8,358 research outputs found
Rosário Fusco e o estado novo
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.Este trabalho tem por objetivo investigar alguns escritos teóricos de Rosário Fusco na tentativa de apreender como a sua participação no getulismo foi importante para a criação de uma história literária e de um personagem (populista) de governo. Na chave do cruzamento da estética com o domínio da política que Rosário Fusco encontra sua grande contribuição na primeira metade do século XX. Ce travail a objective d'enquêter quelques écrits théoriques de Rosário Fusco dans la tentative d'appréhender comment sa participation dans le getulisme fut important à la création d'une histoire littéraire et un personnage (populiste) du gouvernement. Dans la clé du croisement de l'esthétique avec le domaine de la politique, Rosário Fusco trouve sa grande contribuition dans la première moitié du XXeme siècle
Give Up Art: Collected Critical Writings
No full textGive Up Art is a collection of critical writings by author Maria Fusco. Operating across fiction, criticism, and theory, Fusco’s work forges a contemporary space for critical art writing internationally. Give Up Art brings together nearly two dozen essays, reviews, and smaller pieces published between 2002 and 2017
Fusco et al. Appendices_ Paleobiology 2016
No full textSupplementary information for Fusco et al. paper
Application of the EU-SILC 2011 data module "intergenerational transmission of disadvantage" to robust analysis of inequality of opportunity
No full textThis data article describes the original data, the sample selection process and the variables used in Andreoli and Fusco (Andreoli and Fusco, 2019) to estimate gap curves for a sample of European countries. Raw data are from 2011 roaster of EU-SILC, cross-sectional sample of module "intergenerational transmission of disadvantage". This article reports descriptive statistics of the using sample. It also discusses the algorithm adopted to estimate the main effects and details the content of additional Stata files stored on the online repository. These additional files contain raw estimates from bootstrapped samples, which form the basis for estimating gap curves and their variance-covariance matrices. The data article also reports representations of gap curves for all 16 selected countries. (C) 2019 The Authors. Published by Elsevier Inc
Matera, città del sistema ecologico uomo/società/natura: il ruolo della cultura per la rigenerazione del sistema urbano/territoriale
No full textIl libro tratta della rigenerazione circolare human-centred di Matera. La bellezza è la caratteristica generale del paesaggio storico di Matera, interpretato come un sistema dinamico complesso che comprende la città antica, la nuova città e il territorio. Intorno alla bellezza (forse anche “dolente”) si articolano i diversi contributi del volume. Come conservarla
facendola diventare motore di nuovo sviluppo? La tesi generale è che tale rigenerazione va inquadrata nella prospettiva dell’“economia circolare” che è un’economia in cui tutti i valori economici co-esistono e co-evolvono con i valori ecologici e con quelli sociali/umani.
Nella rigenerazione human-centred le persone e la cultura sono al centro della rigenerazione circolare della città, Capitale Europea della Cultura nel 2019. La cultura plasma il modo in cui la gente vive, lavora, produce, consuma, trasforma, si relaziona con gli altri e con la natura determinando scelte e comportamenti. È la lente attraverso la quale trasformare ogni
sito, anche quelli abbandonati e in degrado, in un sistema vivente. Il punto di partenza della suddetta strategia di rigenerazione è l’identificazione del “valore intrinseco” del sistema urbano materano.
Esso va inteso come il significato essenziale, il valore intangibile che rappresenta il fondamento di altri valori, che ha plasmato la struttura organizzativa costruita nel corso di molti secoli. Oggi, questo “valore intrinseco” può offrire una direzione coerente ed efficace per lo sviluppo circolare human-centred del sistema materano, facendo così di Matera un caso esemplare con riferimento al paradigma dell’economia circolare
Acting Out:Cuban Artists Challenge to the State
No full textFive of the videos in Coco Fusco’s exhibition Tomorrow, I Will Become an Island at KW were filmed in Cuba, where the artist has collaborated with local artists on a range of projects for over thirty years. The videos explore the fraught relationship between civic engagement and the Cuban state. Coco Fusco will be joined by Cuban artist and former political prisoner Hamlet Lavastida, and Cuban poet and essayist Antonio José Ponte for a discussion about Fusco’s work and the current state of artistic activism in relation to cultural politics in Cuba today. Hamlet Lavastida is a Cuban artist, based in Berlin. He studied painting at the Academy of Fine Arts San Alejandro and the University of the Arts (ISA) in Havana. Lavastida reinterprets the role of Cuban political rhetoric and iconography in public culture. He focuses on the ways that Cuban propaganda shapes and distorts history. He explores the visualization of state ideology in his videos, collages, drawings, and public art. Lavastida’s work has been shown at Documenta 15 (Kassel, Germany); Museo Nacional Centro de Arte Reina Sofía (Madrid); Künstlerhaus Bethanien (Berlin); Center of Contemporary Art Łaźnia (Gdańsk) and Center of Contemporary Art, Zamek Ujazdowski (Warsaw). Antonio José Ponte was born in Matanzas, Cuba in 1964. He first worked as a hydraulics engineer, and later as a professor of literature, script writer and author. He is Deputy Director of the online daily Diario de Cuba, founded in Madrid in 2009. His published work includes the essays Un seguidor de Montaigne mira La Habana (1995), Las comidas profundas (1997), El libro perdido de los origenistas (2004), Villa Marista en plata (2010) and La lengua suelta y Diccionario de la lengua suelta (2021), the short stories Cuentos de todas partes del Imperio (2000) and Un arte de hacer ruinas y otros cuentos (2005), a book of poems with the title Asiento en las ruinas (2005), and the two novels Contrabando de sombras (2002) and La fiesta vigilada (2007). Coco Fusco is an interdisciplinary artist and writer. She is a recipient of numerous awards, including a Guggenheim fellowship, an American Academy of Arts and Letters Award, Latinx Art Award, a Fulbright fellowship and the Herb Alpert Award in the Arts. Fusco’s performances and videos have been presented in the 56th Venice Biennale, Frieze Special Projects, Basel Unlimited, three Whitney Biennials (2022, 2008 and 1993), and several other international exhibitions. Her works are in the permanent collections of the Museum of Modern Art, The Art Institute of Chicago, The Walker Art Center, the Centre Pompidou, the Imperial War Museum, and the Museum of Contemporary Art of Barcelona. She is the author of Dangerous Moves: Performance and Politics in Cuba (2015), English is Broken Here: Notes on Cultural Fusion in the Americas (1995), The Bodies That Were Not Ours (2001) and A Field Guide for Female Interrogators (2008). She is a Professor of Art at Cooper Union.Coco Fusco Hamlet Lavastida Antonio José Ponte An event of KW Institute for Contemporary Art in cooperation with ICI BerlinFünf der Videos in Coco Fuscos Ausstellung Tomorrow, I Will Become an Island in den KW wurden auf Kuba gedreht, wo die Künstlerin seit über dreißig Jahren mit lokalen Künstler*innen in einer Reihe von Projekten zusammenarbeitet. Die Videos thematisieren das Spannungsverhältnis zwischen zivilem Engagement und dem kubanischen Staat. Mit Coco Fusco diskutieren der kubanische Künstler und ehemalige politische Gefangene Hamlet Lavastida und der kubanische Dichter und Essayist Antonio José Ponte über ihr Werk und den aktuellen Stand des künstlerischen Aktivismus in Bezug auf die Kulturpolitik in Kuba heute. Hamlet Lavastida ist ein kubanischer Künstler, der in Berlin wohnt. Er studierte Malerei an der Akademie der Künste San Alejandro und der Universität der Künste (ISA) in Havanna. Lavastida interpretiert die Rolle der politischen Rhetorik und Ikonographie in der öffentlichen Kultur Kubas neu. Er konzentriert sich auf die Art und Weise, wie die kubanische Propaganda die Geschichte prägt und verzerrt. Anhand seiner Videos, Collagen, Zeichnungen und seiner Kunst im öffentlichen Raum erforscht er die Visualisierung staatlicher Ideologie. Lavastidas Arbeiten wurden auf der Documenta 15 (Kassel, Deutschland) gezeigt, im Museo Nacional Centro de Arte Reina Sofía (Madrid), im Künstlerhaus Bethanien (Berlin), im Zentrum für zeitgenössische Kunst Łaźnia (Danzig) und im Zentrum für zeitgenössische Kunst, Zamek Ujazdowski (Warschau). Antonio José Ponte wurde 1964 im kubanischen Matanzas geboren. Er arbeitete zuerst als Hydraulik-Ingenieur und dann als Literaturprofessor, Drehbuchautor und Schriftsteller. Er ist stellvertretender Direktor der 2009 in Madrid gegründeten Online-Tageszeitung Diario de Cuba. Zu seinen veröffentlichten Werken gehören die Essays Un seguidor de Montaigne mira La Habana (1995), Las comidas profundas (1997), El libro perdido de los origenistas (2004), Villa Marista en plata (2010) und La lengua suelta y Diccionario de la lengua suelta (2021), die Kurzgeschichten Cuentos de todas partes del Imperio (2000) und Un arte de hacer ruinas y otros cuentos (2005), ein Gedichtband mit dem Titel Asiento en las ruinas (2005) und die beiden Romane Contrabando de sombras (2002) und La fiesta vigilada (2007). Coco Fusco ist eine interdisziplinär arbeitende Künstlerin und Autorin. Sie wurde mit zahlreichen Preisen ausgezeichnet, darunter ein Guggenheim-Stipendium, der American Academy of Arts and Letters Award, der Latinx Art Award, ein Fulbright-Stipendium und der Herb Alpert Award in the Arts. Fuscos Performances und Videos wurden auf der 56. Biennale von Venedig, bei Frieze Special Projects, Basel Unlimited, drei Whitney-Biennalen (2022, 2008 und 1993) und mehreren anderen internationalen Ausstellungen gezeigt. Ihre Werke sind Teil der ständigen Sammlungen des Museum of Modern Art, des Art Institute of Chicago, des Walker Art Center, des Centre Pompidou, des Imperial War Museum und des Museum of Contemporary Art in Barcelona. Sie ist die Autorin von Dangerous Moves: Performance and Politics in Cuba (2015), English is Broken Here: Notes on Cultural Fusion in the Americas (1995), The Bodies That Were Not Ours (2001) und A Field Guide for Female Interrogators (2008). Sie ist Kunstprofessorin an der Cooper Union.Coco Fusco Hamlet Lavastida Antonio José Ponte Ein Event von KW Institute for Contemporary Art in Kooperation mit dem ICI Berli
Fitting a Statistical Model to SIR-C SAR images of the Sea Surface
No full textA suite of statistical procedures aimed at assessing to what extent polarimetric and/or multifrequency synthetic aperture radar (SAR) images of the sea surface can be modeled in terms of spherically invariant random vectors and matrices (SIRVs and SIRMs) is presented. The proposed tests assume that images can be described by resorting to the compound-Gaussian model, but do not require any a priori knowledge about the actual first-order probability density function (pdf) of the texture. The tests have also been used to analyze three data sets from STR-C/X-SAR missions
I designer del bagno_ Bathroom designers
No full textQuesto primo quaderno dell’ADI Lazio disegna un breve ma esauriente percorso storico-critico attraverso la progettazione e la produzione dei numerosi componenti dell’arredo bagno, tradizionalmente sviluppate in modo particolare nel territorio laziale. Dapprima Renato De Fusco compie un excursus che tende a distinguere nettamente l’architettura dal design e ad assegnare all’arredamento un ruolo intermedio fra i due, mentre al bagno in particolare riconosce lo specifico status di “un interno nell’interno” fino ad immaginare un’ironica “metafisica del bathroom”. Quindi Carlo Martino ricostruisce - a partire dalla pioneristica figura di Fabio Lenci - la nascita e lo sviluppo professionale di un gruppo di designer di grande valore, affermatisi grazie alla rigogliosità di questo specifico distretto industriale a Roma e nel resto della regione. Emerge così il contorno, fino ad oggi non molto noto, di un pezzo importante del cosiddetto made in Italy - quello del bathroom design - che ancora oggi vede ampi margini
di internazionalizzazione. Chiudono il quaderno un approfondito repertorio di prodotti dal forte valore iconico, nelle diverse articolazioni tipologiche ascrivibili al bagno,ed una rassegna di progetti dei designer del Lazio realizzati nell’ultimo decennio
Give Up Art
No full textGive Up Art is a collection of critical writings by author Maria Fusco. Operating across fiction, criticism, and theory, Fusco’s work forges a contemporary space for critical art writing internationally. Give Up Art brings together nearly two dozen essays, reviews, and smaller pieces published between 2002 and 2017.Maria Fusco is a Belfast-born writer based in Scotland. Her award-winning writing crosses the registers of criticism, ction, and theory. Her work has been translated into ten languages.Edited by Jeff Khonsary
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