3,629 research outputs found
Milano consolato nell' elettione a questo arciuescouado, e promotione alla sagra porpora dell' eminentissimo Federico Visconti : colla sua solennissima entrata seguita a' 11. genaro 1682 e fontioni antecedenti /
No full textFrontispiece coat of arms of Milan, engraved by Federico Agnelli.Signatures: pi⁴ A-G⁴ H⁴(-H4).Mode of access: Internet.Binding: limp vellum. Author & title written on spine
»It contained harbours that pleased me like sonnets«. Kleine Poetik der diegetischen Karte
No full textIn this article, Federico Italiano explores the relationship between literature and cartography. Beginning with Stevenson’s Treasure Island, the author frames the topic through a general theoretical lens on the spatial dimension of literary texts. He then focuses on a specific phenomenon of literary "carticity"—the diegetic presence of the map, that is, the map as an integral element of the narrative structure. Among others, Italiano examines the works of Houellebecq and Cormac McCarthy
Portrait of the Author in (Him/Her)self
No full textA fragment of a philosophical essay by Jean-Luc Nancy and Federico Ferrari titled Iconographie dell’auteur (Paris, 2005), published for the first time in Polish, that addresses the problem of a relationship between the image of the author and his/her work
Aneddoti e ricette a corte di Federico II nel XXI secolo : il buon cibo e il buon bere nel più antico Ateneo pubblico al mondo
No full text[Italiano]: Questo volume rappresenta la finalizzazione di una iniziativa nata, condivisa ed interamente realizzata all'interno del gruppo social dei "Prof in cucina e in Cantina", che ha inteso raccogliere ricette e descrizioni aneddotiche di singoli Autori, appartenenti ai ruoli del personale docente e tecnico-amministrativo-bibliotecario dell'Ateneo federiciano, il più antico Ateneo pubblico al mondo. Aneddoti e ricette forniscono spaccati di vita quotidiana e ricostruzioni di eventi che hanno accompagnato gli Autori nei diversi percorsi formativi, sociali e lavorativi, e che non escludono riferimenti al recente periodo emergenziale della pandemia COVID-19. Ad introdurre il Volume è un menù federiciano, con una proposta di 3 pietanze che attualizzano ricette ed abitubini alimentari dell'epoca, e che hanno come riferimento il Liber de coquina, edito a corte di Federico II. Gli 8 Capitoli del volume raggruppano ricette e aneddoti per categorie, e ciascuno di essi è poi preceduto da un breve inserto con ulteriori riferimenti storici all'alimentazione a Corte di Federico II. Così, atmosfere vecchie e nuove, accompagnate dal sentore di aromi e da suggestioni ispirate al vissuto di ciascun Autore, si fondono per offrire a Lettrici e Lettori frammenti di quotidianità vissuti oggi a corte di Federico II, nel XXI secolo./[English]: The Volume represents the endpoint of a recent initiative, which was conceived, shared and fully realized within the social group of the "Prof in Cucina e in Cantina". Here, the several Authors, represented by the teaching and the technical/administrative/librarian staff of the Federico II University in Naples, the oldest public University in the world, propose recipes and anecdotal descriptions of their educational, social and work-related paths, including some episodes from the recent COVID-19 pandemic. A menu inspired to Frederick II introduces the book, with 3 recipes inspired to the Liber de coquina, a cooking manual compiled at the Emperor's court. Each of the following 8 thematic chapters of the book is also anticipated by a brief insert reporting historical reconstructions of the alimentary habits at the court of Frederick II. Thus, old and new atmospheres, accompanied by the scent of aromas and suggestions inspired by the experience of each Author, come together to offer Readers fragments of everyday life at the court of Frederick II, in the 21st century
Questioning God in the Wake of Sexual Abuse: A Political Theology of Healing
No full textThis paper considers the engagement of Christian communities in the healing process of the victims after cases of sexual abuse. Over the last fifty years, restorative justice has emerged to respond to the harm inflicted on individuals by abusive behaviors. However, restorative justice alone, focusing on restoring the relationship between the victim and the aggressor, leaves many social and institutional mechanisms unchallenged. Drawing on Johann B. Metz’s political theology, I claim that three aspects must be taken into account by Christian communities to show solidarity with the victims and facilitate their spiritual healing: the necessity of structural change through serious consideration of social sin in the Church; the importance of parrhesia (open and honest speech) through peaceful public protests where survivors and their allies manifest their discontent and ask for accountability; listening to the marginalized as a priority that re-educates the Church to pay attention to those who suffer
Federico De Roberto, «L’imperio»
No full textIl breve saggio analizza l'incipit dell'Imperio di Federico De Roberto mettendo a fuoco come l'Autore riesca a dare una rappresentazione teatrale del parlamento e, con ciò, a desacralizzarne la funzione politica e a ridicolizzarne i principali attori: i parlamentari. Questo incipit è ovviamente funzionale alla successiva narrazione della progressiva delusione politica di Ranaldi.The short essay examines the incipit of "L'imperio" by Federico De Roberto focusing on how the author manages to give a theatrical performance of the parliament and, thereby, to desecration and ridiculing the political function of the main actors: the parliamentarians. This incipit is obviously functional to the narration of the progressive political disappointment of Ranaldi
We Believe in God, the Father Almighty: Liturgy, Ethics, Dominance, and Vulnerability
No full textThesis advisor: James F. KeenanThis dissertation presents an ethical examination of power dysfunctions within liturgical practices, with a specific focus on the portrayal of God as an omnipotent monarch. This depiction propagated through rituals, contributes to a culture of unaccountability among clergy and undermines the active participation of the faithful in the liturgy. The study utilizes performative theories from philosophers such as Judith Butler and theologians like Louis-Marie Chauvet to explore how the repetitive use of language and iconography that enacts domination also opens possibilities for resistance. A significant aspect of this research involves an ethical analysis of non-Christological images of God from the twelfth to the fifteenth century. This investigation uncovers a resilient agency among the faithful, who actively resisted the monarchicalization of God and God’s ministers. The dissertation posits that addressing this power dysfunction requires a revival and promotion of depictions that portray divine vulnerability. This conceptualization of vulnerability, inspired by feminist philosophers, is reimagined not as a weakness but as a capacity for responsiveness and the ability to attend to others’ wounds. The dissertation argues that vulnerability is a foundational element in building communities of solidarity that resist injustice. By promoting such imagery, there is a potential to encourage ethical responses and foster openness to others’ claims. This shift can lead to a transformation from a culture of unaccountability to one that upholds the equal baptismal dignity of the faithful, thereby redefining the dynamics of power within liturgical settings.Thesis (STD) — Boston College, 2024.Submitted to: Boston College. School of Theology and Ministry.Discipline: Sacred Theology
Federico De Roberto, «L’imperio»
No full textIl breve saggio analizza l'incipit dell'Imperio di Federico De Roberto mettendo a fuoco come l'Autore riesca a dare una rappresentazione teatrale del parlamento e, con ciò, a desacralizzarne la funzione politica e a ridicolizzarne i principali attori: i parlamentari. Questo incipit è ovviamente funzionale alla successiva narrazione della progressiva delusione politica di Ranaldi.The short essay examines the incipit of "L'imperio" by Federico De Roberto focusing on how the author manages to give a theatrical performance of the parliament and, thereby, to desecration and ridiculing the political function of the main actors: the parliamentarians. This incipit is obviously functional to the narration of the progressive political disappointment of Ranaldi
Il 'Vocabolario ornitologico napolitano-italiano' (1874) e il 'Vocabolario botanico napolitano' (1887) di Federico Gusumpaur
No full textThe paper analyses two bilingual (Neapolitan-Italian) sectoral repertoires by Federico Gusumpaur: the Vocabolario ornitologico napolitano-italiano (1874) and the Vocabolario botanico napolitano (1887). After some remarks on the author, whose basic biographical data are unknown, I will describe the main characteristics of the two repertoires: the criteria used, the glossing system, the probable sources, and the destination. I will also focus on the differences between the two vocabularies, which consist in the presence of two alphabetical indices (Latin-Neapolitan and Italian-Neapolitan) in the Vocabolario botanico napolitano and the non-merely local destination of this second repertoire.Il contributo si concentra su due repertori settoriali bilingui (napoletano-italiano) redatti da Federico Gusumpaur: il Vocabolario ornitologico napolitano-italiano (1874) e il Vocabolario botanico napolitano (1887). Dopo alcuni cenni sull’autore, del quale non sono noti i dati biografici fondamentali, si presentano le caratteristiche principali dei due repertori: i criteri adottati, il sistema di glossatura, le probabili fonti, la destinazione. Si mettono inoltre a fuoco le differenze tra i due vocabolari, che consistono nella presenza di due indici alfabetici (latino-napoletano e italiano-napoletano) nel Vocabolario botanico napolitano e nella destinazione non solo locale di questo secondo repertorio
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