1,354,324 research outputs found
Consideration about specialty of a poster artist: artist characteristics of Jules Cheret and Toulouse Lautrec and Alfons Mucha
No full textThree poster artists of Jules Cheret, Toulouse Lautrec and Alfons Mucha contributed to formation of "modern poster style" greatly. Therefore I arrange it about a biography and a work of three poster artists of Cheret, Lautrec and Mucha in this study. And I consider properties of a poster artist. I write constitution of this paper next. 〜 Prologue 〜 I Poster prehistory II Jules Cheret III Henri de Toulouse Lautrec IV Alfons Maria Mucha 〜 Epilogue 〜Three poster artists of Jules Cheret, Toulouse Lautrec and Alfons Mucha contributed to formation of "modern poster style" greatly. Therefore I arrange it about a biography and a work of three poster artists of Cheret, Lautrec and Mucha in this study. And I consider properties of a poster artist. I write constitution of this paper next. 〜 Prologue 〜 I Poster prehistory II Jules Cheret III Henri de Toulouse Lautrec IV Alfons Maria Mucha 〜 Epilogue 〜departmental bulletin pape
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Inhibition of the histamine-stimulated adenylate cyclase activity of guinea pig gastric cells by the H2-receptor antagonists cimetidine, oxmetidine and SKF 93479.
No full textThe effect of cimetidine and two new histamine H2-receptor antagonists, oxmetidine and SKF 93479, on histamine-stimulated adenylate cyclase activity was studied in guinea pig gastric mucosal cells. Histamine stimulated the enzyme activity in concentration-dependent fashion. The concentration-response curve of histamine was progressively shifted to the right in the presence of increasing concentrations of each antagonist. The Schild plot gave a straight line for all three compounds, with a slope not significantly different from unity and this suggested a competitive antagonism. The calculated pA2 values were 8.45 +/- 0.20, 7.73 +/- 0.21 and 6.81 +/- 0.15 for SKF 93479, oxmetidine and cimetidine, respectively. These results are in accordance with the pharmacological potencies of the antagonists reported on isolated heart preparation and on gastric secretion in vivo. Therefore, the inhibition of histamine-sensitive adenylate cyclase of gastric cells may represent an additional tool for the in vitro evaluation of the H2-receptor antagonists
Aux Buttes Chaumont: Jouets Objets pour Étrennes
No full textPrint on paper. Large blue text in a bold font appears at the top. Beneath the letters is an image of a wheelbarrow, full of three children and a woman in a red dress, being pulled by a young boy in a yellow and red dotted outfit. Traveling further down the page, in the same blue lettering is the word Jouets (Toys). Beneath that is Onjets pour Étrennes (Objects for Christmas) written in a bold red font. To the right of this text is an image of two children printed in white, black, and red. Both children hold a trumpet and flute, the lower child also holds a doll. At Chaumont Hill: Toys, Objects for Christmas is plate 169 of a collection of prints, entitled Les Maitres de l\u27Affiche (The Masters of the Poster), which was created under the direction of Jules Cheret and printed by the Chaix Print House in Paris, France. The collection consisted of 256 prints in total.https://digital.kenyon.edu/arthistorystudycollection/2677/thumbnail.jp
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
No full textThis work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
The Thursday Murder Club: Launching a megabrand author - a publishing case study
No full textIn 2020, the Christmas book charts in the UK made headlines: Barack Obama’s eagerly awaited autobiography, The Promised Land, was beaten to the top spot by The Thursday Murder Club by Richard Osman, a debut cosy crime novel set in a retirement village. Not only did Osman’s book beat the former US president’s expected bestseller, it also broke records, becoming the fastest-selling debut crime novel of all time. Although Osman has a certain level of fame in the UK from his TV appearances on shows such as Pointless, his celebrity status does not entirely explain the novel’s huge sales. This article tracks the acquisition, publication, and promotion journey of The Thursday Murder Club in order to understand the industry and cultural context of its success and to interrogate the role of celebrity in the creation of author brands. The findings suggest that the unexpected scale of the success of the book owed to a number of factors, including in-depth editing by the novel’s agent, editor, and author to tighten up the plot, an extensive and strategic promotional campaign, the pandemic (which drove interest in the book’s genre and themes), and the quality of the writing. We find that the book’s success was accentuated by Osman’s celebrity status rather than being entirely reliant on it. This research adds to the growing scholarship on celebrity authorship by means of an in-depth case study and provides insight into the processes behind publishing a ‘celebrity’ book and launching a megabrand author
Archaeological reconstruction illustrations: an analysis of the history, development, motivations and current practice of reconstructionil lustration, with recommendations for its future development.
No full textInitially, this study examines how archaeological reconstruction drawing evolved into its present form. Its development within the wider context of social and art history is traced from the 15th to the 201h century, with
particular attention to its various applications, and the motivations for its production. The result is a clearer understanding and definition of the present role and purposes of this branch of illustration. Secondly,the study examines how these purposes are achieved in
contemporary reconstruction artwork. By using an experiment in reconstruction, each component of the process is examined in turn: the design brief,illustrator, illustration and audience. The illustrations produced by the experiment are ranked according to performance, using
the aims of the reconstruction as criteria. Aspects are identified which appear to contribute to good performance,using the information obtained about the illustrations and illustrators. Finally, the results are reviewed as a whole to identify present and possible future trends that may be worth exploring, and to inform a set of proposed guidelines for the commissioning and production of archaeological reconstructions. At present, archaeological reconstruction artwork has received very little academic attention, and there appears to be no formal identification of its aims, agenda or working practice. This study provides the groundwork for rectifying this situation, and supplies new information in several dffferent areas
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