristologia de Jon Sobrino
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Previous issue date: 2012-03-14This paper reflects about the theme: The Kingdom of God and the victims of history in the Christology of Jon Sobrino. We sought to verify the consistency of the relationship between the Kingdom of God and the victims of history. To answer this question we traveled, by biographical analysis, to the Author s theological thought. We did this in three chapters. In the first chapter the attention turns to the matrix that originated the sobriniano thought, with the central concern of understanding its theological proposal to overcome the victims suffering reality in the history. The second chapter seeks to understand how this theologian focuses on the Kingdom of God s category on his theology, and what is its originality. The third chapter seeks to point out the implications that the Kingdom of God demands in the work with the victims of history, as well as explain the degree of consistency between the Kingdom of God and the victimsEsta disserta??o reflete sobre o tema O Reino de Deus e as v?timas da hist?ria na cristologia de Jon Sobrino. Buscamos averiguar a consist?ncia da rela??o entre Reino de Deus e as v?timas da hist?ria. Para responder tal indaga??o, percorremos, atrav?s da an?lise biogr?fica, o pensamento teol?gico do Autor. Fizemos isso em tr?s cap?tulos. No primeiro cap?tulo, a aten??o volta-se para a matriz origin?ria do pensamento sobriniano, com a preocupa??o central de compreender sua proposta teol?gica para superar a realidade de sofrimento das v?timas na hist?ria. No segundo cap?tulo, busca-se entender como esse te?logo enfoca a categoria Reino de Deus em sua teologia, e em que consiste a sua originalidade. No terceiro cap?tulo, procura-se apontar as implica??es que o Reino de Deus exige na atua??o junto ?s v?timas da hist?ria, bem como explicitar o grau de consist?ncia existente entre o Reino de Deus e as v?tima
Author variants in the Poetry of Jon Juaristi
Full text linkABSTRACT: In the present work we propose to systematize all the author’s variants introduced by Jon Juaristi in the new edition of his collected poems, entitled Derrotero. Before doing so, we examined the different examples of the rewriting of fourteen poems by Juaristi from their initial publication in a magazine until becoming part of one of his books. Specifically, the changes introduced by the poet in fourteen poems are analysed: two of Arte de marear, two of Los paisajes domésticos, two of Tiempo desapacible, three of Prosas (en verso) and five of Renta antigua. Both the variants inserted in these texts and in the new edition of his collected poetry allow us to conclude that Jon Juaristi only modifies, in most cases, questions of detail in order to improve syllabic computation, make sense more precise in some passage, to smooth over some slightly remote cultural reference, or to smooth out a conceptual sprain of difficult interpretation.KEY WORDS: Jon Juaristi; textual criticism; author’s variants; metrics.RESUMEN: En el presente trabajo nos proponemos sistematizar todas las variantes de autor introducidas por Jon Juaristi en la edición en prensa de sus poesías reunidas, titulada Derrotero. Antes de ello, examinamos los distintos ejemplos de reescritura de catorce poemas de Juaristi desde su inicial publicación en revista hasta que, con las oportunas modificaciones, pasaron a formar parte de alguno de sus libros. En concreto, se analizan los cambios introducidos por el poeta en dos poemas de Arte de marear, dos de Los paisajes domésticos, dos de Tiempo desapacible, tres de Prosas (en verso) y cinco de Renta antigua. Tanto las variantes insertas en estos textos como en la nueva edición de la poesía reunida del poeta nos permiten concluir que Jon Juaristi solo modifica, en la inmensa mayoría de los casos, cuestiones de detalle con objeto de mejorar el cómputo silábico, hacer más preciso el sentido de algún pasaje, allanar alguna referencia cultural levemente remota o suavizar un esguince conceptista de interpretación costosa.PALABRAS CLAVE: Jon Juaristi; crítica textual; variantes de autor; métrica
Una teología samaritana : el estilo teológico de Jon Sobrino
No full textEl presente artículo se propone presentar las notas fundamentales de la teología de Jon Sobrino. Su particularidad radica en el abordaje en términos de estilo. El autor considera que el teologizar del sacerdote jesuita ha cobrado una identidad original y creadora que permite categorizarlo como estilo. Una de las tesis fuertes del artículo es la definición del teologizar de Sobrino en tanto “estilo” teológico. Luego de una fundamentación del enfoque estilístico que abreva fundamentalmente en H. U. von Balthasar y Ch. Theobald, se despliega la identidad de este estilo teológico en sus características. La otra tesis fuerte es que la realidad del sufrimiento histórico en América Latina configura centralmente el estilo teológico de Jon Sobrino, donde logos y pathos convergen en un movimiento único que cualifican su teología como teología samaritana o teología sentiente (X. Zubiri).This paper intends to present the fundamental notes of Jon Sobrino’s theology. Its uniqueness lies in the approach in terms of style. The author believes that the Jesuit priest’s work has become an original and creative identity that can be categorized as style. One of the strong thesis of this paper is the definition of Sobrino’s theology as “style”. After establishing the fundamentals of stylistic approach which derives mainly from H. U. von Balthasar and Ch. Theobald, the author unfolds the theological identity of this particular style and its characteristics. The other strong thesis is that the historical reality of suffering in Latin America configures Jon Sobrino’s theological style. Logos and pathos converge into a single movement that qualifies his theology as samaritan theology or sentient theology (X. Zubiri)
Episode 33: Karl Von Clausewitz
No full textIn this episode, Jon O’Gorman hosts Vanya Bellinger in discussing the author of On War. First, we discuss if Clausewitz was a product or a critic of the Prussian military reform movement. We then move to the importantance of studying Clausewitz\u27s experience as an officer and military practitioner to understand his theory. We talk about Clausewitz relationship to mentor Prussian Gen. Scharnhorst. We also speak about the Prussian military reform school that helped beat Napoleon and why the same school failed so spectacularly in the first half of the twentieth century with the Schlieffen Plan. Lastly, we talk about Marie Von Clausewitz and her relationship with her husband and the book On War.https://digital-commons.usnwc.edu/profiles-in-strategy/1032/thumbnail.jp
The Resource Page- 48
Full text linkIn contrast to many memoirs now being published, Benched is not the story of a miserable childhood, a struggle against enormous odds, or escape from a dysfunctional family. Rather, its author, Judge Jon O. Newman, tells of his balanced and uncommonly productive life, much of it spent as a federal judge for the district court and then the court of appeals for the Second Circuit.
Judge Newman’s path to the federal appellate bench was paved with well-connected mentors, who seemed eager to provide him with opportunity after opportunity. However, the book shows that this “charmed” career was the result not just of luck, but of his obvious competence and deep willingness to take on thankless duties. Judge Newman attended Princeton University and Yale Law School and then served as a law clerk on the D.C. Circuit Court of Appeals. This clerkship led, remarkably, to an offer to serve as a clerk for Chief Justice Earl Warren, even though he had not formally applied for the position. The section on his time at the Court provides a fascinating, if all-too-brief, glimpse of its workings at the time
‘Se… o escrever’
Full text linkThis example of “performance writing” suggests the potentiality of writing, a different understanding of writing as embodied practice that the author tries to practice within the work itself. In doing so there is an investigation of the weight of conventional assumptions about the work and place of writing. The author implies a different relationship to writing, suggesting that Writing If, or in this case, If Writing, reflects the subjunctive conditional potential of performance itself in a way that is difficult to sustain. In English the proper conditional would be ‘Writing as if’ but the articulation without ‘as’ presents a more precarious and open concept.Este ejemplo de ‘performance writing’ (escritura performática) busca sugerir la potencia de la escritura, esto es, de una concepción diferente de escritura en tanto práctica corporal que el autor trató de practicar con su propia forma de escribir. Al hacerlo se vuelve notoria la investigación acerca del peso de los supuestos convencionales sobre el trabajo y el lugar de la escritura. El autor propone una relación diferente con la escritura, sugiriendo que Escribir Si, o en este caso, Si Escribir, refleja el potencial condicional subjuntivo del propio rendimiento de una manera que es difícil de mantener. En inglés el condicional sería ‘Writing as if’, pero la articulacion sin el conector ‘as’ presenta un concepto más precario y abierto.Este exemplo de ‘performance writing’ (escrita performativa) procura sugerir o poder da escrita, isto é, de uma concepção diferente de escrita como uma prática corporal que o autor tentou praticar com seu próprio modo de escrever. Ao fazêlo, torna-se evidente a pesquisa sobre o peso das suposições convencionais sobre o trabalho e o local da escrita. O autor propõe uma relação diferente com a escrita, sugerindo que a Escrita sim, ou neste caso, Se escrita, reflete o potencial condicional subjuntivo do desempenho de uma forma que é difícil de manter. Em inglês a condicional seria ‘Escrevendo como se’, mas a articulação sem o conector ‘as’ apresenta um conceito mais precário e aberto
A TEORIA DA ESCOLHA RACIONAL NO PENSAMENTO DE JON ELSTER
Full text linkResumoConsiderando que o pensamento de Jon Elster se dirige às falhas da racionalidade e à irracionalidade, o mote norteador deste trabalho será a compreensão da “teoria da escolha racional” em algumas de suas obras, como, por exemplo, em Ulises y las Sirenas: Estudios sobre Racionalidad e Irracionalidad e também em seu texto Ulysses Unbound: Studies in Rationality, precommitment, and Constraints. Mostrar-se-á que o autor se vale do mito de Ulisses para explicar o como e o por quê o indivíduo, mesmo ciente do que seria racional em sua escolha previamente analisada, pode sentir-se tentado a agir guiado por suas emoções. Pretende-se destacar a analogia feita por Elster entre a estratégia utilizada por Ulisses e o processo constitucional, para constatar em que medida a atitude de atar-se a si mesmo pode ser considerada um mecanismo de limitação e proteção contra os interesses e paixões, tanto dos constituintes como também de seus eleitores.Palavras-chaveConstituição; compromisso prévio; paixões; racionalidade imperfeita. AbstractWhereas the thought of Jon Elster addresses the failures of rationality and irrationality, the guiding theme of this work is the understanding of ";rational choice theory"; in some of his works, for example, Ulises y las Sirenas: Estudios about rationality and irrationality, and also in your text Ulysses Unbound: Studies in rationality, precommitment, and Constraints. Show up-to which the author relies on the myth of Ulysses to explain how and why the individual even aware of what would be rational in your choice previously discussed, may be tempted to act guided by their emotions. It is intended to highlight the analogy made by Elster between the strategy used by Ulysses and the constitutional process, to observe to what extent the attitude of knotting himself can be considered a limiting mechanism and protection of the interests and passions of both constituents as well as their constituents.KeywordsConstitution; prior commitment; passions; imperfect rationality
Desempleo y justicia local
Full text linkIn this paper Jon Elster presents a set of criteria of local justice that regulate dismissals. In situations where work is limited and companies adopt means of employment redundancy, the decision of dismissing certain workers —when this one tries not to be arbitrary— can be based on local criteria of fairness like merit, efficiency, age or other analysed in this work. So, after defining the concept of local justice and presenting some examples, the paper focuses on the importance of the work to organize and structure the life of people. Unemployment has serious consequences for the persons who suffer it and the author advises that it is necessary to subordinate dismissals to criteria of local justice.En este artículo se presentan una serie de criterios de justicia local para regular los despidos. En situaciones en las que el trabajo es escaso y las empresas adoptan medidas de regulación de empleo, la decisión de despedir a unos trabajadores o a otros se puede basar, cuando se intenta que no sea arbitraria, en criterios locales de equidad como el mérito, la eficacia, la edad u otros que se analizan en este trabajo. Así, tras definir el concepto de justicia local y presentar algunos ejemplos, el artículo se centra en la importancia del trabajo para organizar y estructurar la vida de la gente. Las graves consecuencias que tiene, por ello, el desempleo para quien lo sufre, aconseja que los despidos se sometan a criterios de justicia local
Prosa en verso: la poética mínima de Jon Juaristi
No full textConsiderado con razón uno de los mejores y más representativos poetas de la experiencia, Jon Juaristi no ha dedicado, sin embargo, demasiados textos a reflexionar sobre ese concepto, ni siquiera en el momento de mayor auge de esa corriente (años ochenta y noventa). Este trabajo defiende por eso la hipótesis de que este concepto, el de poesía de la experiencia, no habría sido el elegido por el autor a la hora de presentar y caracterizar él mismo sus propuestas poéticas. Para probar este aserto, se analizan las tres poéticas que el autor publicó en esos años con los títulos de "Poética" (1988), "Poética definitivamente cansada" (1996) y "Poética" (1998), ninguna de las cuales parte del concepto de experiencia, ni tampoco de los que le eran afines en el ámbito de la poesía de la experiencia: ficción, reconocimiento, realismo, etc. En lugar de eso, el autor usó una triada de conceptos: el de la poesía como "ameno desahogo", el de "Maestro" y el del poema como "glosa" o "ilustración" de sus "ideas" ensayísticas. El trabajo indaga solo en el último de los tres, el de la glosa de las ideas. Los textos seleccionados son el poema "Poética bajo mínimos", del libro "Suma de varia intención" (1987) y el contenido de una mesa redonda celebrada en 1992, donde el autor volvió a describir su "poética mínima" como aquella que se basaba en la necesidad de "al menos, una idea para cada poema", que, además, estuviese "expresada lógicamente". La de Juaristi habría sido, por tanto, fundamentalmente, una poética intelectualista o de la idea, tal como lo demostraría también el prólogo que en 2002 escribió para el libro "Prosas en verso"Rightly considered one of the best and most representative poets of experience, Jon Juaristi has not, however, dedicated too many texts to reflecting on this concept, not even at the moment of greatest popularity of the current (1980s and 1990s). The work is therefore based on the hypothesis that this concept, that of the poetry of experience, would not have been the one chosen by the author when he himself presented and characterized his poetic proposals. To prove this assertion, we analyze the three poetics that the author published in those years with the titles of "Poética" (1988), "Poética definitively tired" (1996) and "Poética" (1998), none of which dealt with the concept of experience, as well as those that were related to it in the field of the poetry of experience: fiction, recognition, realism, etc. Instead, the author used the following triad of concepts: that of poetry as a "pleasant relief", that of a "Teacher" and that of the poem as a "gloss" or "illustration" of his essayistic "ideas". The work investigates only the last of the three, that of the gloss of ideas. The selected texts are the poem "Poetics under minimums", from the book "Suma de varia intention" (1987) and the content of a round table held in 1992, where the author once again described his "minimal poetics" as that which was based in the need for "at least one idea for each poem", which, in addition, was "logically expressed". Juaristi's would have been, therefore, fundamentally, an intellectualist poetics or of the idea, as would also be demonstrated by the prologue that he wrote in 2002 for the book "Prosas en verse"
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