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    Goethes Faust : The First Part / Edited By Calvin Thomas ...

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    GOETHES FAUST : THE FIRST PART / EDITED BY CALVIN THOMAS ... Goethes Faust : The First Part / Edited By Calvin Thomas ... Goethes Faust : The First Part / Edited By Calvin Thomas ... ; Vol. 1 (Vol. 1) (1) Goethes Faust : The Second Part / Edited By Calvin Thomas ... ; Vol. 2 (Vol. 2) (1

    Goethes Faust : The Second Part / Edited By Calvin Thomas ... ; Vol. 2

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    GOETHES FAUST : THE SECOND PART / EDITED BY CALVIN THOMAS ... ; VOL. 2 Goethes Faust : The First Part / Edited By Calvin Thomas ... (-) Goethes Faust : The Second Part / Edited By Calvin Thomas ... ; Vol. 2 (Vol. 2) (1) Cover (1) Exlibris (2) Titelseite (3) Preface (5) Introduction (9) Der Tragödie Zweiter Theil in fünf Acten (81) Erster Act (83) Zweiter Act (171) Dritter Act (258) Vierter Act (326) Fünfter Act (371) Notes (423) Verlagsanzeigen (543

    Goethes Faust : The First Part / Edited By Calvin Thomas ... ; Vol. 1

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    GOETHES FAUST : THE FIRST PART / EDITED BY CALVIN THOMAS ... ; VOL. 1 Goethes Faust : The First Part / Edited By Calvin Thomas ... (-) Goethes Faust : The First Part / Edited By Calvin Thomas ... ; Vol. 1 (Vol. 1) (1) Cover (1) Exlibris (2) Titelseite (3) Preface (5) Introduction. I. - VI. (9) Zueignung (87) Vorspiel auf dem Theater (89) Prolog im Himmel (97) Der Tragödie Erster Theil. (103) Nacht (105) Vor dem Thor (123) Studirzimmer (139) Auerbachs Keller in Leipzig (176) Hexenküche (192) Straße (206) Abend (210) Spaziergang (216) Der Nachbarin Haus (219) Straße (228) Garten (231) Ein Gartenhäuschen (239) Wald und Höhle (241) Gretchens Stube (248) Marthens Garten (250) Am Brunnen (257) Zwinger (260) Nacht (262) Dom (270) Walpurgisnacht (273) Walpurgisnachtstraum oder Oberon's ... Intermezzo (291) Trüber Tag. Feld (300) Nacht. Offen Feld (303) Kerker (304) Notes (315) Appendixes (421) Verlagsanzeigen (439

    [Curtis King and Calvin Thomas at the Black Leadership breakfast]

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    Photograph of Curtis King (left) and Calvin Thomas (right) at the Roundtable Writer's Breakfast, "Black Leadership," hosted by the Black Academy of Arts and Letters. This image is a still taken from the video recording of the event. They are sitting side by side at a dining table. King is grabbing Thomas' right arm and looking over at him. Thomas is looking down to the left of the camera, biting his bottom lip and interlocking his fingers over the table. A name card has been placed on the table in front of each of them

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Calvin Thomas Djombe, La fabrique des mauvaises filles. La cité et la construction de la « féminité déviante »

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    International audienceet guide d'action à l'attention des travailleurs sociaux, La fabrique des mauvaises filles propose une réflexion sur l'étiquetage des jeunes filles des cités et ses conséquences sur leur intégration sociale. En s'appuyant sur son expérience d'éducateur dans les cités et sur la lecture d'écrits pluridisciplinaires, Calvin Thomas Djombe souhaite participer aux débats sur l'éducation des jeunes filles et démontrer que la cité et les codes de vie qui y règnent, en tant qu'ils sont dominés par le masculin, ont des conséquences négatives directes sur leur développement et leur comportement. Leur « féminité » devient en effet la cause de stigmatisations et de contraintes multiples au sein de leur famille et de la « cité »
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