1,720,954 research outputs found
O dedo na ferida : uma leitura Bakhtiniana de malagueta, perus e bacanaço
Get PDFOrientador : Prof. Dr. Paulo VenturelliDissertação (mestrado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Letras e Artes, Programa de Pós-Graduação em Letras. Defesa: Curitiba, 28/07/2005Bibliografia : fls. 72-81Resumo: Este estudo sobre o conto "Malagueta, Perus e Bacanaço", de João Antônio, utiliza como principal referência parte da obra do pensador russo Mikhail Bakhtin, sobretudo o texto intitulado "O autor e o herói na atividade estética". Interessa-nos demonstrar que o conto em questão é, do ponto de vista bakhtiniano, esteticamente produtivo e que, contrariando o projeto literário de João Antônio no qual a visão do autor deve confundir-se com a visão do herói, há uma exotopia materializada no conto em questão. Investigamos o autor-criador, componente da obra, posição estético-formal materializadora de posições axiológicas refratadas nas vozes dos heróis, distinguindo-o do autor-pessoa, componente da vida, engajado num projeto de construção da literatura nacional. O conto relata o percurso de três malandros jogadores de sinuca pelos bairros de São Paulo, sendo que o jogo, considerado por Bakhtin como forma de carnavalização, foi também uma questão analisada.Abstract: This study about the story "Malagueta, Perus e Bacanaço" by João Antônio, uses as main reference part of the work of the Russian philosopher Mikhail Bakhtin, mainly his text entitled "The author and the hero at the aesthetic activity". The interest is to show that the story is, from the Bakhtin's point of view, aesthetically productive, opposing the literary project of João Antônio in which the author's vision should confound itself with the hero's vision. There is an exotopy in the João Antônio's story. This study had investigated the author-creator, component of the work, aesthetic-formal position that materializes axiological positions refracted in the heros voices, distinguishing him from the author-person, component of life, engaged at the project of constructing the national literature. The story tells the passage of three scoundrels, snooker players in the quarters of São Paulo, and the snooker game, considered by Bakhtin a way of carnivalization, was also an analyzed question
Orquestra Latino-Americana
Get PDFAnais do 35º Seminário de Extensão Universitária da Região Sul - Área temática: CulturaTrabalho vocal e instrumental desenvolvido no âmbito do campus de
Curitiba II da Universidade Estadual do Paraná – Unespar com o objetivo de resgatar
e difundir a obra de compositores-trovadores de todo o território latino-americano,
democratizando o acesso a esse repertório entre os músicos e cantores participantes
e o público ouvint
Rua Jorge Veiga: para uma escuta de vozes malandras em fonogramas de samba
Get PDFTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-graduação de Literatura, Florianópolis, 2013Esse trabalho é um estudo sobre a canção popular brasileira, situado nocampo da teoria literária; trata-se de um percurso cujo destino é umareflexão sobre vozes malandras em fonogramas de samba. Sabe-se que naIdade Média, antes do advento da imprensa, a canção possuía um statusde literatura que, na atualidade, está sendo resgatado paulatinamente,com o apoio teórico da Literatura Comparada e dos Estudos Culturais.Procuro demonstrar, no entanto, que entre a canção medieval e a cançãoda contemporaneidade existe uma diferenciação essencial, a questão daspossibilidades técnicas de registro e difusão dos sons, ocorrida a partirda criação do fonógrafo, no final do século XIX. Essa diferençademanda referencial teórico que contemple as características do novoobjeto, potencializando as condições de trabalho proporcionadas pelofonograma. Procuro entender a canção popular brasileira como gênerode discurso, de acordo com o referencial bakhtiniano, localizando os seuspontos de estabilidade e instabilidade, geradas no fluxo das atividadesque o constitui. No âmbito desse gênero, faço emergir o samba malandroe seus intérpretes. Percorro a história da malandragem no Brasil e dopensamento sobre o malandro, no sentido de acumular referencias parauma reflexão sobre o diálogo entre a cultura do malandro e a estéticavocal de quatro cantores malandros emblemáticos. São eles LuizBarbosa, Dilermando Pinheiro, Cyro Monteiro e, com maior ênfase,Jorge Veiga. Antes de proceder a essa reflexão, que será denominadaescuta, procuro esclarecer o leitor sobre esse conceito, baseando-me empressupostos do Círculo de Bakhtin e de Augusto Ponzio. Abstract: This work is a study about the brazilian popular song, situated in thefield of literary theory; it is about a passage whose destiny is a reflectionabout rogue voices on samba phonograms. It is known that in theMiddle Ages, before the arrival of the press, the song had a literarystatus which, currently, is being slowly rescued, with the technicalsupport of the Compared Literature and of the Cultural Studies. I seek todemonstrate, however, that between the medieval song and thecontemporaneity song there is a essential differentiation, the question ofthe technical possibilities of the sounds' register and diffusion, whichocurred after the creation of the phonograph, in the end of the 19thcentury. This difference demands theoric referentials who contemplatesthe characteristics of the new object, potentizing the work conditionsproportionated by the phonogram. I seek to understand the brazilianpopular song as a genre of speech, accordingly with the bakhtinianreferential, locating its stability and instability points, generated in theflow of activities that constitutes it. In the ambit of this genre, i makeemerge the rogue samba and its performers. I run through the history ofroguery in Brazil and of the thoughts about the rogue people, in thesense of accumulate references for a reflection about the dialoguebetween the rogue culture and the vocal esthetics of four emblematicrogue singers. They are Luiz Barbosa, Dilermando Pinheiro, Cyro Monteiroand, with bigger emphasis, Jorge Veiga. Before proceeding to thisreflection, which will be denominated listening, i seek to clear the readerabout this concept, basing it in the Bakhtin's Circle and Augusto Ponzio's pretexts
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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