6,471 research outputs found
Opere del conte Algarotti.
No full textIncludes index in vol. 7.Added t.p. in vol. 1, engraved by Giuseppe Patrini. Engraved portrait medallion of the author on t.p. in vol. 1, small woodcut title-vignettes on title pages in vol. 2-10.Mode of access: Internet
Closing high-level address [by Giuseppe Conte, Prime Minister, Italy, at SOU2020 special online edition]
No full textThis contribution was delivered online on 8 May 2020 on the occasion of the EUI State of the Union dedicated to 'Europe: managing the COVID-19 crisis'.This closing high-level address by Giuseppe Conte, Prime Minister, Italy, was delivered online on 8 May 2020 on the occasion of the EUI State of the Union dedicated to 'Europe: managing the COVID-19 crisis'
Nuove modalità della scultura nella seconda metà degli anni Sessanta (parte I)
No full textIl numero nasce come un cantiere sul rinnovamento della scultura nella seconda metà degli anni Sessanta, prendendo in esame ricerche d'arte processuale e poverista.
Un incipit della sezione raccoglie una serie di interviste a Giovanni Anselmo (a cura di Maddalena Disch), Giuseppe Penone e Gilberto Zorio (a curda di Lara Conte); segue un’antologia di scritti (comprendenti inediti di Gilardi, testi di Tommaso Trini e riflessioni degli artisti intervistati). Il progetto si conclude con alcuni approfondimenti critici: il primo è incentrato sulla relazione opera-spazio, e affidato ad Irene Cavarero, che pubblica un saggio sulla realtà torinese del Deposito D’arte Presente; il secondo ricostruisce le dinamiche dei contatti internazionali così com’esse si leggono in particolare attraverso l’azione tempestiva di Gilardi (Lara Conte). Infine viene pubblicata un’analisi delle due principali mostre di fine decennio, When Attitudes Become Form, curata da Harald Szeemann alla Kunsthalle di Berna, e Op Losse Schroeven, curata da Wim Beeren allo Stedelijk di Amsterdam; eventi espositivi che sono stati ricostruiti attraverso la ricognizione della documentazione d’archivio conservata presso le due istituzioni mussali (Lara Conte
Sinfonia Del Sigr. Maes. Giuseppe Nicolini Nell' Opera L'Ira D'Achille. Ridotta per Forte-Piano / Dal Sigr. Pietro Piazzo Dedicata dall' Editore Al Sigr. Conte Bernardino Beretta d'Udine
No full textSINFONIA DEL SIGR. MAES. GIUSEPPE NICOLINI NELL' OPERA L'IRA D'ACHILLE. RIDOTTA PER FORTE-PIANO / DAL SIGR. PIETRO PIAZZO DEDICATA DALL' EDITORE AL SIGR. CONTE BERNARDINO BERETTA D'UDINE
Sinfonia Del Sigr. Maes. Giuseppe Nicolini Nell' Opera L'Ira D'Achille. Ridotta per Forte-Piano / Dal Sigr. Pietro Piazzo Dedicata dall' Editore Al Sigr. Conte Bernardino Beretta d'Udine (1)
Titelseite (1)
Catalogo della musica stampata ... (2)
Noten (3
Giuseppe Maria Soli in palazzo Barberini a Roma
No full textThe inventory of goods owned by Prince Giulio Cesare Colonna di Sciarra, who had married Cornelia Costanza Barberini in 1728, contains a reference to Giuseppe Maria Soli as the author of a canvas in the alcove of the second-floor apartment in the Palazzo Barberini in Rome. This makes it possible to reconstruct Soli’s hitherto unpublished activity there, and he is credited with the authorship of the six canvases in the salone of the apartment and the decoration of the gabinetto dei ritratti. Bearing in mind that Soli was in Rome between 1770 and 1784, and that scholarship indicates that work on the palazzo was completed by 1770, a new chronology is put forward – the 1770s – thus also providing a context for the precocious taste in Neoclassicism which has been recognised here, precisely in the decoration of the gabinetto
L’universo poetico di Giuseppe Conte
No full textL'objet principal de notre recherche est l'œuvre poétique de Giuseppe Conte. Toute sa production poétique, bien que différenciée, révèle une continuité dans la recherche stylistique et la philosophie de l'existence. Les recueils de poésie de Conte sont une tentative d'exprimer sous forme artistique sa vision personnelle de la littérature, du monde, de la société, de l'homme et des différentes cultures. Notre étude explore une poétique qui exprime la relation de Conte avec les poètes et les écrivains du passé et du présent. Pour Conte, la poésie est nécessaire et fondamentale pour la civilisation contemporaine, elle est un aliment essentiel de l'imagination et de l'âme humaine, elle doit être comprise comme fondamentale pour la renaissance esthétique, morale et économique du monde. Dans notre étude, nous analysons d'abord l'éloignement de Conte de la néo-avant-garde : il s'est toujours considéré comme un «étranger» par rapport aux mouvements artistiques et littéraires des XXe et XXIe siècles. Sa conception du mythe et de la nature comme antidote au matérialisme de la société occidentale l'a conduit à être l'un des fondateurs du «Mythomodernisme». Nous nous interrogeons sur les raisons qui ont poussé le poète à s'intéresser aux civilisations non-européennes disparues et examinons sa réinterprétation des mythes classiques. Nous étudions le rôle que Conte attribue à la poésie dans le rapprochement entre les cultures occidentale et orientale ; nous analysons également l'influence de la «culture» et du paysage ligurien sur Conte. Enfin, nous nous concentrons sur les valeurs du langage, en particulier la valeur expressive de la métaphore (sur laquelle Conte a écrit des essais fondamentaux), sur la forme poétique et l'analyse du langage. Les techniques utilisées par Conte permettent à la poésie de devenir le porteur d'une nouvelle énergie et d'une œuvre de civilisation renouvelée.The main object of our research is the poetic work of Giuseppe Conte. His entire poetic production, although differentiated, reveals a continuity in stylistic research and philosophy of existence. Conte's poetry collections are an attempt to express in artistic form his personal vision of literature, the world, society, man and different cultures. Our study explores a poetics that expresses Conte's relationship with poets and writers of the past and present. For Conte, poetry is necessary and fundamental to contemporary civilisation, it is an essential nourishment of the human imagination and soul, it must be understood as fundamental to the aesthetic, moral and economic rebirth of the world. In our study, we first analyse Conte's distance from the neo-avant-garde : he has always considered himself an «outsider» in relation to the artistic and literary movements of the 20th and 21st centuries. His conception of myth and nature as an antidote to the materialism of Western society led him to be one of the founders of «Mythomodernism». We ask why the poet was interested in lost non-European civilizations and examine his reinterpretation of classical myths. We study the role that Conte attributes to poetry in bringing together Western and Eastern cultures ; we also analyse the influence of Ligurian «culture» and landscape on Conte. Finally, we focus on the values of language, in particular the expressive value of metaphor (on which Conte wrote fundamental essays), on poetic form and the analysis of language. The techniques used by Conte allow poetry to become the bearer of a new energy and a renewed work of civilisation
Il PCI come passione e come professione. Giuseppe Amarante funzionario e dirigente di partito
No full textThe political language of Giuseppe Conte. Linguistic analysis of the speeches given by the Italian Prime Minister Giuseppe Conte (01/06/2018 - 13/02/2021)
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