1,733 research outputs found
Recuerdos de Massimo.
No full textEl presente ensayo recuerda la rica relación personal e intelectual entre Massimo Pavarini e Iñaki Rivera Beiras desde que el segundo conoció siendo muy joven a Pavarini. En ese sentido, el trabajo recuerda los inicios de su fecunda relación en la ciudad de Bologna cuando Iñaki Rivera acudía a presentar a Massimo Pavarini los desarrollos de lo que sería su tesis doctoral. Las contribuciones de Pavarini al proceso de aprendizaje de Rivera, en el terreno de una epistemología crítica en la penología contemporánea, son analizados como un homenaje a la memoria y a la obra del autor italiano, tras su fallecimiento en septiembre de 2015.This paper recalls the rich personal and intellectual relationship between Massimo Pavarini and Iñaki Rivera Beiras. In that sense , the work recalls the beginning of his fruitful relationship in the city of Bologna when Iñaki Rivera came to present Massimo Pavarini’ developments in what would be his PhD thesis. Pavarini contributions to the learning process of Rivera, on the ground of a critical epistemology in contemporary penology , are analyzed as a tribute to the memory and to the work of Italian author, after his death in September 2015 .El presente ensayo recuerda la rica relación personal e intelectual entre Massimo Pavarini e Iñaki Rivera Beiras desde que el segundo conoció siendo muy joven a Pavarini. En ese sentido, el trabajo recuerda los inicios de su fecunda relación en la ciudad de Bologna cuando Iñaki Rivera acudía a presentar a Massimo Pavarini los desarrollos de lo que sería su tesis doctoral. Las contribuciones de Pavarini al proceso de aprendizaje de Rivera, en el terreno de una epistemología crítica en la penología contemporánea, son analizados como un homenaje a la memoria y a la obra del autor italiano, tras su fallecimiento en septiembre de 2015
Predoni a casa nostra e il geografo solidale: Massimo Quaini tra terra e acqua
No full textIn accordance with the main goals of this collection of essays in honour of Massimo Quaini, the text focuses on a peculiar character of the Ligurian geographer’s sensibility, his attention to landscape protectionresearch activity developed in the context of the humanistic geography. Starting from a personal narrative based on his own reminiscences and neglected memories, the author tries to shed light on the relationships between civil commitment and cultural reflection which characterize environmental sensitivity, bringing together his interests with Quaini’s emotional geographies. Finally, some of Quaini’s everyday practicalities are highlighted as the easiest doorway to improve the cognitive procedures of cultural geography
Is Felix Salten the author of the Mutzenbacher novel (1906)? Yes and no
No full textJosefine Mutzenbacher oder die Geschichte einer Wienerischen Dirne von ihr selbst erzählt, published in Vienna in 1906, represents one of the most fascinating cases of attribution of authorship in German literature. Although Josefine Mutzenbacher is usually attributed to Felix Salten, the author of the world-famous Bambi (1923), the novel’s authorship has never been confirmed, and many other candidates have been named as potential authors. Among them is Arthur Schnitzler, who published Reigen, a cycle of amorous adventures in Viennese society, in 1903. Some scholars, instead, have attributed the novel to such lesser-known writers as Ernst Klein and Willi Handl. The controversy surrounding the authorship of Josefine Mutzenbacher was the starting point for our stylometric analyses, and our results help to answer some unresolved questions in a debate that has lasted for more than 100 years. The analyses were performed using the R package Stylo, which enables an efficient application of Burrows’ Delta and its variants. Focusing on both the entire text and on the final pages, two different types of analysis were carried out: one combines 1200 different stylometric methods to compare the candidate authors Salten, Schnitzler, Bahr, Altenberg, Hofmannsthal, Klein and Handl; the other verifies the attribution using the ‘impostors’ method. The results show that the most probable author is Felix Salten, while none of the candidates could be identified as the author of the final pages, confirming the hypothesis that the text was left unfinished by Salten and completed by an as-yet-unidentified ghost-writer
Plastid Genotyping Reveals the Uniformity of Cytoplasmic Male Sterile-T Maize Cytoplasms
No full textCytoplasmic male-sterile (CMS) lines in maize (Zea mays) have been classified by their response to specific restorer genes into three categories: cms-C, cms-S, and cms-T. A mitochondrial genome representing each of the CMS cytotypes has been sequenced, and male sterility in the cms-S and cms-T cytotypes is linked to chimeric mitochondrial genes. To identify markers for plastid genotyping, we sequenced the plastid genomes of three fertile maize lines (B37, B73, and A188) and the B37 cms-C, cms-S, and cms-T cytoplasmic substitution lines. We found that the plastid genomes of B37 and B73 lines are identical. Furthermore, the fertile and CMS plastid genomes are conserved, differing only by zero to three single-nucleotide polymorphisms (SNPs) in coding regions and by eight to 22 SNPs and 10 to 21 short insertions/deletions in noncoding regions. To gain insight into the origin and transmission of the cms-T trait, we identified three SNPs unique to the cms-T plastids and tested the three diagnostic SNPs in 27 cms-T lines, representing the HA, I, Q, RS, and T male-sterile cytoplasms. We report that each of the tested 27 cms-T group accessions have the same three diagnostic plastid SNPs, indicating a single origin and maternal cotransmission of the cms-T mitochondria and plastids to the seed progeny. Our data exclude exceptional pollen transmission of organelles or multiple horizontal gene transfer events as the source of the mitochondrial urf13-T (unidentified reading frame encoding 13-kD cms-T protein) gene in the cms-T cytoplasms. Plastid genotyping enables a reassessment of the evolutionary relationships of cytoplasms in cultivated maize.Peer reviewe
A cidade, de Massimo Cacciari
No full textThis review presents a summary of the series of seminars presented by Massimo Cacciari at the Centro Sant´Apollinare de Fiesole, transcribed and edited by Tonino Rasuto. The work, entitled The city, brings reflections on what the author understands as the origin of urban configurations, more precisely what he classifies as the post-metropolis, the city-territory, which has its formation linked to the principles of Greek polis and of the Roman civitas. Finally, the author defines the potential of place and the geography of events, based on a methodological path of understanding the phenomena that were able to reframe the meaning of the city for the human being.Apresenta-se nesta resenha, uma síntese da série de seminários apresentados por Massimo Cacciari no Centro Sant´Apollinare de Fiesole, transcrita e editada por Tonino Rasuto. A obra, de título A cidade, traz reflexões acerca do que o autor entende como a origem das configurações urbanas, mais precisamente o que classifica como a pós-metrópole, a cidade-território, que tem sua formação ligada aos princípios da pólis grega e da civitas romana. Por fim, o autor define o potencial de lugar e da geografia de acontecimentos, a partir de um caminho metodológico de entendimentos dos fenômenos que foram capazes de ressignificar o sentido de cidade para o ser humano
Calcolo di stabilità della cupola del Teatro massimo di Palermo /
No full textMode of access: Internet.Bound in original printed wrappers; inscribed to G. Pini by the author on front wrapper
Odeporica by Massimo Bontempelli
No full textL‘opera si basa sull‘autore Massimo Bontempelli e sulla sua opera Stato di grazia. Date le particolarità che sono state fornite, è stato di grande importanza prestare attenzione al lavoro. L‘autore si distingue per il suo modo di scrivere che, durante il periodo in cui è stato creato, si distingue dagli altri. Pertanto, all'inizio del documento, vengono fornite informazioni di base sull‘autore, sulla sua vita, sulle opere scritte e sulle fasi che ha attraversato fino a raggiungere la fine. Dopo che sono state fornite le informazioni sull‘autore si focalizza sulla letteratura di viaggio in generale per procedere alle caratteristiche dell‘opera bontempelliana appartenente all‘odeporica. La seconda parte della tesi si concentra sull‘opera Stato di grazia e mette in evidenzia i procedimenti narrativi tipici per tutta la produzione letteraria di Massimo Bontempelli. Nella terza parte si interpretano e si mettono in paragone diversi punti di vista presenti in tre capitoli: Italia, Europa e l‘America. Vengono inoltre evidenziate le caratteristiche della letteratura di viaggio nonché alcune peculiarità della poetica bontempelliana.U radu se analizira djelo Stato di grazia talijanskog autora Massima Bontempellija. Autor je to koji u povijesti europske književnosti ostaje zapamćen kao tvorac poetike magičnog realizma. Prvi dio rada donosi prikaz autorove biografije i književnog sazrijevanja podijeljenog u nekoliko faza. Kako navedeno djelo pripada putopisnoj književnosti, jedno je poglavlje posvećeno pokušaju definiranja osnovnih karakteristika putopisne književnosti. Slijedi poglavlje u kojem se polazeći od sadržaja analiziraju pripovjedni postupci koje Bontempelli primjenjuje u navedenom putopisu. U radu se naposlijetku nakon iscrpne interpretacije i usporedbe sličnosti i razlika vidljivih u tri poglavlja naslovljena Italija, Europa i Južna Amerika, upućuje na sve specifičnosti Bontempellijeve putopisne poetike.The paper analyzes the work Stato di grazia by the italian author Massimo Bontempelli. He is an author who is remembered in the history of European literature as the creator of the poetics of the magical realism. The first part of the paper presentrs the author‘s biography and literary maturation divided into several phases. As the mentioned work belongs to travel literature, one chapter is dedicated to the attempt to define the basic characteristics of travel literature. The following is a chapter in which, based on the content, the narrrative procedures that Bontempelli applies in the above travelogue are analyzed. Finally, after an exhaustive interpretation and comparison of the similarities and differences visible in the three chapters entitled Italy, Europe and South America, the paper refers to all the specifics of Bontempelli‘s travel poetics
Industrial Heritage and UNESCO by Massimo Preite
No full textIn Paesaggi industriali e Patrimonio Unesco (Industrial Landscapes and Heritage of UNESCO) Massimo Preite delineates a general frame concerning the nature of industrial landscapes in Italy and in Europe. He also illustrates the presence and the role of this kind of heritage in UNESCO’s categories. The Italian title involves the definition of the industrial landscape. Over the last twenty years the author, a member of the board of TICCIH, AIPAI and ERIH, has paid attention to the regeneration phenomena in Italy and across Europe. The volume, which follows the essay “Toward the Industrial Heritage”, offers a critical review of the interventions of regeneration and valorization of the last 30 years
Variazioni di mondo. Esercizi di stile seriale nel telefilm contemporaneo
No full textThe link between standardization and variation is that of the fundamental functioning mechanisms of serials.
Analyzing the historical development of American TV series, we can notice how it finds a codified and steady balance in the forms of series (drama and comedy) and of serial (soap opera and prime – time soap). This concretely results in the building of a recurrent world, immediately recognizable, characterized by representative and narrative constants. The advent of new text forms, such as the serialized series, linked to the second golden age, and become a mainstream in the last decade, brings forth the use of variation as a tool for a deeper and very close communication relation between implicit author and model spectator. The essay hypotheses that the most frequent form of variation in contemporary American serial TV could be defined “world variation”: a highly reflexive style exercise, made on the momentarily transformation of the diegetic universe of the series. The essay hypotheses therefore a first attempt of “world variation” typology, starting from some special episodes from contemporary series: Buffy, Lost, The Simpson, Scrubs, indicating some more research paths in the text analysis, but also in the study of production (the emerging figure of the author – creator as origin/source of the “world variation”) and consumption (the fandom audience as privileged addressee of the style exercises linked to the variations
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