18,330 research outputs found

    "Dario Fo, l'attore plurale"

    No full text
    Il saggio approfondisce la complessa personalità artistica di Dario Fo, come comico militante e come attore-autore capace di incorporare tutti i codici dello spettacolo, nel filone affabulatorio (a partire da "Mistero buffo"); dopo averne sperimentato, nelle commedie degli anni Sessanta, alcuni stilemi caratteristici: il rapporto polimorfo con gli oggetti, la camminata, il "primo piano", la pluralità vocale, che dalla base dialettale padano-veneta, approda al grammelot

    The symbols in the poetry of ruben dario

    No full text
    碩士本論文主要分為三個章節,第一章,何為象徵符號?本章節主要藉由象徵理論學家,威爾伯 (Wilbur Marshall Urban)、弗萊(Northrop Frye)、托多羅夫(Tzvetan Todorov)、賽洛特(Juan-Eduardo Cirlot)以及其他學者的相關文獻解釋象徵符號的定義以及象徵符號在文學作品中的定義。 第二章針對達里歐的生平、作品以及達里歐在現實主義時期的重要性為論述重點。筆者根據達里歐的生平以及生長年代來了解他的作品特色,達里歐一生多采多姿,尤其感情方面更為豐富,這些人生際遇皆影響達里歐的寫作風格。達里歐不只是詩人,也是歷史的見證者,從他的作品中可以看到政治歷史的變化趨勢。達里歐著作極為豐富,筆者在本章節挑選三本可以代表達里歐的作品:《藍》(Azul)、《每日詩》(Prosas profanes)以及《生命與希望之歌》(Cantos de vida y esperanza)。達里歐與現實主義有著密不可分的關係,他的寫作風格不僅受到現實主義作家的影響,同時也是影響現實主義作家的重要人士之一。 第三章筆者不僅針對達里歐的詩集作品分析,同時也分析其散文作品,如《稀奇》(Los raros)。筆者將經常出現於達里歐作品中的象徵符號分為三個部分:顏色符號、禽鳥符號和寶石符號。顏色符號部分主要分析的顏色為藍色、綠色、白色以及黑色。禽鳥符號則針對天鵝、鴿子、孔雀和老鷹。而最後的寶石符號則以珠寶、寶石、鑽石、琥珀、黃金和水晶為主要分析內容。 最後筆者希望藉由這篇論文的研究,能讓大家了解象徵符號經由作家的詮釋,即使相同的符號,也擁有不同的意義。此外也希望大家能透過此篇論文認識文學史上重要的拉丁美洲作家盧本達里歐先生。In this thesis we explore definitions of symbols and the life of the author in the book of Ruben Dario. Dario is an author who emphasized the importance of the use of symbols though out his books. Therefore we might consider him as a master specialized in writing with symbols. We divide the thesis into three chapters. In the first chapter, we give details to the definition of the symbols. According to scholars like Urban, Frye, Todorov and Cirlot, we are able to understand symbols in forms of signs, images and words. The concept of the symbols is relatively comprehensive, taking into consideration that a symbol is not always a sign; in fact, it is much more than a sign. In the second chapter, we describe Ruben Dario about his life, literary works and the times when he lived. His life was interesting, colorful and varied. He was not only a poet but a public figure, having been an ambassador of Nicaragua in Spain. Dario wrote many pieces and each was important to him. Based on his narration, there are three books that can represent Ruben Dario, Azul, Prosas profanas and Cantos de vida y esperanza. Dario was the master of Modernism, mainly because of the great influence of Latin America. Not only did Ruben Dario influence the poets of Modernism but was influenced by other poets in the same period. In the last chapter we examine the symbols in the poetry of Dario and we divided the symbols into three parts: the colors, birds and precious stones. The first part, we examine the colors. There are blue, green, and black. In the second part, we deal with the symbols of birds, including swans, pigeons, peacocks and eagles. And in the last part, we talk about precious stones. We analyze the symbols of agate, ruby, diamond, crystal and gold. Finally, we end up with the conclusions and bibliography.INTRODUCCION 1 Motivo y objetivo 1 Metodologia de trabajo 3 CAPITULO I: ¿QUE SON LOS SIMBOLOS? 5 1.1 Teorias del simbolo 6 1.2 Los simbolos en la literatura 15 CAPITULO II: RUBEN DARIO Y SU OBRA POETICA 22 2.1 Vida 22 2.2 Obra literaria 28 2.3 Ruben Dario y el Modernismo 35 CAPITULO III: LOS SIMBOLOS EN LA POESIA DE RUBEN DARIO 40 3.1 Colores 40 3.2 Aves 45 3.3 Piedras preciosas 59 CONCLUSION 72 BIBLIOGRAFIA 77 ANEXOS 83學號: 698120028, 學年度: 10

    ’The Prison and the Factory’ Revisited (2017): Penality and the Critique of Political Economy Between Marx and Foucault

    No full text
    An assessment of the "fortune" of the book by Dario Melossi and Massimo Pavarini, The Prison and the Factory, 40 years after the original publication. In particular, the author deals with the relationship with the work by Michel Foucault and the linkages of both to the Marxist tradition

    Ruínas de um tempo/templo, ou sobrevivências de Dario Vellozo na literatura do presente

    No full text
    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2011Este trabalho teve por objetivo desenvolver uma leitura da sobrevivência da poética simbolista na poesia do presente, tendo como base o poeta Dario Vellozo. Pretendemos ler a sua poesia colocando-a em rede, tirando-a da província, e demonstrando que a performance literária de Dario na belle époque curitibana não está distante de movimentos como o dos patafísicos e acephálicos. Os gestos de Dario, ao fomentar uma poesia simbolista mística, ao construir o Templo das Musas e ao criar festividades pagãs em que se travestia de grego e desfilava com seus seguidores pela cidade, não são meramente provincianos, já que estão atravessados pela leitura de simbolistas e decadentistas franceses e pelo surto do misticismo que invade a Europa no século XIX. A partir do cruzamento de tempos e textos do final do século XIX, do início do século XX, e de poemas contemporâneos, bem como da leitura de teóricos como Walter Benjamin, Aby Warburg e Didi-Huberman, observamos como alguns poetas do presente desenvolvem um diálogo inteligente com o simbolismo, revitalizando-o, e dele extraindo uma força capaz de potencializar a sua própria produção.This work aims to develop an interpretation of the symbolist poetry survival in the contemporary poetry, having as basis the poet Dario Vellozo. We intend to read his poetry putting it in relation, taking it out from the province, and showing that the literary performance of Dario in the belle époque of Curitiba it is not so distant from the movements such as the pataphysics and acephalics. The gestures of Dario, feeding a mystic symbolist poetry, building the Muse Temple (#Templo das Musas#) and creating pagan festivities in which he dressed up like a Greek and marched with his followers through the city, are not provincial acts, since these acts are marked by the reading of French symbolists and decadents and by the outbreak of mysticism that invaded Europe in the nineteenth century. From the correlation of times and texts of late nineteenth century, earlier twentieth century with contemporary poems, as well as the reading of scholars such as Walter Benjamin, Aby Warburg and Didi-Huberman, I intend to investigate how poets like Paulo Leminski, Ricardo Corona, among others, develop a clever dialog with the symbolism, reviving it, and extracting from it a strength capable of leverage its own creation

    Black Fashion Designers Symposium: Elizabeth Way in conversation with Teri Agins, Dario Calmese, and Constance White

    No full text
    Elizabeth Way, in conversation with Teri Agins, Dario Calmese, and Constance White at The Museum at FIT's annual fashion symposium, Black Fashion Designers, held on Monday, February 6, 2017.The one-day symposium featured talks by designers, models, journalists, and scholars on African diasporic culture and fashion.Elizabeth Way is curatorial assistant at MFIT. She co-curated the exhibitions Black Fashion Designers and Global Fashion Capitals.Teri Agins spent 25 years as a reporter for The Wall Street Journal, where she continues to write the “Ask Teri” fashion advice column. She is author of The End of Fashion.Dario Calmese writes for The Daily Beast and is a photographer, visual director, and whose clients have included Beyoncé, Pyer Moss, and Public School.Constance White is an award-winning journalist and author of Stylenoir, a pioneering book on black culture and style

    [photograph] Gent : Nieuw Circus. Portret van Trio Dario (drie clowns).

    No full text
    Bovenaan staat handgeschreven : "A notre charmant Directeur Mr. Balfour en souvenir de notre agréable séjour au Nouveau Cirque / Dario C. Trio / Gand 12-4-30"Bijzondere collectie

    Biennale di Architettura di Venezia, Le quattro stagioni, L’architettura del made in Italy da Adriano Olivetti alla Green Economy, Il progetto Paraloup

    No full text
    Il progetto di Paraloup presentato alla Biennale di Venezia 2012 nel Padiglione Italiano alla mostra “Le quattro stagioni. Architetture del made in Italy, da Adriano Olivetti alla Green Economy”. Nel padiglione sono raccontati alcuni esempi di “architettura sensibile” come approccio possibile durante la crisi e come esempio di intervento per il futuro. Il progetto di recupero della storica borgata di Paraloup Paraloup opera del prof. Daniele Regis con Giovanni Barberis, Dario Castellino, Valeria Cottino era protagonista dell’ esposizione in una speciale installazione

    Oil portrait of Federal Judge James C. Wilson by Dario Rappaport

    No full text
    Oil portrait of Federal Judge James C. Wilson by Dario Rappaport.https://mavmatrix.uta.edu/specialcollections_startelegram1940s/8277/thumbnail.jp

    La tutela dei dati personali- Il ruolo delle pubbliche amministrazioni Relazione italiana del prof. avv. Alessandro Dario Cortesi – Convegno AGATIF Saarbrücken – 5/10/2018

    No full text
    The author, after providing a historical introduction to the right to privacy and to the protection of personal data (specifying the differences), critically analyses the GDPR (General Data Protection Regulation), raising doubts as to whether it could lead to a concrete uniformity in data protection law in Europe. The author introduces the theme of big data, predictive police, robojudge. He lists the problem faced by Italian public bodies in the implementation of the GDPR and illustrates the potential contrasts between administrative and civil courts judgment
    corecore