1,721,031 research outputs found
On the road: Communicating traffic
Full text linkHow do people communicate in mobile settings of interaction? How does mobility affect the way we speak? How does mobility exert influence on the manner in which talk itself is consequential for how we move in space? Recently, questions of this sort have attracted increasing attention in the human and social sciences. This Special Issue contributes to the emerging body of studies on mobility and talk by inspecting an ordinary and ubiquitous phenomenon in which communication among mobile participants is paramount: participation in traffic. This editorial presents previous work on mobility in natural settings, as carried out by interactionally oriented researchers. It also shows how the investigation into traffic participation adds new perspectives to research on language and communication
The studio interaction as a contextual resource for TV-production
No full textThe present text focuses on the complex context of TV-production. The study shows how the dynamics of the studio interaction can be made relevant as a crucial contextual resource for the production crew filming and broadcasting the very same interaction. The mutual intelligibility of the crew’s indexical practices (e.g. talk, switches and camera movement) is shown to be grounded in a state of mutual attention to the unfolding studio interaction. Based on a number of recordings made in the control room during the live production of the French TV-show Rideau Rouge (January 20, 2004) the study describes in particular the crew’s orientations towards three dimensions of the endogenous organization of the studio interaction: turn construction, sequence organization, and activity constitution. The analysis confirms the general relevance of these orders of organization for talk-in-interaction, and shows how each can be used for the practical purposes of the production of the show. The study also reflects upon possible mediating effects when perceiving the studio interaction at a distance. In the control room, the studio interaction can only be observed through the technological system at hand, which is shown to be of some importance for the way in which it can be understood.Original publication: Mathias Broth, The studio interaction as a contextual resource for TV-production, 2008, Journal of Pragmatics, (40), 5, 904-926. http://dx.doi.org/10.1016/j.pragma.2007.10.010. Copyright: Elsevier B.V., http://www.elsevier.com/</p
Rec. av Norrthon, Stefan: Teaterrepetitionens interaktion. Professionella praktiker i ett repetitionsarbete från manus till föreställning (2020).
No full texthttps://doi.org/10.33063/diva-427686</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Mobilitet
No full textI alla slags aktiviteter uppvisar deltagare i sitt manifesta beteende en ständig känslighet för vad övriga deltagare gör, verbalt såväl som genom övriga kroppsliga utryck. Mobilitet, eller deltagares förflyttning i förhållande till omgivningen, har visat sig vara en relevant aspekt av mänsklig interaktion. Detaljerade analyser har visat hur mobilitet och andra interaktiva resurser formar varandra ömsesidigt och att det är den multimodala och situerade helheten som deltagare baserar sitt meningsskapande på.</p
Le dialogue mis en scène (Staged Dialogue)(Dialogue Analysis VI. Proceedings of the 6th Conference)
No full text
- …
