1,721,216 research outputs found
Objets discursifs et doxa. Essai de sémantique discursive, Julien Longhi, L’Harmattan (321 pages) Auteur(s): Calabrese, Laura Date de publication: 2009: Compte rendu
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La casta y los progres: categorización social de la amenaza en la argentina libertaria
No full textEste artículo tiene como objetivo estudiar algunas de las denominaciones empleadas en el discurso libertario para recortar un adversario, que instaura nuevos criterios de demarcación con respecto a las divisiones políticas tradicionales. Se trata de los lexemas casta y progresista, así como de sus derivados (progre, progresía), que designan a los principales antagonistas en el imaginario del libertarismo. Estos conceptos políticos forman parte de un abanico léxico más amplio, que en muchos casos tiene naturaleza transnacional. Desde la perspectiva de la lexicología política y el análisis del discurso, exploramos la trayectoria de esos conceptos políticos, su circulación internacional y nacional, sus usos contemporáneos y su consolidación como fórmula discursiva.The goal of this article is to study some of the
denominations used in libertarian discourse in
order to construct an adversary, establishing new
demarcation criteria regarding the traditional
political divisions. We deal with the concepts
of casta and progresista and their derivatives
(progre, progresía), which refer to the main
antagonists in the imaginary of libertarianism.
These political concepts are part of a wider
transnational lexicon. From the perspective of
political lexicology and discourse analysis, we
explore the trajectory of these political concepts,
their international and national circulation, their
contemporary uses and their consolidation as a
discursive formula.Fil: Calabrese, Laura. Université Libre de Bruxelles; Bélgica.Fil: Montero, Sol. Consejo Nacional de Investigaciones Científicas y Técnicas. Universidad Nacional de San Martín; Argentina
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Erythema annulare centrifugum as clinical manifestation of-eosinophilic granulomatosis with polyangiitis
No full text
Successful treatment of pyoderma gangrenosum with composite grafting of acellular dermal matrix and glycerolized skin: a preliminary experience
Full text linkVariations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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