1,720,981 research outputs found
Frammenti di un nuovo paesaggio urbano. Il cinema per cercare l'anima delle città e per sostenere nuove politiche urbane
No full textSi tratta di un cortometraggio di 12 minuti girato a Serravalle Scrivia AL, Bergamo, Camerano AN. Soggetto e testi di Sergi G., montaggio di Catalani R. e Ferretti R
Città storiche & turismo nell'Italia Centrale. Il cinema per cercare l'anima delle città e per sostenere nuove politiche urbane
No full textDocumenta un seminario organizzato a Corinaldo AN nel settembre 2006 da G.Sergi e da C.Aslan dell'EAPLV Parig
Il ruolo del monachesimo benedettino nel platonismo cristiano del Rinascimento
No full textBeginning with an examination of some of the most recent directions of research within the humanistic-renaissance philosophical culture, this study examines two terms that shaped the entire civilization of the Italian Renaissance. These terms reveal not only the integration of some monastic circles in the process of humanistic renewal, but also the strong demand observed within them to construct a specifically Christian humanism: the theme of constructing a ‘Christian Plato’ and the theme of dignitas hominis. In the case of interpreting the platonic tradition in a key of prefiguring Christianity, a decisive role is a assumed by the Vitae philosophorum of Diogenes Laertius, completed in 1433 by the Camaldolese monk, Ambrogio Traversari. Very important, regarding the development of a Christian view of the typical renaissance theme of the dignity of man, is the contribution of the monk of the Abbey of Monte Oliveto, Antonio da Barga
Effects of pyridoxine-pyrrolidone-carboxylate on hepatic adenosine triphosphate levels in rats.
No full textInduction of phosphoribomutase in Bacillus cereus growing on nucleosides
No full textIn this paper we show that phosphoribomutase is induced in Bacillus cereus by the same metabolizable purine and pyrimidine ribonucleosides previously shown to induce the purine nucleoside phosphorylase (Tozzi, M.G., Sgarrella, F. and Ipata, P.L. (1981) Biochim. Biophys. Acta 678, 460–466). The mutase allows ribose 1-phosphate formed from nucleosides to be utilized by the cell through the pentose cycle, upon transformation to ribose 5-phosphate. The equilibrium constant of the mutase reaction is towards ribose-5-phosphate formation. The coordinate induction of the two enzymes completes the picture of the molecular events leading to the utilization of the sugar moiety of purine nucleosides and nucleosides as an energy source (Mura, U., Sgarrella, F. and Ipata, P.L. (1978) J. Biol. Chem. 253, 7905–7909)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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