1,538 research outputs found
Galera das antigas: a reconfiguração recente do funk carioca
No full textA presente pesquisa tem como objetivo analisar a reconfiguração recente do funk,
notadamente nos anos 2000, considerando as desigualdades territoriais e a história da
cultura popular no Rio de Janeiro. Uma das principais manifestações dessa
reconfiguração são os encontros das “galeras funk” ou “funk das antigas”, organizados
por funkeiros da geração dos anos 1990 e que buscam dotar de novos sentidos o funk
contemporâneo. A hipótese é que o movimento cultural do “funk da galera” se constitui
a partir de três eixos principais: a) da (re)apropriação do passado do funk, especificamente
dos anos 1990; b) da articulação entre organização das “resenhas” (encontros das “galeras
funk”), localização territorial e poder público; e, por fim, c) representações sobre
vertentes contemporâneas do funk, das quais a “galera funk” deseja se afastar ou sobre as
quais têm críticas. Para tanto, propomos a reconstituição desde os anos 1990 do
movimento funk carioca e como atualmente a “galera funk” apresenta seus encontros
como espécie de resgate ou renascimento do “funk das antigas”. Utilizando-se de técnicas
qualitativas, como entrevistas e observação participante, a pesquisa buscará acompanhar
como os integrantes das “galeras funk” se apropriam de certas experiências pretéritas
vividas como funkeiros, bem como as motivações e as relações com diferentes grupos e
instâncias do poder público que viabilizam a principal manifestação do funk das antigas,
as “resenhas”.The present research aims to analyze the recent reconfiguration of funk, especially in the
2000s, considering territorial inequalities and the history of popular culture in Rio de
Janeiro. One of the main manifestations of this reconfiguration is the gatherings of "funk
galeras" or "old-school funk," organized by funk artists from the 1990s who seek to imbue
contemporary funk with new meanings. My hypothesis is that the cultural movement of
"galera funk" is based on three main axes: a) the (re)appropriation of the funk's past,
specifically from the 1990s; b) the articulation between the organization of "resenhas"
(gatherings of "galera funk"), territorial location, and public authority; and finally, c)
representations of contemporary funk genres, from which the "galera funk" wishes to
distance itself or about which they have criticisms. To do this, we propose to reconstruct
the Rio de Janeiro funk movement since the 1990s and examine how currently the "galera
funk" presents their gatherings as a kind of rescue or rebirth of "old-school funk." Using
qualitative techniques such as interviews and participant observation, the research will
seek to understand how members of "galera funk" appropriate certain past experiences
lived as funk artists, as well as their motivations and relationships with different groups
and instances of public authority that enable the main expression of old-school funk, the
"resenhas" (gatherings).112 p
El Túmulo 20 de la necrópolis Ibérica de Tútugi (Galera, Granada)
No full textHere the results from the excavation of Tumulus 20 of the Iberian Necropolis of Tútugi are presented. This tumulus was robbed in 1916, but the materials were recovered and published by Cabré and Motos in 1920. Among the artefacts was the Dama de Galera (Lady of Galera). The excavation has uncovered a structural complex with two phases of construction. The first phase consists of a quadrangular chamber with an access passageway, both carved into the rock, and with a central pillar of adobe that possibly supported a ceiling. In the second phase, the chamber was filled in with rocks and earth, and the rock was cut to form a circular platform of 13 m in diameter, which was painted red. In the centre of this platform a quadrangular space serving as an entrance corridor was constructed as a projection of the underground structures. This building in the open air was framed within an Cypriot-ingot-shaped platform painted in white.Se presentan aquí los resultados obtenidos de la excavación del Túmulo 20 de la Necrópolis ibérica de Tútugi. Este túmulo fue saqueado en 1916 y los materiales fueron recuperados y publicados por Cabré y Motos en 1920, entre ellos se encontraba la Dama de Galera. La excavación ha puesto al descubierto un complejo estructural con dos fases constructivas. La primera fase consta de una cámara cuadrangular con pasillo de acceso, ambos excavados en la roca, y con un pilar central de adobe que posiblemente sostenía el techo. En una segunda fase la cámara es rellenada por piedras y tierra y se recortaría la roca para conformar una plataforma circular de 13 m de diámetro que es pintada de rojo. En el centro de esta plataforma se construye, como proyección de las estructuras subterráneas, un espacio cuadrangular con corredor de entrada. Este edificio al aire libre queda enmarcado dentro de la plataforma por la forma del lingote chipriota pintado en blanco
A CONTEMPORANEIDADE EM MÃOS DE CAVALO, DE DANIEL GALERA - THE CONTEMPORANEITY IN MÃOS DE CAVALO, OF DANIEL GALERA
No full textResumo O presente trabalho pretende fazer uma análise crítica da obra Mãosde Cavalo, de Daniel Galera, autor que, atualmente, configura entre osexpoentes da literatura brasileira contemporânea. Nesse trabalho serãodestacados pontos relevantes na obra do autor como um todo a fim deapresentar a importância literária do romance escolhido para análise. Paratanto, serão utilizadas duas obras como norteadoras das reflexões literáriasda contemporaneidade no Brasil: Contemporâneos, de Beatriz Rezende eFicção brasileira contemporânea, de Karl Erik Schollhammer.Palavras-chave Literatura contemporânea. Vida. Mãos de Cavalo. DanielGalera.Abstract This work intends to make a critical analysis of the work of Mãosde Cavalo by Daniel Galley, author who currently recognized as one of thecontemporary Brazilian literature exponents. This work willhighlight relevant points in the author\u27s work as a whole in order topresent the importance of the literary novel chosen for analysis. For this,we used two guiding Works as reflections of contemporary literature inBrazil: Contemporâneos, by Beatrice Rezende and Literatura brasileiracontemporânea, by Karl Erik Schollhammer.Keywords: Contemporary literature. Life. Mãos de Cavalo. Daniel Galera
From constructive practice to masonry literature: the vaulted passages in the presbitery of the Granada Cathedral
No full text[EN] Studies about the Cathedral of Granada frequently emphasize the diaphanous opening of the presbytery to the ambulatory through seven vaulted passages. From the constructive point of view, these elements present interesting features, such as the splaying, the contrast between the planar arch in the ambulatory and the concave side in the main chapel, and the asymmetry of the extreme passages, caused by the complex articulation between nave, ambulatory and presbitery. In addition, these vaults are among the first pieces executed in Spain using the construction technique called “bóvedas por cruceros”, which is based on a network of ribs that supports severies. This study presents a detailed survey of these vaults, an analysis of their geometric and stereotomic characteristics, and a commentary on the diffuse influence of these pieces in later literature.[ES] Los estudios sobre la catedral de Granada destacan con frecuencia la diáfana apertura del presbiterio a la girola mediante siete pasos abovedados. Desde el punto de vista constructivo, estos elementos presentan rasgos de interés, como el abocinamiento, el contraste entre la testa plana que da a la girola y la embocadura cóncava que mira a la capilla mayor, así como la asimetría de las piezas extremas de la serie, motivada por la compleja articulación entre naves, girola y capilla mayor. Además, estas bóvedas están entre las primeras piezas ejecutadas en España mediante la técnica de construcción “por cruceros” basada en una red de nervios sobre la que apoya una plementería. El presente trabajo presenta un levantamiento detallado de estas bóvedas, un análisis de sus características geométricas y estereotómicas, y un comentario sobre los ecos difusos de estas piezas en la literatura posterior.Salcedo Galera, M.; Calvo Lopez, J. (2018). De la práctica constructiva a los textos de cantería: los pasos abovedados en la cabecera de la catedral de Granada. EGA. Revista de Expresión Gráfica Arquitectónica. 23(32):154-163. https://doi.org/10.4995/ega.2018.9808SWORD1541632332Calvo López, J. 1999. «Cerramientos y trazas de montea» de Ginés Martínez de Aranda. Tesis doctoral. Madrid: Universidad Politécnica de Madrid.López Mozo, A. (2011). Ovals for Any Given Proportion in Architecture: A Layout Possibly Known in the Sixteenth Century. Nexus Network Journal, 13(3), 569-597. doi:10.1007/s00004-011-0083-3Rosenthal, E.E. 1961. The Cathedral of Granada. Princeton: Princeton University Press.Ruiz elJoven, H. [c. 1550] 1998. Libro de Arquitectura. Madrid: Ed. Facsímil, Sevillana de Electricida
Implications of sepiolite dehydration for earthquake nucleation in the Galera Fault Zone: A thermodynamic approach
No full textA new thermodynamic model for the Mg-phyllosilicate sepiolite was developed and used to calculate its P-T stability conditions and water content for different bulk rock compositions. The standard-state thermodynamic properties, entropy (S°) and enthalpy (H°), were initially estimated by oxide summation taking into account the different entropic and enthalpic contributions of the three types of water in sepiolite: zeolitic water, bound water, and structural OH groups. The starting model was then refined with experimental data. The dehydration process follows a step function that allowed us to define “end-members” with decreasing hydration states in a theoretical solid solution. The stability field of sepiolite is ultimately limited by the reaction sepiolite = talc + quartz + H2O, which is located at about 325 °C at 1–500 MPa. The large thermodynamic stability field of this clay mineral suggests that it could control the mechanical behaviour of crustal faults to 325 °C. The refined model was then applied to the natural case of the Galera Fault Zone (SE Spain) using thermogravimetric analysis and X-ray fluorescence data of the bulk rock composition of the fault core gouge, which is mainly composed of sepiolite. The dehydration of sepiolite at T 2O; a reaction that also involves a reduction of around 31% of the original solid volume. These significant hydration and volume changes of sepiolite can have important implications on the strength and mechanical stability of the Galera Fault and other sepiolite-bearing gouges. We compare triaxial friction experiments on the natural sepiolite-rich gouge with a synthetic gouge to estimate strength changes on the gouge with depth. The synthetic gouge represents the breakdown association above 325 °C, and was constructed following the mineral phases predicted by the thermodynamic model (93 wt% talc and 7 wt% quartz). The contrasting frictional strength and mechanical stability of sepiolite in comparison to talc could be one of the causes of fault instability and earthquake nucleation seen to be concentrated in the upper 13 km of the Galera Fault
Feeding patterns and electivity of Salmacis sphaeroides Linn. in Sandbar, Puerto Galera, Oriental Mindoro, Philippines
No full textMorphometric relationships, feeding pattern and food preferences were determined for 5almecis ,phaeroides Linn. collected from the seagrass bed at Sandbar, Puerto Galera, Oriental Mindoro. Highest correlation was observed between test diameter and body weight. Feeding was high during nighttime and low during daytime. 5.sphaeroides. primarily graze on seagrasses but feed actively on foraminiferans at night. Preference for Helodule was high over the other plant species (CymodoceA \u3e Enhalus \u3e Halophila \u3e Padina \u3e Syrinoodium) based on electivity values
sj-xlsx-1-qjp-10.1177_17470218221125216 – Supplemental material for Attentional load effects on emotional content in face working memory
No full textSupplemental material, sj-xlsx-1-qjp-10.1177_17470218221125216 for Attentional load effects on emotional content in face working memory by Livia Valenti, Isabella Wada Pucci, Ricardo Basso Garcia, Margaret C Jackson and Cesar Galera in Quarterly Journal of Experimental Psychology</p
Un escifo del grupo del cisne procedente de la necrópolis de Galera (Granada)
No full text7 páginas, 1 imagen, 1 lámina.Damos a conocer en esta nota un pequeño escifo inédito encontrado entre los antiguos fondos de la necrópolis ibérica de Galera que conserva el Museo Arqueológico Nacional. Revisando los materiales griegos de Galera y de Toya, encontramos varios fragmentos dispersos d eeste escifo con las bolsas que contenían grandes cantidades de cerámica ática del primero de estos yacimientos. Nos llamó en seguida la atención lo insólito de este escifo dentro del contexto global de las importaciones griegas, donde predominia la cerámica ática del siglo IV a. C. En este contexto -para quitar dudas de su procedencia- se han hallado fragmentos que pertenecen a una pélice de figuras rojas de la Tumba 31. Además, otros fragmentos de la bolsa llevan escritos a tinta la palabra Galera.Peer reviewe
- …
