1,720,955 research outputs found
La luna antes de Lorca: herencia y diacronía del símbolo selénico en la tradición poética
No full textEven though the moon has always been a common space in literary history, there has been no author to describe it as Federico García Lorca. In his moon rest ambitious semantics, which can be explained as a result of an instinctive assimilation of precedent poetry. Each segment that converges on the symbol was configured in conversation with a moon that has been building itself for centuries in the literary world. Especially after the overcoming of the classical way of thinking. Therefore, through the treatment of authors from different geographies and Movements, the strange moon of Lorca can find a solid meaning.Si bien la luna fue siempre un espacio común en la historia literaria, no hubo autor que la tratase con la misma insistencia que Federico García Lorca. En el interior de la suya quedó una semántica ambiciosa y de compleja categorización, que puede ser explicada como el resultado de una asimilación instintiva de la lírica precedente: cada segmento que confluye en el símbolo se configuró en diálogo con la luna que durante siglos fue edificando la literatura; especialmente tras la superación de los moldes del pensamiento clásico. A través del tratamiento de autores que aportaron una significación relevante, en distintas corrientes y puntos geográficos, la luna de extraña codificación que trascendió en Lorca encuentra un sentido firme
The moon before Lorca: heritage and diachrony of the selenic symbol in the poetic tradition
Full text linkSi bien la luna fue siempre un espacio común en la historia literaria, no hubo autor que la tratase con la misma insistencia que Federico García Lorca. En el interior de la suya quedó una semántica ambiciosa y de compleja categorización, que puede ser explicada como el resultado de una asimilación instintiva de la lírica precedente: cada segmento que confluye en el símbolo se configuró en diálogo con la luna que durante siglos fue edificando la literatura; especialmente tras la superación de los moldes del pensamiento clásico. A través del tratamiento de autores que aportaron una significación relevante, en distintas corrientes y puntos geográficos, la luna de extraña codificación que trascendió en Lorca encuentra un sentido firme.Even though the moon has always been a common space in literary history, there has been no author to describe it as Federico García Lorca. In his moon rest ambitious semantics, which can be explained as a result of an instinctive assimilation of precedent poetry. Each segment that converges on the symbol was configured in conversation with a moon that has been building itself for centuries in the literary world. Especially after the overcoming of the classical way of thinking. Therefore, through the treatment of authors from different geographies and Movements, the strange moon of Lorca can find a solid meaning
De la alteridad, el mito y el vacío: la imaginería de Julia Uceda como principio de búsqueda ontológica
Full text linkJulia Uceda’s poetry reveals the same expressive responses to the metaphysical doubt that generates them. Despite the changes she faces throughout her personal growth and a life determined by the loss of geographical spaces and cultures, Julia Uceda creates a common language decisive in all her works. The need to know oneself, how the world is structured and what one’s experience in it means brings about an immutable imaginery which intends to condemn or provide coherence to what may be impossible to answer. Furthermore, said language can be contained in three concrete expressions: emptiness, otherness and the need to unleash the myths that invalidate the self with regards Being.La producción poética de Julia Uceda revela unas mismas respuestas expresivas para la duda metafísica que la genera. A pesar de los cambios que afronta durante su crecimiento personal y una vida determinada por la pérdida de espacios y culturas, Julia Uceda vertebra un lenguaje común que es decisivo en cada una de sus obras. La necesidad de conocer en el poema quién se es, cómo se estructura el mundo y qué significa su experiencia en él da lugar a una imaginería estable que pretende denunciar o dar coherencia a lo que quizá no pueda obtener una respuesta. Dicho lenguaje, además, puede ser contenido y articulado en tres expresiones concretas: el vacío, la alteridad y la necesidad de desbocar los mitos que falsifican al yo en cuanto a ser
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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